The Uprising review – the peasants are revolting in muddled historical epic | Film | The Guardian

Keyword – Film
Trefwoorden – Film, Action and adventure films, Culture, Andrew Garfield, Paul Greengrass, Jamie Bell, Stephen Dillane, Cosmo Jarvis, Thomasin McKenzie
Title – The Uprising review – the peasants are revolting in muddled historical epic | Film | The Guardian
Author – https://www.theguardian.com/profile/owen-myers
Link – The Uprising review – the peasants are revolting in muddled historical epic | Film | The Guardian
Publish date – 2026-09-09T13:00:02.000Z
Category – Culture
URL – https://www.theguardian.com/film/2026/sep/09/the-uprising-movie-review

H ollywood loves giving young actors their own historical epic as much as audiences seem to dislike watching them. Timothée Chalamet and Chris Pine’s least remembered roles are in the medieval set films The King and Outlaw King (no relation), Ridley Scott’s The Last Duel made back only a third of its $100m budget and earlier this year, the Saudi-backed seventh-century drama Desert Warrior starring Anthony Mackie and Ben Kingsley quietly became one of the biggest flops of all time. Last week, it was reported that Scott blamed the failure of Gladiator II on Paul Mescal not being “masculine enough” in a logical leap which only makes sense if your barometer for masculinity is a man who throws hotel phones and yells at producers in storage closets.

On paper, The Uprising should be different: it’s a historical epic from a blue-chip director (the Bourne trilogy’s Paul Greengrass ), a nuanced, introspective leading man ( Andrew Garfield ) and a milieu that uncomfortably chimes with the western world’s backslide into repressive authoritarianism (The Peasants’ Revolt of 1381). In reality, it is a disjointed slog through the mud with the emotional depth of a History Channel rerun.

Through Greengrass’s lens, late 14th-century England seems like an utterly wretched place, not only because of the sludge-grey sky, scratchy brown sacks that everyone wears and the fact that no one seems to have had a wash in weeks, but because a despotic king treats the country’s people like scum, gouging them out of what little they have with hefty taxes to advance his own vainglorious agenda. Garfield’s character, who identifies only as Ploughman (“I am what I do,” he grunts), is mourning the loss of his wife and two children after they died from the plague, and will not stand for it any more. When asked for proof of his family’s death, one day he swipes clean the table of the taxman. “We’ve given you enough,” he cries, as the townspeople’s collective rage boils over into a riot.

He’s an unconvincing hero, this gruff Ploughman. The character seems to have been constructed as an everyman figure who unites the common people of England, but without any particular magnetism or spice, he often feels like he could be any man. His troupe soon meets two people who actually were in the Peasants’ Revolt: the priest John Ball and rebel leader Wat Tyler ( Jamie Bell and Cosmo Jarvis : both great and, unlike Garfield, both look like they actually could be from the late middle ages). “Join us, Ploughman,” beckons Tyler, as Garfield’s character, his band of brothers and a tomboy named Alyce, Thomasin McKenzie , unite to march on London with an aim to confront the king and restore England to the egalitarian principles of the Domesday Book.

Thus follows a rather hectic-feeling race from one greige setting to the next as the rebels have their run of modern-day Kent, assembling in Maidstone before storming Canterbury cathedral, and then traveling to meet the king and his men in Blackheath. Greengrass’s camerawork can occasionally swoon, with stunning aerial shots of a flotilla on the Thames, but his signature handheld style is a trick that has gone stale: the only uprising I felt during the seasick fight scenes was my breakfast threatening to return on me.

High points briefly come from Katherine Waterston’s satisfyingly icy turn as the king’s mother as well as Tom Hollander and Stephen Dillane as members of the slimy royal counsel, and there is one wickedly gruesome moment in the third act that feels genuinely envelope-pushing. But there are far too many scenes revolving around the Ploughman ominously polishing his scythe or extended debates at Windsor Castle.

Garfield does the best he can with the material, but by the time Ploughman has a righteous and rageful awakening, it is far too late. And the failure of the film to nail the uneasy parallels to today’s political life feels like looking a gift horse in the mouth. There’s certainly a lot of points of identification for a modern audience with downtrodden people who don’t feel heard by the powers that be, but Greengrass barely lets the audience pause for breath, let alone trust them to join those dots.

A couple of weeks before release, the US distributor Focus Features briefly changed the film’s title to The Uprising: The Rise of Robin Hood, suggesting that it would show events “that helped inspire the legend of Robin Hood”, even though the Peasants’ Revolt took place nearly 200 years after the time of the folkloric outlaw and his merry men. Meanwhile, The Uprising makes no mention of Robin Hood: almost as if it was all a last-ditch attempt to drum up buzz for a movie that is about as fun as trench foot.

The Uprising is out in the US on 11 September, the UK on 9 October and Australia on 22 October

US airports to let some people without tickets pass through security | US news | The Guardian

Keyword – US news
Trefwoorden – US news, Air transport
Title – US airports to let some people without tickets pass through security | US news | The Guardian
Author – https://www.theguardian.com/profile/oliver-milman
Link – US airports to let some people without tickets pass through security | US news | The Guardian
Publish date – 2026-09-09T12:50:39.000Z
Category – News
URL – https://www.theguardian.com/us-news/2026/sep/09/airport-security-tsa-precheck

Some people without plane tickets will be allowed to pass through security at US airports and go to gates to see off family or friends, rolling back a rule that was introduced after the 9/11 terrorist attacks.

Certain people who are part of the TSA PreCheck program but who do not have tickets to fly will be able to go through security to airport gates, the Transportation Security Administration (TSA) said.

This will revive a previous tradition where friends and family of those flying were able to go to the gate with them to bid farewell. The practice was largely banned following the 2001 terror attacks, which are nearing their 25th anniversary on Friday.

“As an exclusive benefit for our most trusted travelers, this new program makes it easier to return to the gate for welcomes and send-offs, meet friends during a layover, and enjoy dining and shopping along the way, bringing back the moments that once defined air travel,” the TSA said on its website.

The program, called Gateside by TSA PreCheck, is free, but interested members must apply online one to three days before their planned visits and receive approval before going to the airport. If approved, they can enter security using a TSA PreCheck lane with an acceptable form of identification. The passes are valid for one calendar day, but re-entries are allowed on that day.

The TSA says members of other trusted-traveler programs who have a Known Traveler Number also can apply for access to the gates.

The program is initially available at 13 airports, including Los Angeles international airport, Dallas-Fort Worth international airport, Harry Reid international airport in Las Vegas and Salt Lake City international airport, according to the TSA. The agency says it plans to expand the program to more airports in the coming months.

The TSA was created in the wake of 9/11 as part of a series of changes aimed at tightening aviation security. Passengers underwent more rigorous security checks, with knives and box cutters banned from carry-on bags. Aircraft cockpit doors were reinforced and air marshals were introduced to flights.

Evanescence review – devastating power and range from one of rock’s great vocal talents | Music | The Guardian

Keyword – Music
Trefwoorden – Music, Culture, Metal, Pop and rock
Title – Evanescence review – devastating power and range from one of rock’s great vocal talents | Music | The Guardian
Author – https://www.theguardian.com/profile/chris-lord
Link – Evanescence review – devastating power and range from one of rock’s great vocal talents | Music | The Guardian
Publish date – 2026-09-09T12:27:47.000Z
Category – Culture
URL – https://www.theguardian.com/music/2026/sep/09/evanescence-review-first-direct-arena-leeds

T o watch Evanescence in concert is to be spellbound by founder Amy Lee’s astonishing voice. The Arkansas band’s gifted mezzo-soprano lends their music vocals that range from skyscraping and spectacular to haunting and devastating. She soon moves through the registers on the opener Sanctuary, setting the stage for a show during which her vocals seem to scale ever greater peaks, even when you are convinced that there are no octaves left to conquer. And she makes it look effortless, striding around the stage, headbanging and fist-pumping the air.

It’s standard promotional protocol for a band to lean on their new album on tour, but it still shows impressive faith in their audience that tonight Evanescence perform all but one song from Sanctuary, which is also the title of their sixth LP. Jordan Fish, formerly of Bring Me the Horizon, produced most of it and his metallic influence is clear: pummelling drums, titanic choruses and walls of stormy riffs make the band’s new material noticeably heavier than the gothic hard rock of their earlier years.

Going Under is one of those brooding, decades-old staples. Caustic chugging guitar clears the way for towering choruses to explode into life, sparking enormous singalongs with Lee at the helm. Afterlife is anthemic, anguished pop metal while Calm Down is a groovy, synth-heavy number that creeps towards the most colossal breakdown of the night. It’s also the point when the band first utilise every inch of the stage, activating rising platforms and synchronised tongues of flame – drummer Will Hunt bolts upright from his stool to give the floor toms an almighty whack.

Perched at the keyboard for the penultimate song, My Immortal, Lee thanks the band’s crew, her fellow musicians, and the fans who have brought them “across the ocean over and over again, growing up together” for more than 20 years. Lee, 44, recently told this paper that she can see herself performing into her 60s, which is good news. In music generally – not just rock – a singular talent like hers is not so easily replaced.

‘Dress good to run fast’: How Black athletes became style icons | Fashion | The Guardian

Keyword – News
Trefwoorden – Fashion, Life and style, Naomi Osaka
Title – ‘Dress good to run fast’: How Black athletes became style icons | Fashion | The Guardian
Author – https://www.theguardian.com/profile/micha-frazer-carroll
Link – ‘Dress good to run fast’: How Black athletes became style icons | Fashion | The Guardian
Publish date – 2026-09-09T12:27:30.000Z
Category – News
URL – https://www.theguardian.com/news/2026/sep/08/dress-good-to-run-fast-how-black-athletes-became-style-icons

W hen Long Wave lead writer Nesrine Malik asked me if I’d seen Japanese-Haitian tennis star Naomi Osaka’s incredible pre-match look, I began to wax lyrical about the kimono she donned at Wimbledon a couple of months ago. No, not that look – Nesrine was talking about the NBA-inspired hoodie she wore at the US Open, taking to the court head bowed and hands in pockets, with the theatre of a WWE wrestler. By the time I sat down to write, Osaka had worn another viral walk-on outfit.

The star isn’t the first to acquire as many headlines for her clothes as for her performance. Osaka draws on a long tradition of Black athletes giving crowds their money’s worth through playful and provocative fashion statements. I delved into the history of why so many Black communities have a culture of “presenting”, and how defiance through fashion has found a natural home in sport.

The fashion game

Growing up, were you told you had to “present”? I’m talking about having elbows and knees moisturised, neat hair, a colour-coordinated outfit and matching underwear, just in case you had to go into hospital unexpectedly. In many Black cultures across the diaspora, it is far better to be overdressed than underdressed, and “extra” is more a term of endearment than an accusation. A considered, extravagant or playful outfit enters into a kind of shared visual language, and there is a culture of “turning out”, of giving the people a bit of a spectacle.

Throughout this eventful year of international sport, the Long Wave team has been hatching a theory. We saw Naomi Osaka wear creative jellyfish – and basketball -inspired outfits, and the DR Congo’s football team land in Texas in leopard print sashes and sunglasses . Meanwhile, Cabo Verde took to the pitch in intricate cornrows and locs , and Frances Tiafoe ripped off his trousers in a flourish . Earlier this year, officials forced a redesign of Haiti’s Winter Olympics kit featuring revolutionary leader Toussaint Louverture after finding it breached dress guidelines . Each of these stylish displays had an element of swag and showmanship that felt distinctly Black.

They also drew on a long tradition established by generations of Black athletes, from US basketballer Dennis Rodman’s punk aesthetics to Jamaican sprinter Shelly-Ann Fraser-Pryce’s neon wigs . Sometimes, these style choices have bumped up against the demands of elite sport, where dress codes are rife, and the tiniest details are optimised for performance. Why did the Williams sisters wear their famous white beads even when they were literally falling on to the court and losing them points? Why have so many Olympians donned two-inch-long acrylics despite them being impractical?

In one conversation with the Long Wave team, I remarked that I know my mother would not let me go on television to represent my people with a hair out of place or a chipped nail. We ventured different ideas about what scrubbing up and turning out a look meant in Black communities across the globe, trying to find a common thread.

Black style breaks rules

For some communities, the culture of “presenting” and“turning out”, is undoubtedly a response to historical attempts to quash our dignity and self-expression. Our clothes have long been a cultural battleground, with histories of suppression paradoxically giving rise to beautiful traditions of innovation and provocation. At the time of the transatlantic slave trade, for example, enslaved people were forced to dress in only the cheapest and coarsest fabrics – a practice that was sometimes enshrined in law , due to fears that free Black people were dressing above their status. Still, Black people found ways to creatively adorn their outfits. Sometimes, they subverted European fads and mixed these with African-inspired fashions, setting new trends. See also: Caribbean carnival costumes and traditions, many of which have their roots in the defiance of oppression.

Part of the fun of Black style has often been how rules have been circumvented. Even in freedom, legislation like the Tignon Laws forced Black women in New Orleans to cover their hair, and to refrain from showing “excessive attention to dress” through embellishments like jewellery and feathers. Enter our tradition of beautiful headwraps. Fashion historian Jonathan Michael Square highlights that in this period we see early precursors to African American “matchy-matchy” fashions . He describes enslaved people of the time and their descendants as “some of the most persistent purveyors of what would become known as ‘camp’”.

Black sportspeople tap into this history of subversion and play – since the sports world is characterised by rules, uniforms, traditions and genuine practical constraints. When Naomi Osaka wore a kimono as her Wimbledon walk-on look , she technically didn’t violate the British tournament’s notoriously stuffy dress code, since all her ruffles and bows were white. In its 2005-06 season, the NBA famously introduced dress codes in a crackdown on the durags, chains and baggy tees that were trickling into the industry via hip-hop culture. The move inadvertently spawned a new competitive culture of “pre-game fits” between Black basketballers.

Nesrine points out that, in some Black cultures, style is an important way of summoning bravado when you’re being called to represent. While testing the French Open dress code , Serena Williams described her all-black bodysuit as making her feel like a “warrior”. Osaka’s kimono also draws a spiritual parallel with battle clothes worn by African Zulu and Maasai Moran fighters. She told the New York Times earlier this week: “I am a pretty private person … Every time I wear a different outfit, it’s like a different character, almost like a video game, where you can select different avatars.”

Is fashion always that deep?

Of course, we can be cynical about these cultures. Top-level tennis players, for example, make most of their earnings from brand partnerships . Our culture of scrubbing up good also can’t be separated from the pressures of a racist society: when a Black person takes the world stage, they are often seen as a representative for all of us. Some might say that this feeds into a pressure to be flawless, and to look flawless. But the culture of expression seen in the sporting world cannot be reduced to any one theory – it is far too complex, and, not to mention, far too camp.

There’s also a sense of collectivity in all of this that reminds me that Black culture is deeply referential, nonlinear, and always finds ways to keep itself alive. With a hood and winding cornrows, Naomi Osaka pays homage to NBA star Allen Iverson. Iverson himself brought Black street style to the court, which many believe prompted the infamous dress code crackdown. In the 2021 Australian Open, Serena Williams wore a one-legged catsuit in a nod to the track star Florence “Flo-Jo” Griffith Joyner, who tore up the tracks in the 1980s with bright self-styled uniforms and six-inch acrylic nails. Flo-Jo didn’t over-intellectualise it: “Dress good to look good. Look good to feel good. And feel good to run fast!”

Tap in

What are the most legendary looks you’ve seen Black athletes wear to compete? Share your favourites by emailing us at thelongwave@theguardian.com or replying to this email and we may include your response in a future issue.

To receive the complete version of The Long Wave in your inbox every Wednesday, please subscribe here .

Liz Truss relaunches podcast on channel of broadcaster famous for ‘grow concrete’ exchange | Liz Truss | The Guardian

Keyword – Politics
Trefwoorden – Liz Truss, YouTube, Digital media, Media, Politics, UK news, Podcasts, Conservatives
Title – Liz Truss relaunches podcast on channel of broadcaster famous for ‘grow concrete’ exchange | Liz Truss | The Guardian
Author – https://www.theguardian.com/profile/helena-horton,https://www.theguardian.com/profile/michael-savage
Link – Liz Truss relaunches podcast on channel of broadcaster famous for ‘grow concrete’ exchange | Liz Truss | The Guardian
Publish date – 2026-09-09T12:08:02.000Z
Category – News
URL – https://www.theguardian.com/politics/2026/sep/09/liz-truss-mike-graham-podcast-concrete

When Liz Truss launched her podcast last year, she declared it would bring a “counter-revolution” to take on the “deep state”, which, she said, “tried to destroy” her.

The revolution, however, has not yet arrived. Truss, whose stint as UK prime minister abruptly ended after her disastrous mini-budget crashed the economy, has so far failed to find a wide audience in her media career.

Her podcast episodes hosted on YouTube often receive fewer than 4,000 views each, which is understood to be below the amount generally needed to monetise a video.

Now, Truss is relaunching her podcast and joining the former TalkTV host Mike Graham’s YouTube channel, UKLive, where she will be livestreaming twice a week.

Graham was dismissed from Rupert Murdoch’s digital channel after the company said he had failed to cooperate with an investigation into a racist post that appeared on his Facebook account. The post inquired: “Why are we surrounded by non-white people?” Graham claimed he did not post it and that he was hacked.

The presenter, whose new channel calls itself “the home of common sense”, came to public prominence after claiming on air that it was possible to grow concrete . Graham was questioning the eco-activist and carpenter Cameron Ford on whether timber was a sustainable building material. Cameron said timber was “regenerative”, adding: “You can grow trees. You can’t grow concrete.” Graham replied: “Yeah, you can.”

Graham’s channel does generate income, securing enough views to qualify for YouTube’s scheme that shares ad revenue with creators. While UKLive only averages about 24,000 views a video, its prolific output of 1,700 posts in the last year means it has secured 41m views in that time, according to the Socialpruf analytics site. That is enough to generate thousands of pounds a month in ad revenue.

The rise of YouTube has created a home for those shunned by mainstream outlets, but its growth has also in effect created a whole world of broadcasting outside of the regulated world of mainstream TV.

“Since Ofcom took over broadcast regulation in 2003, the way we watch television has changed beyond recognition,” said Chris Banatvala, who was Ofcom’s founding director of standards. “We now have a huge range of content that looks and feels like television – and is often available on the same television set – but isn’t subject to the same standards.

“Viewers may have no idea whether what they are watching is regulated by Ofcom or not – and these regulatory grey areas are only likely to grow.

“It is a good thing that the public has access to such a wide range of views and content. But the law has not kept pace, parliament has yet to confront the implications of this increasingly blurred distinction, and the platforms themselves have not always proved able to prevent serious harm.”

Truss will be joining a host of other presenters including the former actor Laurence Fox, who was suspended from GB News after making sexualised comments on air about a female journalist. Also on the roster is Mark Littlewood, a former director of the Institute of Economic Affairs thinktank, which praised many of Truss’s economic policies, and the pro-Reform commentator Ellie Hodges.

Truss may hope to benefit from Graham’s larger following; his channel has 179,000 subscribers compared with her 32,300. Recent podcasts from Truss include one in which the commentator June Slater claimed “Labour is panicking as Reform surges in Makerfield byelection”. Andy Burnham won for Labour in Makerfield by a wide margin.

Another is an interview with Lucy Connolly in which she complains she was “jailed for a tweet”. Connolly was sent to prison in 2024 for stirring up racial hatred against asylum seekers in a post in which she called for asylum hotels to be burned down.

The former prime minister said her new show would have “exciting new guests”. Truss has been attempting to relaunch her career in recent months, including setting up a new private members’ club in Mayfair with the property tycoon Robert Tchenguiz.

The club, named the Leconfield, states on its website that it is a “beacon of sophistication and refined elegance” that has “curated an exclusive sanctuary where tradition meets contemporary luxury”.

Don’t bin those spent corn cobs! Turn them into a delicious chowder instead – recipe | Food | The Guardian

Keyword – Food
Trefwoorden – Food, Food waste, Environment, Vegetables, Soup, American food and drink, Summer food and drink
Title – Don’t bin those spent corn cobs! Turn them into a delicious chowder instead – recipe | Food | The Guardian
Author – https://www.theguardian.com/profile/tom-hunt
Link – Don’t bin those spent corn cobs! Turn them into a delicious chowder instead – recipe | Food | The Guardian
Publish date – 2026-09-09T12:00:47.000Z
Category – Lifestyle
URL – https://www.theguardian.com/food/2026/sep/09/turn-corn-cobs-into-delicious-chowder-recipe-zero-waste-cooking

T oday’s super-simple corn chowder is inspired by one I came across on NewEngland.com that relies on an old zero-waste trick; namely, scraping the spent cobs to release the pulp and sweetcorn “milk” still left on the cob. Like asparagus, corn is best eaten as fresh as can be, so look for whole ears with bright green husks. Keep in the fridge and, for the most flavourful soup, aim to cook them the same day.

Corn cob chowder

“Keep it simple” is my new motto. My favourite way to cook at home is as simple as possible: steamed vegetables, ferments and one-pot dishes such as pilafs, risottos, soups and stews. This means an easier life, with less time grafting in the kitchen, so I can cook from scratch for the whole family almost every day without burning out.

Sticking to that motto, I wanted to create a very simple, stripped-back chowder that can be made with just fresh corn and a few pantry staples. There’s no cream, stock, garlic, flour or chives, not least so I can honour this incredible ingredient during its short season when it is at its absolute best. Fluffy, floury potatoes and fresh, sweet corn cobs do the heavy lifting, delivering intense flavour and a creamy texture without the need for stock or cream.

Serves 2

2 corn cobs 40g butter 1 onion , peeled and finely diced 200g floury potato (about 1-2; maris piper, king edward, estima, say), finely diced Finely grated zest and juice of ¼ unwaxed organic lemon , or lime 500ml whole milk 1 bay leaf (optional) Chopped parsley , to finish (optional) Remove the husks and silk from two ears of corn. Stand each cob on its end in a wide bowl, hold on firmly and use a sharp knife to cut off the kernels in strips. Hold each cob over a second bowl and use the back of the knife or tablespoon to scrape off all the mushy pulp and milk from the cob.

Melt 40g butter in a heavy-based saucepan on a medium heat. Add the diced onion and saute gently for five minutes, until soft and translucent but without browning. Add the corn kernels, diced potato and lemon zest, then cook, stirring, for a few minutes.

Add the milk and optional bay leaf, then simmer gently for 15 minutes, until the potato is tender.

Ladle a third of the chowder into a bowl, leave it to cool a little, then blend with an immersion blender (or mash with a masher). Stir this back into the pot and bring back to a gentle simmer. To finish, stir in the reserved corn milk and the lemon or lime juice, season generously and serve with extra pepper and optional chopped parsley.

Call My Agent! The Movie review – the gang get back together and c’est formidable | Film | The Guardian

Keyword – Film
Trefwoorden – Film, Comedy films, France, Comedy, Culture, George Clooney, Film adaptations
Title – Call My Agent! The Movie review – the gang get back together and c’est formidable | Film | The Guardian
Author – https://www.theguardian.com/profile/lesliefelperin
Link – Call My Agent! The Movie review – the gang get back together and c’est formidable | Film | The Guardian
Publish date – 2026-09-09T12:00:47.000Z
Category – Culture
URL – https://www.theguardian.com/film/2026/sep/09/call-my-agent-the-movie-review-camille-cottin-laure-

A t last: a beloved-TV-show-to-film-spinoff that doesn’t suck! The original French series is a screwball-speed office comedy about a boutique Parisian talent agency, and was a ratings and critical success in its homeland when it started back in 2015. Its acquisition by Netflix grew the audience internationally and spawned a stable full of remakes across Europe and Asia. In the meantime, several members of the original French cast have become proper stars in their own right, especially Camille Cottin and Laure Calamy, and this sequel, set five years on, is smart to put these two at the heart of the latest instalment. And of course, there are the obligatory turns from properly famous actors playing themselves, including Laetitia Casta, Vincent Macaigne, Laurent Lafitte and some guy named George Clooney , best known these days for appearances on vaporettos in the Venice lagoon.

Like many great sitcoms, this one always understood that failure, rather than success, keeps the wider narrative arc more interesting and relatable. So the last episode of the series left the gang at talent agency ASK (which stood for Agence Samuel Kerr, after the founder, who died in the first episode), dispersed to new gigs and careers; the band, in effect, broke up. Five years on, the stars have aligned to bring them all back together to work on Andréa (Cottin) and Noémie’s (Calamy) new film project, so the title Call My Agent! The Movie works on more than one level.

So now, silver fox smoothie Mathias (Thibault de Montalembert) is running a small agency with his daughter Camille (Fanny Sidney) while Mathias and his secretary-lover Noémie are finally officially together. Noémie, always a natural organiser, has become a producer with her own hit TV show that looks suspiciously just like Call My Agent! Thanks to complicated (and mostly backfiring) machinations on Mathias’s part, Noémie ends up producing their former colleague Andréa’s first feature as a writer-director.

Enter Casta and Macaigne as the leads of the film within the film, the latter represented by ASK alumnus Gabriel (Grégory Montel), who went off to be the token nice guy for a hateful all-business rival agency. Andréa has in the interim split up with her girlfriend and co-parent Colette (Ophélia Kolb), although that means we get a custody battle to add a bit of drama. Thankfully, everyone’s favourite comic reliefs, old salt Arlette (Liliane Rovère) and assistant turned actor Hervé (Nicolas Maury) are still in the ensemble – even if Arlette is somewhat underused until the last act.

Writers Fanny Herrero, Lison Daniel and Violaine Bellet, along with director Émilie Noblet, skilfully open the tap and let the stream of industry-insider jokes flow at an even pace but make sure that the final product never feels smug, sentimental or self-congratulatory. The energy flags a tad in the midsection, but by the time Andréa’s film starts shooting and a cascade of bad luck descends on the set to wreak havoc, the comedy hits its stride again. Formidable.

Call My Agent! The Movie is on Netflix from 10 September.

‘Courage and contradictions’: what Gloria Steinem meant to feminist writers from around the world | Rebecca Solnit, Rokhaya Diallo, Mona Eltahawy, V (formerly Eve Ensler), Julia Gillard, Jennifer Robinson, Elif Shafak and Rhiannon Lucy Cosslett | The Guardian

Keyword – Opinion
Trefwoorden – Gloria Steinem, Feminism, Journalism books, Rebecca Solnit, V (formerly Eve Ensler), Julia Gillard, Elif Shafak, Women, Women in journalism, World news, Society, Books
Title – ‘Courage and contradictions’: what Gloria Steinem meant to feminist writers from around the world | Rebecca Solnit, Rokhaya Diallo, Mona Eltahawy, V (formerly Eve Ensler), Julia Gillard, Jennifer Robinson, Elif Shafak and Rhiannon Lucy Cosslett | The Guardian
Author – https://www.theguardian.com/profile/rebeccasolnit,https://www.theguardian.com/profile/rokhaya-diallo,https://www.theguardian.com/profile/mona-eltahawy,https://www.theguardian.com/profile/eve-ensler,https://www.theguardian.com/profile/julia-gillard,https://www.theguardian.com/profile/jennifer-robinson,https://www.theguardian.com/profile/elif-shafak,https://www.theguardian.com/profile/rhiannon-lucy-cosslett
Link – ‘Courage and contradictions’: what Gloria Steinem meant to feminist writers from around the world | Rebecca Solnit, Rokhaya Diallo, Mona Eltahawy, V (formerly Eve Ensler), Julia Gillard, Jennifer Robinson, Elif Shafak and Rhiannon Lucy Cosslett | The Guardian
Publish date – 2026-09-09T11:39:02.000Z
Category – Opinion
URL – https://www.theguardian.com/commentisfree/2026/sep/09/gloria-steinem-feminist-writers-global-panel-american-civil-rights-activist

I’m grateful for the role Gloria Steinem played from the 70s to the 90s

Rebecca Solnit

Guardian US columnist and author

As far as I can tell, the US women’s movement was mostly clustered in coastal cities and university towns until Ms magazine , which Gloria Steinem cofounded and for many years co-managed, made it national. My mother in suburban California was an early subscriber and I was a tween who voraciously devoured every issue. I think it played a role in stiffening her resolve and her sense of her own rights, which led to her leaving my violent father.

Some of the hot takes I’m seeing now on Steinem, and the women’s movement she was at the heart of, act as reminders that a lot of people have no idea of what women’s lives were like before second-wave feminism. Of how women were routinely described as weaker, less intelligent, less rational and less objective than men, and therefore less believable, less qualified to work, testify, participate. No understanding of how utterly disempowered and excluded women were in both law and society, how women were rendered radically unequal economically in so many ways, including exclusion from professions and education and without rights to equal pay, to be free from workplace sexual harassment and discrimination. No memory of how marriage was a relationship of radical inequality in which a woman surrendered many rights and her identity to her husband, not even reserving the right to say no to sex until pressure from feminists made marital rape a crime in a growing number of American states in the 1970s and 1980s.

We now face a huge backlash, maybe even huger than the backlash we’ve always faced, but I believe feminism is just getting going in reversing not centuries but millennia of patriarchy, and I’m grateful for the role Gloria Steinem played in giving those decades of the 1970s to 1990s the transformative momentum that has made my life so much better, in so many ways, than my mother’s, let alone my grandmother’s.

Her relationships with women of colour informed her feminist activism

Rokhaya Diallo

French journalist, writer, film-maker, activist and Guardian Europe columnist

Gloria Steinem understood early on that the feminist struggle would be fought through the media as well as campaigning, and inspired generations of journalists, myself included. As co-founder of Ms magazine, the first in the US run entirely by women, she strengthened the connection between journalism and activism.

Steinem’s feminism was more attentive to race than that of many of her white contemporaries in the “second wave”. Her first explicitly feminist essay, After Black Power, Women’s Liberation, displays a keen understanding of the need to connect feminist struggles with other movements for justice. She wrote about poor women and mothers, and imagined an alliance between radical feminists, middle-class women and “poor women of all colors”, although some of the dated terminology may now appear offensive. Her relationships with prominent women of colour – including Dorothy Pitman Hughes, Shirley Chisholm and Wilma Mankiller – informed every aspect of her work. As she acknowledged : “Personally, I learned feminism disproportionately from Black women.” In 1971, she served as treasurer of the fund for the legal defence of Angela Davis, the Black feminist philosopher unjustly prosecuted for murder who faced the death penalty.

Steinem leveraged her privilege as an educated white woman with access to elite media circles, but could not escape the dynamics of public life that made hers “the face of feminism” within a diverse and collective movement: the names of the women of colour who stood alongside her have not left the same imprint on public memory.

While I admired Steinem immensely, I regretted that her feminism remained so closely aligned with the Democratic party. This led her to defend Bill Clinton in 1998 and minimise Monica Lewinsky’s allegations, before acknowledging this failing two decades later. Her support for Hillary Clinton also exposed the limits of a feminism centred on representation.

But at a time of rising femonationalism (the use of women’s rights to advance nationalist and racist agendas), Steinem’s legacy reminds us of the urgent need for a feminism rooted in international solidarity and committed to fighting every form of oppression.

Gloria’s kindness and empathy were like steroids that strengthened us

Mona Eltahawy

Egyptian-American journalist and author of the FEMINIST GIANT newsletter

A couple of days after Egyptian riot police assaulted me during a protest near Tahrir Square in November 2011, Gloria Steinem emailed me with news of what she called my “girl gang”: feminists and activists from around the world who had been writing to each other to find the best ways to support me. “No matter where you are, please tell me if there is anything at all I can do to make your life easier – or our outrage more effective, with friendship and empathy from your Girl Gang!” she signed off.

I had met Gloria just once, a month before, when the Hammer museum in Los Angeles hosted us for a feminist conversation in front of a live audience. She was a gracious interlocutor who treated me like a peer. We met several times since that conversation, each a reminder of the power of the feminist girl gang.

I was among a girl gang of 25 that she invited to send her questions for an Interview magazine column . My question was about us both being childfree by choice. “I would put the emphasis on ‘free’. It has increased my freedom,” she replied.

I am a feminist who will tell you to fuck off to your face. Kindness and empathy did not make it to my second book, The Seven Necessary Sins for Women and Girls. Gloria blurbed it thus: “Mona Eltahawy’s Necessary Sins is shocking, brave, gloriously unfeminine, and right on time … Reading it will free you, and acting on it will free us all.”

My “sins” – anger, profanity, violence etc – are necessary in our fight against patriarchy. Gloria’s kindness and empathy were like steroids that strengthened us for that fight: batons she passed across feminist generations and borders – and especially vital when that fight against patriarchy leaves us bruised, with broken limbs, and broke. She lent me $1,000 during a particularly tight financial time and I was mortified at how long it took me to repay her. She was unfazed.

Farewell, Gloria. To quote your 2011 email: “you should see the … loving outpouring from your girl gang from around the world!”

She’d want us to remember that the backlash against women is a sign of our power

V (formerly Eve Ensler)

American playwright and activist

I will always be grateful to Gloria for her early support of my play The Vagina Monologues . After she came to see me perform in a little theatre way downtown, she agreed to write the foreword to the book. She showed up decking her red boa at every event we held early on to birth the V-Day movement to end violence against women, gender-expansive people and girls – now 30 years old – into the world. The Vagina Monologues was very outside the mainstream at the time and her support of it helped other people be brave.

She did that same thing for so many women, catalysing their dreams, their visions, their advocacy, their emerging non-profits by lending her support, her strategy, her kindness.

It’s not lost on me that Gloria left this world in the midst of one of the greatest periods of attacks on women’s rights – the destruction of maternal health care; women being forced out of the labour market in the hundreds of thousands, especially Black women; the siege on reproductive rights; rape academies emerging online; the Epstein files still not being prosecuted; and having a convicted felon as president who has been found liable in a civil court for sexual abuse. But if Gloria had anything, she had stamina and infinite hope, and she would want us to remember that the backlash is an indication of our victories and our power.

Now we need to go beyond where we’ve been, to new imaginings in order to fight off the racist, fascist, capitalist patriarchy that is actively working to kill our world.

It is impossible to write the history of the women’s movement without her

Julia Gillard

Former Australian prime minister and former leader of the Australian Labor party. She was the first woman to hold either position

I am deeply saddened by the passing of feminist icon Gloria Steinem. Gloria was at the vanguard of the women’s rights movement as a political activist, journalist and editor, writer and thinker for more than 60 years. It is impossible to write the history of the women’s movement without her name being at the centre of the narrative. Indeed, her name is synonymous with feminism.

I felt incredibly fortunate to interview Gloria in 2022 for A Podcast of One’s Own . Then 88, Gloria was as passionate as ever about achieving equality and advocating for others. I greatly admired her steadfast commitment to the cause, even when progress was not linear, and backwards steps were taken – especially for reproductive freedom in the United States.

Gloria’s dedication to equality and empowerment for women everywhere, and from all walks of life, will continue to endure around the world. Her legacy is now ours to take forward. My heartfelt condolences go out to Gloria’s family and friends.

She was the truth-teller who inspired my grandmother, my mother – and me

Jennifer Robinson

Australian barrister working at at Doughty Street Chambers, and co-author of How Many More Women?

When I heard the news Gloria Steinem had died, everything stopped.

I had just walked out of the Sydney opening of our documentary, Silenced , which is about the legal backlash against #MeToo and how the law silences women from speaking out about abuse. Women were walking out of the cinema crying and angry about how far we still have to go – and activated about what we need to do to change it.

And then we were hit with the news that we had lost Steinem. The news spread by hushed whispers through in the crowd in front of me. The grief was palpable.

Steinem, the silence-breaker. The truth-teller who had inspired millions of women around the world to find our voices and use them. The woman who inspired my grandmother, my mother – and me. My grandmother is a survivor of domestic violence and later worked in the women’s refuge movement to make it easier for the women and children who came after her. She is in our film because her work inspired mine. I grew up hearing my grandmother quote Steinem and, whenever I speak – including the other night in Sydney – her words and her ideas can be found.

It hit me hard. I had to take a moment. I wanted to cry. But then I looked around at the sea of women in front of me – victim-survivors, frontline services workers, lawyers from women’s legal services, and engaged and concerned community members, inspired to help create the change we need for women.

It was beautiful. And it made me think of one of my favourite Steinem quotes: “People are always asking me, ‘Who will you pass the torch to?’ The question makes me angry. There is no one torch – there are many torches – and I’m using my torch to light other torches.”

In her lifetime, she lit so many torches – all over the world – including in me and among the women gathered with me in Sydney the other night. What an incredible legacy.

As she said, “The future depends entirely on what each of us does every day; a movement of people is only people moving.” The best way to celebrate and honour her legacy is to continue it – and keep moving.

She passionately wanted to connect local, national and global feminisms

Elif Shafak

British-Turkish novelist and political scientist

In my mid-20s I left Istanbul to become a fellow in women’s studies at Mount Holyoke College in Massachusetts. I arrived without knowing a single soul, entranced by the splendour of autumnal colours in Boston. The libraries there hold one of the best archives in the US on the history of feminist theory and practice, and, as winter descended, I burrowed myself into reading Audre Lorde, Maya Angelou, Doris Lessing, Toni Morrison … and that was when I properly discovered Gloria Steinem.

Steinem had an unconventional, nomadic upbringing, and until she was 11 she had not spent a full year at school. In the absence of stable education, it was books – including Louisa May Alcott’s Little Women – that helped and guided her. “I was rescued by librarians,” she would explain later.

I was struck by the courage she had shown in exposing the reality of the shiny world of Playboy bunny clubs, and the magazine she co-founded, Ms, never shied from covering difficult issues, such as sex trafficking and sexual harassment. But it was her books that stayed with me: Moving Beyond Words, Outrageous Acts and Everyday Rebellions, Marilyn: Norma Jean …

Steinem believed that any meaningful change had to grow like a tree. From the bottom up. She not only founded women’s organisations and became a leading voice in second-wave feminism, she also saw the women’s movement as her chosen family. She said she had learned feminism from Black women. For her, race and gender were inextricably connected: “It is not possible to be a feminist without being anti-racist.” She was equally cognisant of class barriers. She passionately wanted to connect local, national and global feminisms.

When people asked her how she managed to remain optimistic, she said it was because she did not stay in one place. Just like in her childhood, she kept travelling. “Perhaps the most revolutionary act for a women will be a self-willed journey – and to be welcomed when she comes home.”

She was not perfect and not always right, and we also need to be able to talk about that – in a calm and nuanced way. Her contribution to generations of civil rights and women’s rights has been immense and genuine. Gloria Steinem would have made a fascinating character in a novel – with her resilience, her courage, her determination, her trailblazing and her contradictions.

She would not give up the fight for women’s liberation, and nor must we

Rhiannon Lucy Cosslett

British Guardian columnist

I first encountered Gloria Steinem in much the same way as I met her feminist contemporaries – on my mother’s bookshelves, which I ransacked. Although as a teenage girl in the late 1990s I had very much swallowed the post-feminist narrative (much to my mother’s disappointment) that the women’s movement had accomplished all it needed to, I still read every book for adult women that I could get my hands on. I credit Steinem’s undercover Playboy Bunny piece – which was extracted in one of the books – with the fact that I started to question the raunch culture that was all around me (and never bought a Playboy T-shirt). That is the power of good journalism – it echoes through the decades.

I found Steinem again at university, in the aftermath of a violent attack that galvanised me, as it can so many women, and have been a great admirer ever since. When I was in my 20s, setting up my own feminist magazine – the Vagenda – her work was a big influence. Her vocal and inclusive activism, her willingness to reflect on her missteps, her sense of humour and her refusal to give up the fight even when times were very dark indeed have all been an inspiration.

Her book dedication to the British doctor who granted her an abortion at the age of 22 despite it not then being legal – in which she writes “I’ve done the best that I could with my life”, as she had promised him he would – struck a chord with so many for a reason: it’s a profoundly moving testament to the freedom that access to abortion grants a woman, even more so in the aftermath of the repeal of Roe v Wade. I find it so very sad that Steinem leaves a world where reproductive rights remain under severe threat. She devoted her life to this and other crucial questions of women’s liberation. She would not give up the fight, and nor must we. Onwards, in her honour.

Do you have an opinion on the issues raised in this article? If you would like to submit a response of up to 300 words by email to be considered for publication in our letters section, please click here .

EU unveils ‘buy European’ public procurement rules to counter China | European Union | The Guardian

Keyword – World news
Trefwoorden – European Union, European Commission, China, Europe, World news, Manufacturing sector, Global economy, Chinese economy, International trade, Business, Economics
Title – EU unveils ‘buy European’ public procurement rules to counter China | European Union | The Guardian
Author – https://www.theguardian.com/profile/jennifer-rankin
Link – EU unveils ‘buy European’ public procurement rules to counter China | European Union | The Guardian
Publish date – 2026-09-09T11:30:49.000Z
Category – News
URL – https://www.theguardian.com/world/2026/sep/09/eu-buy-european-public-procurement-rules-china-goods-services

European authorities will be encouraged to buy more domestic goods and services when they spend public money under the EU latest effort to counter China’s economic might.

In a further “Buy European” plan, the European Commission published proposals on Wednesday for a sweeping overhaul of EU public procurement rules.

National authorities and public bodies, such as schools and hospitals, will be encouraged to buy goods and services made in Europe but, unlike earlier plans to promote domestically manufactured clean tech , there will be no binding “made in Europe” quotas.

Brussels officials are concerned that many public agencies think existing EU rules oblige them to choose the cheapest bid when spending public money, which can lead to the contract going to a non-European firm.

The European Commission’s lead official on industrial policy, Stéphane Séjourné, told reporters the regulation would give public sector buyers greater legal certainty and clarity about purchasing goods and services made in Europe.

“Purchasers can have a more preferential approach to European bids [and] restrict or reject bids from countries which do not have a public procurement agreement or do not play by binding rules in terms of public procurement internationally,” he said.

Public procurement is estimated by EU officials to amount to 15% of the bloc’s gross domestic product, about €2.6tn (£2.2tn) a year, and is seen in Brussels as an underused lever already deployed by Washington and Beijing to support their respective domestic companies.

The new rules will oblige public buyers in the EU to put more emphasis on quality and metrics such as environmental sustainability and local supply chains, rather than opting for the cheapest bid.

Under the proposals public agencies will be obliged to give a minimum 30% weighting to quality when they draw up conditions to award a contract, or explain why they chose to disregard this indicator.

Labour-intensive contracts will have a minimum 50% weighting for quality, so purchasers must ensure decent jobs when awarding the contract, not simply the cheapest price.

Séjourné hopes the proposals will encourage more democratic scrutiny over the spending of public money by local authorities. “It won’t be the European Commission’s fault if purchasers were to prefer Chinese buses to European buses because … in the [draft regulation] there is every possibility to give preference to European buses.”

Brussels is concerned about inroads Beijing is making into European markets for transport and infrastructure, especially Chinese firms benefitting from state subsidies that make them cheaper than European alternatives.

In April, the commission blocked a Chinese rolling-stock company from joining a consortium to build a new line on the Lisbon metro after an investigation found the firm had benefited from state subsidies that gave it an “unfair competitive edge”.

Last year, Brussels opened an investigation into Chinese security company Nuctech, which has supplied European airports and ports with security scanners. EU officials suspect the company was helped by subsidies and tax breaks that gave it an unfair advantage in the European market, although the investigation has not reached final conclusions.

Séjourné – a close ally of France’s president, Emmanuel Macron, who has long championed European preference – said spending public money on goods made in Europe should become “part of public discourse and accountability”.

He added: “It should be very clear that it’s not because of European Union rules that a foreign product was preferred over a European one, but because it was a political choice that was made.”

The draft regulation, which also aims to radically simplify rules by merging three laws into one, must be agreed by the European parliament and the EU ministers before it enters into force. It is likely to be altered during the legislative process.

Séjourné is also spearheading a push for made-in-Europe rules to apply to the public purchase of renewable energy products and electric cars under the the Industrial Accelerator Act. The IAA, which also is likely to be changed by MEPs and ministers, marks a departure for Brussels, long a bastion of open markets.

The plans have alarmed the British government, but EU officials said the latest draft rules on procurement would not disadvantage UK firms because existing agreements ensured both sides played by the same rules.

Séjourne said the EU had agreements with the UK whereby reciprocal market access was respected. “There should not be any difficulties for the UK,” he added.

Non-EU countries that have agreements with the bloc on public procurement are not expected to face barriers.

An online tool will allow public purchasers to see which countries are covered by the EU’s web of free-trade agreements and other international deals that cover procurement.

Membership of the World Trade Organization’s agreement on government procurement (GPA), which promotes fair competition in markets to supply state bodies, will be an important indicator. The GPA has 22 members including the EU (counted as one), the UK, the US, Canada and Japan. Mainland China is not party to the agreement.

UK airport disruption: what are your rights if you have been affected? | Air transport | The Guardian

Keyword – World news
Trefwoorden – Air transport, Airline industry, Business, Consumer affairs, Consumer rights, UK news, Travel insurance, Insurance, Travel, Flights, Money, World news, Europe
Title – UK airport disruption: what are your rights if you have been affected? | Air transport | The Guardian
Author – https://www.theguardian.com/profile/zoewood,https://www.theguardian.com/profile/rupertjones
Link – UK airport disruption: what are your rights if you have been affected? | Air transport | The Guardian
Publish date – 2026-09-09T11:29:50.000Z
Category – News
URL – https://www.theguardian.com/business/2026/sep/08/uk-airport-disruption-rights-if-affected-london-gatwick-heathrow-manchester-birmingham

Airports across the UK including Manchester, Birmingham and all those in London were thrown into chaos by a technical failure in the air traffic control system on Tuesday.

Although the air traffic control provider Nats fixed the problem within hours, the fallout continued to cause flight delays and cancellations on Wednesday.

The total number of cancellations has now passed 2,000 after hundreds more flights were axed. Here we explain what you can expect if you have been affected.

Is your flight delayed or cancelled?

The Civil Aviation Authority website explains how long the delay has to be before you are entitled to care and assistance from your airline. The timeframe differs by flight distance. This help should cover food and drink and the ability to make phone calls or send emails, plus accommodation and the necessary transfers if the flight is delayed until the next day.

Many airlines will provide vouchers to buy food and drink, and overnight accommodation will typically take the form of a nearby hotel (unless you live nearby, in which case your airline may reimburse your costs for getting to and from home).

Sometimes airline staff are unable to arrange care and assistance for all passengers, in which case you can sort yourself out and claim the cost back later.

But don’t splash the cash – and keep receipts. The CAA says airlines may have guidelines on this, adding: “Airlines are unlikely to consider alcoholic drinks, luxury hotels or luxury meals to be reasonable.”

Should I ask the airline for another flight or a refund?

If your flight has been cancelled and is covered by UK law – that means one departing from an airport in the UK on any airline, or arriving at an airport in the UK on an EU or UK airline, or arriving at an airport in the EU on a UK airline – your airline must offer you the choice of another flight or a refund.

If you select an alternative flight, it is up to you whether you fly as soon as possible or at a later date. If the delay is more than five hours you can choose not to travel and receive a refund.

Rory Boland, the editor of Which? Travel, said: “If your flight is cancelled you’re entitled to choose between being rerouted on a different flight or getting a refund. Rerouting will usually be your best option, as once a refund is accepted, your airline has no ongoing responsibility towards you or any costs you may incur for accommodation, meals or transport during your delay. You’ll also avoid paying over the odds for a new ticket if prices shoot up.”

He added: “Crucially, if you opt to be rerouted, your airline must get you to your destination at the earliest opportunity, even when that means booking you with a rival carrier. It’s important to stand your ground on this point, as all too often we see examples of airlines flouting the rules and forcing passengers to wait longer for a spot on their own planes.”

I am due to fly imminently – should I still go to the airport?

If you are due to travel, check the latest advice from your airport or tour operator, or airline apps and airport social media feeds, for the most up-to-date information.

In a statement on social media on Wednesday morning, Heathrow confirmed that flights were operating but “some disruption may continue as airlines reposition aircraft and crew”.

A Heathrow spokesperson said: “We advise passengers to check with their airline for the latest flight information and to only travel to Heathrow if they have a confirmed flight operating today. We know how frustrating this situation is and apologise to those affected. We have extra colleagues on hand to support across our terminals and are working closely with our local Nats team and airline partners to recover normal operations as quickly as possible.”

In a similar vein, a spokesperson for Gatwick airport said: “ Flights have now resumed from London Gatwick. However, we still anticipate that it will take time for our operations to fully return to normal. Passengers should continue to check with their airlines for more information regarding their flights.”

Travel experts say the best way to rebook flights is via airline apps, websites or call centres rather than at the airport check-in desk. At Heathrow, for example, rebooking is not an option at check-in desks as staff prioritise that day’s operations.

Will I be entitled to compensation from the airline?

If your flight was cancelled or delayed as a result of Tuesday’s problem, you are unlikely to be owed compensation by the airline. This is because the technical problem affecting flights will be considered an extraordinary circumstance and out of the airline’s control.

Causes of disruption classed as outside an airline’s control also include severe weather and security alerts.

Coby Benson, a solicitor at the law firm Bott and Co, said: “ Air traffic control restrictions are generally considered an ‘extraordinary circumstance’, meaning passengers will not usually be entitled to compensation for delays or cancellations.”

He added: While airlines may not be responsible for the initial problem, they should not use it as a reason to leave passengers stranded when reasonable alternative travel options are available.”

It also worth consulting the small print on your travel insurance document. Anna-Marie Duthie, a travel insurance expert at the financial ratings company Defaqto, says: “Travel insurance may cover you if you cannot claim costs back from the airline, operator or credit card, but that will all depend on whether your policy includes cover for delay, travel disruption, missed connection or abandonment.”