Golden Boot: World Cup 2026 top goalscorers | World Cup 2026 | The Guardian

Keyword – Football
Trefwoorden – World Cup 2026, Football, World Cup, Sport, US sports, Australia sport, Mexico, Czechia, South Korea, South Africa football team, Bosnia and Herzegovina, Canada, Qatar, Switzerland, Brazil, Haiti football team, Morocco football team, Scotland, Australia national football team – Socceroos, Paraguay, Turkey, USA, Curaçao, Ecuador, Germany, Côte d’Ivoire football team, Japan, Netherlands, Sweden, Tunisia football team, Belgium, Egypt football team, Iran, New Zealand, Cape Verde, Saudi Arabia, Spain, Uruguay, France, Iraq, Norway, Senegal football team, Algeria football team, Argentina, Austria, Jordan, Colombia, Democratic Republic of the Congo football team, Portugal, Uzbekistan, Croatia, England, Ghana football team, Panama
Title – Golden Boot: World Cup 2026 top goalscorers | World Cup 2026 | The Guardian
Author –
Link – Golden Boot: World Cup 2026 top goalscorers | World Cup 2026 | The Guardian
Publish date – 2026-06-18T08:17:30.000Z
Category – Sport
URL – https://www.theguardian.com/football/ng-interactive/2026/jun/04/golden-boot-world-cup-2026-top-goalscorers-winner

The Golden Boot is awarded to the World Cup’s top goalscorer, with assists used as a tie-breaker if two or more players finish level. The 2026 tournament has three former Golden Boot winners taking part: Kylian Mbappé of France (eight goals in 2022), England’s Harry Kane (six goals in 2018) and James Rodríguez of Colombia (six goals in 2014).

Mbappé and Kane are among the pre-tournament favourites to finish top scorer in North America, alongside Norway’s Erling Haaland – making his World Cup debut – and Argentina’s Lionel Messi.

Other pre-tournament favourites include Spain’s Mikel Oyarzabal and Lamine Yamal, Vinícius Júnior of Brazil and Portugal’s Cristiano Ronaldo. However, history tells us not to discount a surprise package. Totò Schillaci, initially a back-up striker in Italy’s squad, won the Golden Boot in 1990, while Russia’s Oleg Salenko finished joint-top scorer in 1994, albeit aided by five goals in one game against Cameroon.

Golden Boot contenders have an extra match to rack up the goals in 2026, with a 48-team tournament meaning a round of 32 for the first time. Any team that reaches the semi-finals will finish the World Cup having played eight games, although the highest Golden Boot total ever – Just Fontaine’s 13 goals in six games for France in 1958 – remains an imposing target.

You can no longer have joint winners. If two or more players have the same number of goals and also of assists, the total minutes played in the final competition will be taken into account, with the player playing fewer minutes ranked first.

Colombia’s runoff election expected to trigger shift in decades-long armed conflict | Colombia | The Guardian

Keyword – World news
Trefwoorden – Colombia, World news, Americas, Farc
Title – Colombia’s runoff election expected to trigger shift in decades-long armed conflict | Colombia | The Guardian
Author – https://www.theguardian.com/profile/tiago-rogero
Link – Colombia’s runoff election expected to trigger shift in decades-long armed conflict | Colombia | The Guardian
Publish date – 2026-06-21T05:00:22.000Z
Category – News
URL – https://www.theguardian.com/world/2026/jun/21/colombias-runoff-election-expected-to-trigger-shift-in-decades-long-armed-conflict

Colombians go to the polls on Sunday in a presidential runoff expected to trigger to a dramatic shift in the country’s decades-long armed conflict, now at its most violent point since the landmark 2016 peace agreement between the government and most of the Revolutionary Armed Forces of Colombia (Farc).

Polls show the frontrunner is the Trump-admiring far-right lawyer and millionaire businessman Abelardo de la Espriella, who has vowed to abandon President Gustavo Petro’s “total peace” plan of negotiating the disarmament of all criminal organisations and instead return to full-scale military confrontation with armed groups.

De la Espriella’s opponent in the ballot will be Petro’s chosen successor and the main architect of “total peace”, the leftwing senator Iván Cepeda, who argues for the continuation of the plan, with “necessary changes” .

Cepeda led the polls throughout most of the campaign but was defeated in the first round three weeks ago and has since struggled to attract centrist voters.

The election, in which more than 41 million Colombians are eligible to vote, is expected to deliver another victory for a far-right candidate advocating an iron-fist approach to crime, after the examples of Keiko Fujimori, who is leading the vote count in Peru , and José Antonio Kast, who won last year’s election in Chile .

Amid what many analysts see as a new wave of far-right victories across Latin America, a De la Espriella presidency would leave only Mexico, Brazil, Uruguay and Guatemala under leftwing governments.

Sandra Borda Guzmán, an associate professor of political science at Los Andes University in Bogotá, said De la Espriella successfully tapped into two trends that have shaped recent elections around the world: presenting himself as an anti-establishment “outsider” and promising quick solutions to violence.

He even promised that, if elected, he would restore state control over territories dominated by criminal groups within 90 days – although he later appeared to backtrack , telling Radio Caracol: “I never said I would solve the security problem in 90 days.”

De la Espriella, a lawyer who launched his legal career defending leaders of rightwing paramilitary militias, maintained that his goal during his first three months in office would be to “capture or kill” 10 major narcoterrorist and organised crime leaders.

“Between the international trend favouring candidates who present themselves as anti-political figures and Colombia’s domestic security situation, that combination has helped him significantly,” said Guzmán.

Although violence remains far below the extraordinarily high levels recorded in the decades before the peace deal with the Farc , the past year has been the most violent since the 2016 agreement.

Miguel Bermúdez, a 40-year-old business administrator from the coastal city of Cartagena, said he would vote for De la Espriella largely because he is an “outsider” despite his long history as a lawyer for the rich and powerful .

“For a long time, I’ve been looking for something that feels fresh. I’m tired of that same old political narrative,” said Bermúdez.

Kátia Outten, a 57-year-old dentist from the island of San Andrés, said she would vote for Cepeda because “he understands the needs of ordinary people”.

During his presidency, Cepeda’s backer Petro expanded social programmes and increased the minimum wage. The poverty rate has fallen to its lowest level since records began in 2012.

Outten also decided not to vote for De la Espriella because of what she sees as his sexist views, including a radio interview in which he claimed to have won support among female voters because of the size of his penis .

“Women make up just over 50% of the population. If we go out and vote with women’s empowerment in mind, we can show that all of that rhetoric has no basis,” she said.

Benjamina Ebuehi’s recipe for upside-down blueberry cake | Food | The Guardian

Keyword – Food
Trefwoorden – Food, Cake, Baking, Dessert, Snacks, Fruit, Eggs
Title – Benjamina Ebuehi’s recipe for upside-down blueberry cake | Food | The Guardian
Author – https://www.theguardian.com/profile/benjamina-ebuehi
Link – Benjamina Ebuehi’s recipe for upside-down blueberry cake | Food | The Guardian
Publish date – 2026-06-19T05:00:23.000Z
Category – Lifestyle
URL – https://www.theguardian.com/food/2026/jun/19/upside-down-blueberry-cake-recipe-benjamina-ebuehi

I grew up thinking the only fruit that was allowed in an upside-down cake was tinned pineapple, so once I discovered that no such rule existed and that I had free rein, upside-down cakes became far more exciting. I’ve since used everything from plums and apples to blood oranges, but today I’ve gone for blueberries. And, thanks to how juicy they are, you don’t even need to make a caramel: just toss the berries in sugar. I always add a pinch of five-spice, too, for a warming fragrance that just works. Trust me!

Upside-down blueberry cake

Prep 5 min Cook 1 hr Serves 9

For the topping 350g blueberries 50g caster sugar ¼ tsp five-spice powder For the cake 3 large eggs 120g caster sugar 45g light brown sugar 50g olive oil 80g melted unsalted butter , plus extra for greasing 70g soured cream 165g plain flour 1½ tsp baking powder ¼ tsp fine sea salt Ice-cream , to serve

Heat the oven to 180C (160C fan)/350F/gas 4, and grease and line a 20cm x 20cm square tin with enough baking paper to overhang.

Put the blueberries in a bowl and toss with the caster sugar and five-spice, to coat. Tip them into the lined tin, making sure the berries are spread out evenly and with minimal gaps.

In a second bowl, mix the eggs and sugars until combined. Pour in the oil and melted butter, stir until smooth, then work in the soured cream. Tip in the flour, baking powder and salt, and mix gently until just combined.

Pour the batter over the blueberries, then bake for 40-45 minutes, or until a skewer inserted into the centre of the cake comes out clean. Remove and leave to cool in its tin for a few minutes, then flip the cake upside down on to a serving plate. Serve warm with scoops of ice-cream.

‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites | Steven Spielberg | The Guardian

Keyword – Film
Trefwoorden – Steven Spielberg, Film, ET: The Extra-Terrestrial, Close Encounters of the Third Kind, Raiders of the Lost Ark, Empire of the Sun, Culture
Title – ‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites | Steven Spielberg | The Guardian
Author – https://www.theguardian.com/profile/guardian-readers,https://www.theguardian.com/profile/alfie-packham
Link – ‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites | Steven Spielberg | The Guardian
Publish date – 2026-06-20T12:00:02.000Z
Category – Culture
URL – https://www.theguardian.com/film/2026/jun/20/readers-favourite-spielberg-films-close-encounters-et-raiders-hook

ET the Extra-Terrestrial (1982)

ET is my favourite Spielberg film. It was the first I ever saw at the cinema, when I was eight years old, at Bolton Odeon in 1982. It was also the first film that made me cry – not just cry, but sob all the way home on the bus. I remember feeling completely confused by the fact that I was so happy and yet so sad at the same time. I watched the film with my mum and some of her friends from the Gingerbread Club, a single parents’ organisation that arranged social events and outings, mainly for single mothers. At a time when there was still a stigma attached to being a single parent, it provided a sense of community and support.

Looking back, I think part of the reason I connected so strongly with ET was that it featured a single mum rather than the perfect nuclear family that dominated so many films and TV programmes of the time. It felt much closer to my own reality, and that made me love the film even more. That Christmas, my favourite present was an ET doll with a light-up stomach and glowing fingertip. I adored it. More than 40 years later, I still love the film dearly and never hesitate when someone asks me what my favourite film is. Even now, hearing a few notes of John Williams’s score is enough to bring tears to my eyes within seconds. Andrea, 51, Manchester, UK

Hook (1991)

Universally touted as a Spielberg flop. So much so, that even Spielberg himself started to regret ever making the film. All of this is inconsequential to its meaning for me as a child of the 90s. The film is a trusted comfort. I can quote all the dialogue, and even use phrases from it in my day-to-day life. The casting, the effervescently sad Robin Williams as the boy who accidentally grew up, the lawyer jokes, the warm haze that permeates the film. I remember it being played on free-to-air many times as a child and having my own – pardon the pun – pirated copy. I returned to this film often as a child, and still return to it at least once a year now, when a dose of nostalgia is needed. So despite Spielberg’s protestations, it is my favourite of his oeuvre for many selfish reasons. Rhea, Melbourne, Australia

Close Encounters of the Third Kind (1977)

Close Encounters of the Third Kind will always be the Spielberg movie that means the most to me, as much for the circumstances that led to me seeing it as the wonderful film itself. I was five years of age and my mum decided to take my sister and I to see a movie double bill at a cinema in nearby Chester. From memory, the films we were meant to see were a Spider-Man movie that was actually made for TV, and a much older, Ray Harryhausen-animated, Sinbad film. Long story short, my dad dropped us at the wrong cinema, on the opposite side of town, and my mum decided we should see whatever was showing there rather than venturing through an increasingly dark, wet evening.

The only “suitable” movie was Close Encounters, although my mum said numerous times before buying the tickets that she was worried I might find it scary. Needless to say, her saying that made me feel very nervous indeed! Up until that point, my only issue with seeing a movie with the words “of the Third Kind” in the title was that I hadn’t seen the first two films (I was similarly confused when the crawling text at the beginning of the original Star Wars movie referred to it as “Episode IV”).

Anyway, I sat in the cinema next to my mum, quaking like crazy at this scary movie she was making me watch. But not for long! About 15 minutes in, I famously announced that my tummy had stopped shaking and from that point on I was utterly absorbed by this film of such mindblowing scale, spectacle and wonder. I vividly remember going to bed that night and asking my mum to leave the curtains open so I could see the stars. Spielberg’s genius had opened my very young mind and made it suddenly more curious as to what magic there might be out there. More importantly, I wasn’t afraid to look for it. Scott Harrison, 54, north Wales, UK

Always (1989)

Always, starring Holly Hunter, Richard Dreyfuss and John Goodman, is my feelgood movie. Funny, heartbreakingly sad, great action and classic dialogue: “Girl clothes!” Holly and Richard at their peak, their chemistry was excellent and that they are not your typical Hollywood handsome made you love them more. I have to watch this film every couple of years and I always laugh and always messy-cry and it never fails to reaffirm my faith in people. Spielberg made the perfect love story, but its joy is so often overshadowed by his summer blockbusters. Karen Cusick, 61, Devon

Raiders of the Lost Ark (1981)

Raiders, for its propulsive energy and giddy excitement as Indiana Jones cracks his whip through a booby-trapped temple in the South American jungle. Also choosing Nazis as the villains (and snakes!) was a masterstroke that helps keep the plot itself timeless. Steven Spielberg tips his fedora to the cliffhanger serials of the 1930s and the Tintin stories to bring us the adventure of a lifetime!

Spielberg’s name translates as “play mountain” in German and he brings that playfulness to the screen from the opening shot of the Paramount logo transitioning into a mountaintop in the Peruvian jungle as Indy searches for hidden treasures, before getting caught in snowbound Himalayan bar fights, foot chases through Cairo and an exhilarating truck chase through the desert. As you catch your breath, the chemistry between Indy and Marion has the alchemy of a 1930s screwball comedy. Niall Laverty, Dublin, Ireland

Empire of the Sun (1987)

For me, it is Empire of the Sun . It was one of the first major Hollywood productions allowed to film in communist China, in Shanghai. It is also faithful to JG Ballard’s excellent book. In fact, I can’t read the book now without seeing young Christian Bale as Jamie/Jim. The imagery is extraordinary, the acting feels real, and John Williams’s score is beautiful. The opening scene, with coffins floating down the Yangtze as Suo Gân plays in the background, hooked me immediately. I think I first saw it in year 11, towards the end of term, when our history teachers played it for us.

I already loved history, so the setting was the perfect recipe for me. But what really stayed with me was Jim himself. I was only a few years older than him at the time, and I remember wondering how I would have coped in his situation: separated from his parents, forced to fend for himself and having to grow up amid some awful scenes. I didn’t much like the conclusion I came to. There are scenes I still think about: the young Japanese pilot, the “difficult boy” scene, the atom bomb, and that extraordinary “Cadillac of the skies” moment. War might be the backdrop, but I don’t see it as a film about war. It is about imagination, resilience, choices and consequences. That is why it has stayed with me. Matthew Vandermeer, 50, Brisbane, Australia

The Fabelmans (2022)

I’m a high-school English and film studies teacher. I’m 49 – just a few months older than Close Encounters. The Fabelmans is my favourite film of all time, and is the capstone film we watch to finish my film studies class at Appleton West High School. In it, Spielberg explicitly tells the story of his own childhood and adolescence and his family’s influence on him becoming a film-maker, but he also uses that story to reveal the “how” and the “why” of a lifetime influencing the emotions of his audiences.

Watching The Fabelmans for the first time is an almost religious experience for Spielberg fans around my age. It’s a meditation on growing up with the movies and a sincere attempt to show the next generation of film-makers and enthusiasts all they need to take up the mantle themselves. For fans of Spielberg and the rest of the “New Hollywood” visionaries, there is no better (or more accessible) film to demonstrate how the movies that move us are built on foundations of both science and art, how Spielberg is an absolute master of both, and how his parents’ influence in those polar-opposite arenas made him (and us!) capable of dreaming so vividly on screen.

The Fabelmans also features the most joyous final shot you’ll see in a movie. It made me leap out of my seat in 2022 the same way I did as a kindergartener when ET’s heart started glowing again 40 years prior. The whole film is an elaborate magic trick, and nothing is spoiled when Hollywood’s master emotional illusionist reveals his – and his family’s – biggest secrets. Nathan Ossmann, Appleton, Wisconsin, US

The Color Purple (1985)

The Color Purple tells the stories of sisters separated and of women who help each other through hard times and characters who grow and mature. It shows the downtrodden rising, features fantastic singing and love lasting through decades of separation. The Color Purple is Spielberg’s best film because it shows the strength of women to overcome their circumstances when they support each other. It also has an amazing soundtrack of gospel and jazz and blues. The scene that sticks in my mind is Shug singing gospel demanding her father forgive and accept her. Mandy Purcell, 54, Melbourne, Australia

Duel (1971)

I first read Duel as a very enjoyable short story in Playboy magazine early 1970s. I was elated to learn it had been made into a film and first saw it on UK Channel 4 TV. Now have it as a DVD, regularly watch it, pleased that the lead is played by Dennis Weaver whom I recall from 1950s TV as Chester in Gunsmoke, an American western series. I am mesmerised by the way Spielberg captures the menace of the anonymous driver in the equally anonymous, oversized, unmarked, rust-brown truck, repeating the same conceit – the truck appearing from nowhere to intimidate, bumper to bumper. It’s a one-trick pony but Spielberg makes it fresh every time the bullying takes place. And the ending. Literally a cliffhanger, as an intimidated car driver abandons his vehicle at a cliff’s edge while the truck follows, over the edge and to oblivion. Very clever for a directorial debut. Mike Abbott, 83, London, UK

US Open glory beckons for Wyndham Clark with six-shot lead going into final round | US Open | The Guardian

Keyword – Sport
Trefwoorden – US Open, PGA Tour, European Tour, Golf, Sport, US sports
Title – US Open glory beckons for Wyndham Clark with six-shot lead going into final round | US Open | The Guardian
Author – https://www.theguardian.com/profile/bryan-armen-graham
Link – US Open glory beckons for Wyndham Clark with six-shot lead going into final round | US Open | The Guardian
Publish date – 2026-06-21T03:06:19.000Z
Category – Sport
URL – https://www.theguardian.com/sport/2026/jun/21/us-open-glory-beckons-for-wyndham-clark-with-six-shot-lead-going-into-final-round

Wyndham Clark’s lead shrank, then grew, then all but swallowed the tournament whole. The 2023 US Open champion watched a four-shot advantage get cut in half on Saturday while still on the first hole, only to respond with a masterclass in survival golf as Shinnecock Hills finally delivered the bruising examination players had anticipated all week.

By day’s end, Clark had stretched his lead to a yawning six shots despite shooting an even-par 70. Scottie Scheffler’s one-under 69 was enough to emerge as the closest pursuer, but the world No 1 will begin Sunday’s final round needing something extraordinary to prevent Clark from capturing America’s national championship for a second time in four years .

Clark arrived at the weekend at seven under par after setting the 36-hole scoring record for a US Open at Shinnecock. For a brief moment on Saturday afternoon, that margin looked vulnerable. Sam Stevens birdied the opener while Clark’s approach spun back down the false front of the first green. A tentative first putt left him six feet for par and the return effort slid past the edge.

A four-shot 36-hole lead had become a two-shot 37-hole lead. With winds approaching 40mph sweeping across the exposed property and the Poa annua greens growing firmer and increasingly unpredictable, the red scores began dropping off the leaderboard one after another.

But Clark never came close to joining them. The 32-year-old American birdied the par-five fifth and spent much of the afternoon producing the sort of gritty, unglamorous golf that wins the major championship billing itself as golf’s toughest test. He repeatedly escaped trouble with timely par saves, converting putts from 5ft on three occasions while also rescuing pars from six, seven and 14ft.

“That’s what you have to make to win US Opens,” Clark said. “You’re not going to have too many birdie putts … you’ve got to make those kind of five- to 12-footers.”

Clark had spent the afternoon slipping Shinnecock’s punches, but the 16th was where he landed what may have been the knockout blow. A towering 275-yard approach at the par-five settled inside 5ft of the flag, setting up the first eagle of the week at the hole and effectively slammed the door on the field.

The exposed layout, roughly 80 miles east of Manhattan, played firmer and faster than during the opening two rounds. Of the 10 players who began the day under par, only five finished there.

Rory McIlroy was not among them. The Masters champion appeared ready to mount a serious challenge after producing three consecutive birdies from the fifth hole, including a remarkable 66ft putt from off the sixth green. The surge moved him to two under par and within striking distance of Clark.

Then everything came undone. McIlroy’s approach from just 49 yards at the 10th bounded through the green and led to bogey. A three-putt followed at the 12th. Further mistakes arrived at the 14th, 15th and 18th as a promising round dissolved into a three-over 73. He left the course without speaking to reporters.

While McIlroy and others drifted out of contention, Scheffler marched steadily in the opposite direction. The four-time major and Olympic champion looked to be fading from the mix after opening with back-to-back bogeys, but a birdie at the 10th sparked the turnaround. Scheffler then birdied three consecutive holes from the 14th, holing a 65ft chip from off the green before adding a 12ft birdie putt at the next and narrowly missing eagle at the par-five 16th.

A bogey at the short 17th and a missed birdie chance from 4ft at the last prevented an even lower score, but his 69 was still the best round among the leading contenders and left him alone in second place at one under par.

Sunday’s final round falls on Scheffler’s 30th birthday and Father’s Day and victory would complete the career grand slam. Having already captured the Masters, PGA Championship and Open Championship, he would join Gene Sarazen, Ben Hogan, Gary Player, Jack Nicklaus, Tiger Woods and McIlroy as the only men to win the sport’s four bedrock tournaments.

“I’d rather be leading,” Scheffler said. “But I have an opportunity to go out there and have a great round and give myself a chance to win the tournament.”

Stevens, in a four-way share of second at one-under with Scheffler, Tom Kim and Sahith Theegala, continued one of the week’s most surprising performances. The 29-year-old Texan, playing only his eighth major championship and still in search of his first PGA Tour victory, remained firmly in the mix after another composed display. The former US Open champion Matt Fitzpatrick, who began the day tied for second, slipped backwards with a 74.

Earlier, Emiliano Grillo posted the day’s low score with a three-under 67. The Argentinian became only the second player this week to make four consecutive birdies, matching Dustin Johnson’s feat on Friday, and joined a group of three players at even-par for the championship that included Xander Schauffele and Sam Burns. But all of them are chasing Clark, who first moved into the lead at 7.09pm on Thursday evening and has not relinquished it since.

His six-shot advantage is the third-largest 54-hole lead held by a US Open leader since the second world war. History suggests it will be enough: 21 players have carried a lead of six shots or more into the final round of a major championship with 20 of them going on to win. The lone exception remains Greg Norman’s collapse at the 1996 Masters , where a closing 78 transformed a six-shot advantage into a five-shot defeat against Nick Faldo.

“Scottie is the best player in the world, and he’s going to play probably really good. He always does,” Clark said. “But it’s nice to have a six-shot lead on him.” He added: “I’m not necessarily thinking about my lead or anything. If I go out and execute and go through my process and hit the shots I know I can hit, I like my chances.”

Tournament officials announced a record-equalling $22.5m purse on Saturday, with the winner set to receive $4.5m.

The French aristocrat and the all-American idiot: Henry v Lalas is the World Cup’s most compelling battle | World Cup 2026 | The Guardian

Keyword – Football
Trefwoorden – World Cup 2026, World Cup, US television, Fox, Football, Television, Television & radio, Media, Culture, Sport, Thierry Henry, US sports
Title – The French aristocrat and the all-American idiot: Henry v Lalas is the World Cup’s most compelling battle | World Cup 2026 | The Guardian
Author – https://www.theguardian.com/profile/aaron-timms
Link – The French aristocrat and the all-American idiot: Henry v Lalas is the World Cup’s most compelling battle | World Cup 2026 | The Guardian
Publish date – 2026-06-21T09:00:27.000Z
Category – Sport
URL – https://www.theguardian.com/football/2026/jun/21/thierry-henry-alexi-lalas-fox-world-cup

W e all know someone like Alexi Lalas. He’s the ranter whose rants never actually say anything, the life of the party at the party no one enjoys attending, the “big personality” who’s always misjudging the size of the room. He’s corporate America’s idea of a fun guy, the type of workplace “character” whose business trip hangover never stops him from being first at the hotel breakfast buffet, hair wet, Untuckit shirt untucked. He would absolutely dominate karaoke night at a conference on infrastructure finance. If only this were the limit of Alexi Lalas’s actual impact on the world, our culture would live in blessed ignorance of his existence. But in the real world Alexi Lalas is not a small-time menace working the floor at an infrastructure conference. In the real world Alexi Lalas is American soccer’s brightest media star, and he is everywhere this World Cup.

When Lalas’s Roger Ramjet jaw thrust into frame on Fox at the start of this tournament, it’s fair to assume that many viewers felt a sense of dread similar to that expressed in the Grand Theft Auto meme : “Ah shit, here we go again.” Lalas’s ubiquitousness every World Cup is American TV’s answer to the Iran war: no one wants it, everyone hates it, and as it drags on, it inevitably becomes a face-saving exercise in damage limitation. But there was also a glimmer of hope: for this tournament Fox has enlisted a pair of elite European strikers, Thierry Henry and Zlatan Ibrahimović, to terrorize Lalas and shake proceedings up. Steered by Rebecca Lowe, this new-look panel has promised a slightly more sophisticated approach to covering the tournament than the yahooing belligerence that was Fox’s stock in trade at the last two World Cups.

Zlatan is a dud, the late-career Samir Nasri of pundits – all minimal effort and visible exhaustion. But Henry is magnificent, which is no real surprise for those of us who follow his work through the Champions League season on CBS. And he has already begun to work his blood-twisting magic on the Maga hack at the far-right end of the panel. Brazil v Morocco, Netherlands v Japan, and France v Senegal have all had their admirers, but for sheer drama and eviscerating beauty they have not come close to matching Fox’s on-set title fight. The French aristocrat v the all-American idiot: Henry-Lalas is the real battle of this World Cup .

Henry’s now-viral humiliation of Lalas in the studio kickaround segment the other day – passing the ball with one foot then dragging it away with the other, leaving the defender with 96 caps for the United States to dance with thin air – was absolutely filthy, and in the arena of on-set debate the action has been no less processional. This has been less a battle than a slow-motion scalping, and the good news is it still has weeks left to run.

In contrast to the gormless agreeability and exhausting talkiness that reign on American TV, Henry is a wonderfully unimpressed on-screen presence, all raised eyebrows, frozen double takes, lip quivers and ashen shrugs. But he’s more than just an assembly of rehearsed gestures; he also has a lively mind and a sharp sense of humor. Whenever Titi’s sleek dome pops up on screen, you instantly know what you’re going to get: astute in-game observations, learned references to tactical history and a memorable facial expression or two. Lalas, to use a bit of managerial jargon for players of less refined talents, “offers something different”. Grating contrarianism, relentless jingoism, and a boorish insistence on America as the sport’s future constitute the core of his offering.

Lalas enjoyed a solid playing career, but he’s obviously not in the same league as Henry, widely considered the greatest footballer in Premier League history. This vast gulf in on-field pedigree has become more awkward as the tournament has progressed, with Lalas retreating into a meek silence whenever Henry reveals his depth of footballing experience. In a conversation where his co-panelist is casually reminiscing about his days playing alongside Messi or exchanging shirts with Ronaldo Nazário at the World Cup, what exactly is Lalas going to talk about – coming on as a second-half substitute for Earnie Stewart in a friendly against Scotland in 1998? Helping the Kansas City Wizards finish last in the 1999 MLS Western Conference? Did Lalas enjoy an elite playing career? No. But does he do the background reading that could compensate for his relative lack of standing in a conversation with titans like Henry and Zlatan? Also no. But is he charming or funny or charismatic or otherwise magnetic on screen? Eh, no.

If Clint Dempsey represents soccer’s version of the American dream – growing up in a trailer park and overcoming poverty, hardship, and family tragedy to become arguably the USMNT’s greatest-ever player – Lalas may be the American nightmare: the man who soared into the national consciousness in 1994 in a blaze of kick-ups and flaming hair has ended up an international joke. Once, he sang crunchy dad rock and charmed the Olsen twins; now, he’s on X defending ads during the hydration breaks and quote-tweeting accounts with 197 followers to let us all know how “proud” he is to call the sport soccer, not football (for the last time: WHO CARES?).

Contrast this with Henry. The Frenchman’s voice – the hooting vowels, the fleshy emphases, the rounded Rs delivered out the side of the mouth – adds a dusting of Euro flair to everything he says. Among Henry’s many gifts as a broadcaster is an awareness that it is not always necessary to speak loudly to make an impression. Lalas never says anything of substance but when he does open his mouth the emerging inanity is always delivered at full volume: “IT’S GO TIME!” Maybe there was once a time when Lalas offered American soccer a kindler, gentler, more reflective face. But that time is long past. While Lalas rants and states the obvious (“We need Christian Pulisic to step up!”), Henry is a model of cosmopolitan calm – and it’s in this contrast of approaches, rather than any direct confrontation, that the meat of their battle resides.

Often over the course of the tournament’s opening days it has felt as if Lalas’s fellow panelists are laboring under a contractual obligation to find him interesting, a burden felt in every strained nod in agreement and forced round of laughter at a signature “bit”. The tirades, the improvised bars, the crescendoes to nothing: Lalas has given us the full package so far this tournament, and his studio mates have dutifully done their best to appear to find the man fun and insightful.

In the half-time recap of France v Senegal, Lalas described the French as “lacksadaiscal” (an autological mangling that, in Lalas’s own lazy attempt to pronounce the word “lackadaisical”, unintentionally expressed the very property described), drawing particular attention to the defending on a golden chance for Senegal that Ismaïla Sarr sprayed over the crossbar. “Sarr! Over the bar! Hit it far!” Lalas exclaimed, a trademark rhyme that elicited polite smiles from Lowe and Ibrahimovic. Henry, meanwhile, laughed and shook his head in mock wonder, repeating the words “Sarr over the bar” in the manner of a fond parent congratulating his five-year-old on successfully rhyming “cat” with “mat”. The beauty of Henry’s performance in this epic TV mismatch is that his cloak of Gallic outrecuidance has lent the contempt in which he plainly holds Lalas a measure of deniability. Is Henry mean, or is he just French?

At points Ibrahimovic has made it clear that he shares this disdain for the unquiet American, but he can’t touch Henry’s variety and subtlety when it comes to showing Lalas up. The French legend is not afraid to learn new things and study up on countries and players he’s not familiar with; Lalas gives the impression that he does not need to do any work for the simple reason that he’s American, and America, baby, is No 1. Titi’s contributions in the lead-up to USA v Australia on Friday included an incisive defense of counterattacking football, and a surprisingly deep dissection of the abilities of Socceroos midfielders Connor Metcalfe and Paul Okon-Engstler, two players it’s fair to assume that few in Australia – let alone America – had known much about until a few weeks ago.

Over in Seattle, meanwhile, with a crush of American fans at his back, Lalas called Socceroos defender Alessandro Circati “Cicada”. With that out of the way, he returned to regular programming: “America wants to celebrate America and this team is giving America a reason to celebrate America, and man oh man Rob Stone, ain’t that America?”

The kind of trollish, hyperventilating garbage that Lalas specializes in is standard fare on sports cable, but it’s a weird fit for soccer, whose global reach compels a kind of analytical modesty. It also runs counter to the sport’s prevailing cultural politics. Soccer in the US is the domain of migrants, urban liberals and anyone too scrawny for the bigger homegrown sports. There’s a strange mismatch between soccer as it actually exists throughout the United States and the red-meat Americana of Fox’s World Cup coverage, and no one better embodies this incongruence than the network’s resident carrot. While USMNT players expound thoughtfully on the importance of Juneteenth, vocal Trump supporter Lalas is busy doing promo videos for the Department of Homeland Security. (No doubt he would have loved the DHS’s hilarious tweet claiming the US’s heroic defensive effort in the second half against Australia as a variety of Trumpian xenophobia.) For Fox to turn a man as partisan, bullying and unlikeable as Lalas into American soccer’s figurehead is the media equivalent of getting John Wayne Gacy to perform at a children’s birthday party.

But now – improbably and perhaps accidentally – Fox has offered US viewers a living example of how much better they could have it, of what the beautiful game might look like on TV with the Lalasian headlights dimmed.

If the culture of American soccer – including on TV – moves in the same positive direction as matters on the pitch, the sport should eventually outgrow Lalas. In years to come, his brand of on-screen thuggery may even be remembered as the relic of a less enlightened era, as a kind of footballing minstrelsy. Maybe the retrospective embarrassment associated with Lexi the loinmaster will be so strong that he’ll be disappeared from the archival footage of this tournament altogether, like a purged party official in Stalinist Russia, and the scenes he once hogged will just show 30 seconds of mystifying silence with Carli Lloyd saying “right on” at the end. We can dream.

In the meantime we have this: the vindicating spectacle of a footballing lord showing up on set every day through this World Cup and coolly nutmegging Fox’s house clown into oblivion. In many ways, this is better.

Northampton crowned Prem champions after Hendy’s double sees off Exeter | Prem Rugby | The Guardian

Keyword – Sport
Trefwoorden – Prem Rugby, Northampton, Exeter, Sport, Rugby union
Title – Northampton crowned Prem champions after Hendy’s double sees off Exeter | Prem Rugby | The Guardian
Author – https://www.theguardian.com/profile/robertkitson
Link – Northampton crowned Prem champions after Hendy’s double sees off Exeter | Prem Rugby | The Guardian
Publish date – 2026-06-20T16:15:57.000Z
Category – Sport
URL – https://www.theguardian.com/sport/2026/jun/20/northampton-exeter-prem-final-rugby-union-match-report

A fast and furious Prem season was never going to end with a dull whimper. And when the dust finally settled on another frenetic encounter it was Northampton who stood tallest, propelled to their second domestic title in three years by two tries inside four minutes from their red-haired wing George Hendy, the player who also set up Alex Mitchell’s clinching try in his side’s 2024 victory over Bath .

It was not always the most error-free of games, but the helter-skelter action was never less than compelling. Exeter had edged in front thanks to a 51st-minute score from their captain, Dafydd Jenkins, with Northampton down to 14 men after Josh Kemeny’s yellow card. They reckoned without the energy of Henry Pollock and Hendy’s double whammy that propelled Saints over the line in a rugged encounter on a sweltering afternoon.

For a while it appeared the outcome might hinge on a fabulous last-ditch tackle by Campbell Ridl on Mitchell when the England scrum-half looked absolutely certain to score. Saints also had to deal with some ferocious Chiefs tackling, with the Wallaby Len Ikitau leading the charge. It cramped Northampton’s style to such a degree they could seldom replicate the flowing attacking rugby that drove them to the top of the regular season table.

When it mattered, though, they found something resembling a second wind, possibly driven on by a desire to give a suitable send-off to their captain, George Furbank, who is heading to Harlequins this summer . Fittingly, it was Furbank who hoisted the new, heavier trophy into the south-west London sky, although as he acknowledged there was more than a touch of relief at the final whistle.

At times it seemed as though the underdogs of Exeter might just prevail. Having battled their way past Leicester , Saracens and Bath en route to final, the big question was whether they still had enough energy in their legs. And how well they could start.

It was distinctly sub-optimal, then, when Ollie Woodburn and Manny Feyi-Waboso got in each other’s way and Tommy Freeman was presented with the simplest of tries inside the first two minutes. Nothing much else went Exeter’s way initially, with the early loss of their hooker, Max Norey, to a lower leg injury another untimely blow.

Soon enough, though, the momentum shifted significantly. Freeman wide on the right threw a hopeful offload infield that was snaffled by Ikitau who released Ridl for a 45-metre sprint to the line.

Chiefs could easily have scored again, with Stephen Varney hauled down just short and then Slade being nudged aside at the crucial moment as he appeared set to complete a kick-and-chase try.

Saints lost the influential Archie McParland to injury in a crazily fluctuating opening quarter and would have scored a second try themselves had Hendy thrown a slightly more accurate inside pass to Furbank with the line wide open. The pace was relentless until a water break on 20 minutes gave the sides a much-needed opportunity to catch their collective breath.

It was certainly warm enough to justify a drink, but it took a while for the game to recapture its previous electricity. While Joseph Dweba did come close to capitalising on a driving maul it was Saints who scored next, Fin Smith slicing through to score and adding the conversion.

Exeter needed to make their hard physical work pay and did so a minute before the interval. It was not especially pretty, with Dweba’s five-metre lineout throw sailing over its intended target, but the ball fell obligingly into the hands of the unmarked Josh Iosefa-Scott who turned and crashed over.

It would have narrowed the half-time gap to two points had Slade landed the relatively straightforward conversion, but the kick sailed wide, prompting the England centre to do some impromptu kicking practice as everyone else headed for the dressing rooms.

Exeter also badly needed to improve their lineout stats, having won two of their five first-half throw-ins. But Dweba’s first effort of the second half also went astray and Northampton would have taken advantage had Tom Litchfield’s attempted scoring pass to Rory Hutchinson not gone forward.

It felt significant, then, when Exeter went ahead for the first time with just under half an hour to play through the charging Jenkins. This time Slade slotted the conversion and gave Exeter a three-point cushion.

Jenkins’s yellow card for an upright challenge on Furbank looked a tad harsh, but it was not the only reason his side lost momentum. Did they ultimately just run out of gas? As some of their big forwards began to slow down, it certainly looked that way. Pollock, otherwise excellent, sailed close to the wind with a fractionally early challenge on Ridl, but Hendy’s athletic double ensured Northampton’s ‘Shoe Army’ went marching in again.

It put the seal on a season that has restored some faith in the financially battered English domestic game. The number of Bath and Leicester fans around the stadium underlined that when the quality of the entertainment is good enough it is worth watching even when your team has been knocked out. For that fact alone we should all be grateful.

The brilliant Michael Olise represents a key faultline in history of French football | World Cup 2026 | The Guardian

Keyword – Football
Trefwoorden – World Cup 2026, World Cup, Football, Sport, France, Football tactics
Title – The brilliant Michael Olise represents a key faultline in history of French football | World Cup 2026 | The Guardian
Author – https://www.theguardian.com/profile/jonathanwilson
Link – The brilliant Michael Olise represents a key faultline in history of French football | World Cup 2026 | The Guardian
Publish date – 2026-06-20T19:00:09.000Z
Category – Sport
URL – https://www.theguardian.com/football/2026/jun/20/michael-olise-france-world-cup-didier-deschamps

M ichael Olise is probably the best creative player in the world at the moment. He racked up 26 assists for Bayern Munich last season. It was his shift into a more central role that transformed France’s game against Senegal from drab slog to impressive victory.

The confidence he always had at Crystal Place has evolved at Bayern into a graceful fluency. In a hugely talented France side, Olise is the standout, the player who it feels might carry them to the World Cup . Yet he is something of an anomaly.

It’s not just that he was born in White City, west London, and grew up loving cricket (his father was British-Nigerian and his mother French-Algerian), or even that, like his former Palace teammate Eberechi Eze, he spends much of his spare time playing chess. It’s that, unusually in this France side, he plays with a sense of freedom and joy. He has not yet submitted fully to Didier Deschamps’s tactical yoke, nor been curdled by his own celebrity. As such, Olise represents a key faultline in history of French football.

At the 1982 World Cup, France were renowned for their carré magique , the magic square of Michel Platini, Jean Tigana, Alain Giresse and Bernard Genghini. They actually played as a midfield four only in the semi-final defeat by West Germany but Seville became a myth, an idea.

France may have lost on penalties despite leading 3-1 in extra time, an agonising defeat in which Patrick Battiston was knocked unconscious by Toni Schumacher, but they had played with panache, and that was French football. Two years later, as they won the Euros, Genghini had been replaced by the far more defensive but still stylish Luis Fernández, but the idea held. French football was about la gloire .

France have a four at this World Cup who could be similarly great. It’s easy to imagine the pundits of a couple of decades’ time leaning back with a warm chuckle, and shaking their heads as they remember Ousmane Dembélé, Kylian Mbappé, Desiré Doué and Olise, three great products of the French academy system and a bloke who started off at Hayes & Yeading, and got his big break playing for Reading (albeit he also had stints in the academies of Arsenal, Chelsea and Manchester City). Imagine a team with that level of attacking talent all on the pitch at once. How could any defence ever have coped with them?

And yet France are not all-conquering. They drew 2-2 with Iceland in qualifying. They did not play with élan. Although they reached the semi-final of the last Euros, they did not score a single goal from open play. Perhaps all nations operate at various points along a spectrum, what distinguishes them is what that spectrum represents.

The France side of 1958, which reached the World Cup semi-finals – Just Fontaine, Raymond Kopa, Roger Piantoni et al – building on the achievements of Reims in the European Cup, were built on attacking flair but by 1969, after their successors failed to qualify for the 1962 and 1970 World Cups and went out in the group stage in 1966, there was a reaction.

Georges Boulogne took charge and, echoing the economic rhetoric of the time, spoke of “ football labeur ” and said the game had to stop being “ un activité ludique ”. But he proved no more successful and France failed to qualify for the 1974 finals. The former Ajax coach Stefan Kovacs began the shift back towards something more progressive but it was after Michel Hidalgo took over before the 1978 World Cup that the style returned to France.

Hidalgo brought the Euros in 1984, but it was Seville that defined the era for France, something underlined in 1986 when, after a magnificent quarter-final victory over Brazil in Guadalajara, they again lost to West Germany in their semi-final. France were confirmed as glorious losers.

But for most of the public that was fine. What was sport for if not la gloire ? This was a nation that, presented in the 1960s with two great cyclists, the efficient Jacques Anquetil, who controlled races in the mountains, dominated time trials and won five Tours de France, or the dashing Raymond Poulidor , an aggressive climber noted for his vainglorious attacks who never won Le Tour, preferred Poulidor. As the philosopher Raymond Aron put it in his documentary series Le siècle du intellectuals , France was less interested in winning than in doing things well.

But not all of France. When Gérard Houllier became directeur technique national for football in 1988, he overhauled the academy system. His stint as France national coach was unsuccessful as they failed to reach the 1994 World Cup (thanks to David Ginola, whom Houllier never forgave, crossing the ball rather than keeping it in the corner in the final minute of the final qualifier against Bulgaria, leading to a counter and Emil Kostadinov’s late winner that put France out), but he paved the way for what came next.

Aimé Jacquet replaced him. His France were dull but they reached the semi-finals of Euro 96. L’Équipe waged war on him, but Jacquet was resolute. The 1998 squad was loaded with creative talent – Youri Djorkaeff, Zinedine Zidane, Thierry Henry, Robert Pires, David Trezeguet, Christophe Dugarry … but they played cautious, safety-first football. They lifted the World Cup and the French found they enjoyed boring winning more than heroic defeat.

Deschamps was Jacquet’s captain, and he learned the lesson. For 12 years he has apparently been engaged in some great absurdist prank: just how boring could you make the greatest squad of attacking players the world has ever seen? It brought a World Cup but after a glum 1-0 win over Belgium in the 2018 semi-final, France found themselves cast as Anquetil as Eden Hazard observed that he’d rather lose than win playing like that.

A string of forgettable tournament appearances has led to a growing feeling in France that Deschamps has been holding them back. Since the Euros, Dembélé has owned the Ballon d’Or and Doué won man of the match in the Champions League final. Mbappé remains Mbappé and was top scorer in La Liga last season. And yet the player causing excitement, the forward charged with restoring la gloire to France, is Olise.

‘A kind of massive rave’: Paris braces for 2m revellers as Fête de la Musique returns amid heatwave warnings | Paris | The Guardian

Keyword – World news
Trefwoorden – Paris, France, Festivals, Europe, World news, Music, Culture
Title – ‘A kind of massive rave’: Paris braces for 2m revellers as Fête de la Musique returns amid heatwave warnings | Paris | The Guardian
Author – https://www.theguardian.com/profile/angeliquechrisafis
Link – ‘A kind of massive rave’: Paris braces for 2m revellers as Fête de la Musique returns amid heatwave warnings | Paris | The Guardian
Publish date – 2026-06-20T07:00:02.000Z
Category – News
URL – https://www.theguardian.com/world/2026/jun/20/paris-braces-tourist-influx-street-festival-fete-de-la-musique

Paris is preparing for a street party of unprecedented scale on Sunday, as more than 2 million people are expected to gather for the Fête de la Musique amid a huge influx of music fans from the UK and warnings of record temperatures.

France’s annual free street music festival, which has been running for more than 40 years, has grown into the country’s largest cultural event. What was previously a nationwide showcase for local and amateur talent – from village choirs to classical ensembles and techno acts in the capital – has evolved into a vast international open-air celebration.

Last year, Paris welcomed a sudden and unexpected rush of music fans from the UK and other neighbouring countries after word spread on social media, creating an impromptu festival attended by about 2 million people.

Lamia El Aaraje, Paris’s deputy mayor, said “calls to all of Europe’s youth to come and party” in the city had transformed the event into “a kind of massive rave”.

She added: “Last year there was an impact on the public space, there were excesses, incidents, lots of sexual violence. We had a large clean-up issue afterwards so this year we wanted to mobilise ahead of time to secure the event.”

After reports of sexual violence last year – including some women and men who reported being pricked with syringes – authorities have adopted a zero-tolerance approach. Special cordoned-off safe spaces for women and disabled people will operate in key locations, including near city hall and Bastille, staffed by specialist support teams trained to deal with sexual violence complaints.

Paris city hall also warned international visitors about the dangers of canals and waterways. Last month, during celebrations after Paris Saint-Germain’s Champions League final victory over Arsenal, two people died in the Seine. One had a cardiac arrest after jumping in the river, while another was later found dead.

The city is also bracing for the practical consequences of hosting such vast crowds. Last year’s event generated so much litter that refuse teams needed two weeks to clear it. Thousands of additional bins and recycling points have been installed across Paris this weekend, while officials have urged visitors to use the city’s 600 round-the-clock public toilets rather than urinate in the street. About 1,400 water fountains will be available as Paris contends with heatwave conditions.

Pierre Rabadan, the city hall official responsible for tourism and nightlife, said: “The DNA of Fête de la Musique is kindness and lots of people. It’s a party that is responsible, joyous, happy and cosmopolitan. That’s all we want in Paris.”

A spate of shark bites has Australian ocean lovers on edge. People want to know why they’re rising | Australia news | The Guardian

Keyword – Australia news
Trefwoorden – Australia news, Sydney, Environment, Sharks, Marine life, Animals
Title – A spate of shark bites has Australian ocean lovers on edge. People want to know why they’re rising | Australia news | The Guardian
Author – https://www.theguardian.com/profile/graham-readfearn
Link – A spate of shark bites has Australian ocean lovers on edge. People want to know why they’re rising | Australia news | The Guardian
Publish date – 2026-06-20T20:00:10.000Z
Category – News
URL – https://www.theguardian.com/australia-news/2026/jun/21/a-spate-of-shark-bites-has-australian-ocean-lovers-on-edge-people-want-to-know-why-theyre-rising

Rob Harcourt is heading back from a “beautiful surf” at Bondi on a warm and sunny winter’s morning in Sydney .

But for him and many of his surfing mates, the compelling pull of the city’s world famous surf breaks has been neutered by tragedy, fear and uncertainty.

“A lot of my surfer friends are not going in,” says Harcourt, who, at 65, mixes his retirement and daily swims and surfs with ongoing research as an emeritus professor and the leader of Macquarie University’s marine predator research group. “A lot of people are very nervous – they’re traumatised.”

Sydney’s beaches have been rocked by a spate of shark bites and deaths .

The latest was last Saturday, when 34-year-old Leah Stewart suffered shocking injuries from a suspected great white shark bite. Her arm has been amputated and her family says she remains critical in hospital intensive care.

Conditions should have been perfect for a safe swim. Stewart was between the flags on a patrolled beach in clear water in the middle of the day – all things experts like Harcourt say reduce a person’s chances of being bitten.

While the recent spate of bites has many Sydney ocean lovers on edge, they are part of a sharply rising trend of shark bites on Australia’s coastlines.

“People just want to know why,” says Harcourt. “We don’t have a definitive answer. But we do know some things.”

Globally, Australia is second only to the US for shark bites on humans. But where global trends are mostly flat, the number of bites in Australia is rising.

Australia’s population centres overlap the homes of the three sharks most often responsible for the worst bites: great whites, tigers and bulls.

The Australian Shark Incident file shows in the 1950s there was an average of 3.1 unprovoked “incidents” each year across the country – that includes bites and attempted bites, but doesn’t include incidents where the shark may have been provoked, or if a person was spear fishing at the time.

The number of bites rose slowly until the 2000s, when it went from 12 incidents per year to the current rate this decade of 21.

The number of deaths from shark bites has gone up from an average of 1.7 per year in the 50s to 3.8 in this decade so far (better response times and the availability of tourniquet kits at surf life-saving clubs have likely saved lives).

The bite figures do not account for population growth but, even if they did, they would not account for how many of those people actually go in the water or whether they are swimming or surfing in places that overlap with sharks.

One review of shark bites found 40 different factors had been suggested as contributors to the risk of a shark bite – from an increase in the popularity of board sports to the proximity of popular beaches to river mouths. But there was little research into most of them.

Harcourt says despite all this uncertainty, some changes are known.

Warming ocean temperatures mean that bull sharks are spending more time in the Sydney area. Tiger sharks also prefer warmer water.

The numbers of seals and whales – food for larger sharks – have also been recovering since hunting stopped, he says.

“Swimming next to a seal colony probably puts you in greater risk,” says Harcourt, because sometimes sharks bite a human to see if it’s food, like a seal.

But could the rise in bites be because there are more sharks in the water, as former prime minister Tony Abbott claimed this week?

The state government keeps data on the number of marine animals caught in shark nets. Harcourt says if there were an explosion in shark numbers, then a lot more would also be caught in those nets. But he says the data shows no significant changes.

Dr Daryl McPhee researches shark bite trends at Bond University on the surf-crazy Gold Coast in Queensland.

In the past five years, there has been an average of four deaths a year in Australia from shark bites – this year, he says there have already been four.

So he says the rising trend of bites is “consistent with what people are feeling” in places such as Sydney.

But the risk of a bite, he says, can vary from beach to beach, day to day and species to species. The location of a shark’s food, such as seals or large schools of fish, at any given time, is another big factor.

Despite calls for culls of sharks in social media and from some high-profile people , experts say it’s unlikely to work in Australia because sharks are migratory.

“It’s an old colonial view that we can bend nature to our will,” McPhee says.

Fearing things we can’t control

When shark bites occur, the public will often be told by experts that they are very rare events and they are more likely to die, to use a few examples, from being hit by a coconut, struck by lightning or, perhaps a more relevant comparison, from drowning (there were 82 deaths from drowning at Australian beaches last year).

Dr Brianna Le Busque, who researches public perceptions of sharks at Adelaide University, says these comparisons do little to assuage our fear of sharks.

“We know it’s not helping,” she says. “We talk about how rare bites are and that almost makes it feel even more random and that we have even less control.”

Le Busque says humans fear things we think we can’t control.

“A lot of the time bites occur without a reasonable explanation for what’s happened at that time and in that place and so we feel out of control,” she says.

Le Busque surveyed surfers from around the world – mostly in the US – and found they feared sharks less than the general public, even though they were more likely to encounter sharks, or hear about encounters.

“A lot of them said these encounters were non-events. Maybe because these encounters are not negative, that gives them an anchor point [for their response].”

How to keep safe

Public discussion about shark safety are further muddied because of people’s differing values. Killing sharks on the pretence of protecting humans may be fine for some people, but anathema to others.

Australia first introduced shark nets at beaches more than 80 years ago.

In recent years, governments have introduced other measures, including baited hooks to catch sharks (controversial because of the high numbers of non-target species caught), improved safety information, drone monitoring and “listening stations” to alert beachgoers when a tagged shark is close.

Prof Corey Bradshaw, an ecologist at Flinders University, has been part of studies into the various measures, including those deployed on beaches . He says when done well, steps like public education, drones, and some personal protection, can cut the risk.

But on shark nets, he is clear.

“I think they are bullshit,” he says.

“They’re an environmental catastrophe and there is no evidence that they reduce the incidence of shark bites. They should have been pulled out of the water 50 years ago.

“As humans we have this innate evolutionary response to predators, and so we inflate the risk in our brains, even though the risk is extremely small.

“Then we do other risky behaviours because they’re familiar and we do them all the time. Like driving to the beach.”