José Pizarro’s recipe for spiced crab croquetas

Food
José Pizarro’s recipe for spiced crab croquetas
José Pizarro
Tue 19 May 2026 07.00 CEST
News
https://www.theguardian.com/food/2026/may/19/spiced-crab-croquetas-recipe-jose-pizarro

C roquetas have always been part of my life, and my favourites have always been my mum Isabel’s hake croquetas. That’s really where it all started for me: simple but full of flavour, the kind of thing you grow up eating without really thinking about it and then never forget. What I especially love about croquetas, however, is that they can be made from almost anything. Many people say that they rely on good leftovers, and that’s true, but they can also be made with rather more indulgent ingredients, like crab. It just goes to show quite how versatile croquetas are – and how they always go with a good glass of white rioja!

Spiced crab croquetas

Prep 10 min Chill 2 hr 20 min Cook 45 min Makes About 30

If you don’t want to serve these immediately, freeze them for 20 minutes, then keep covered in the fridge until you’re ready to fry. If you want to keep them for even longer, then freeze completely and use within three months. Defrost at room temperature before frying.

75g unsalted butter 100g plain flour ¼ tsp smoked sweet pimentón ½ tsp fennel seeds , crushed in a mortar 550-600ml whole milk Sea salt and black pepper 150g white crab meat 50g brown crab meat Finely grated zest of 1 lemon 1 large egg , beaten 150g panko breadcrumbs Olive oil , or sunflower oil, for deep-frying

Melt the butter in a nonstick pan over a medium heat, then add the flour and cook, stirring, for a minute or two. Add the pimentón and fennel seeds, then very gradually stir in 550ml of the milk. Stirring all the while, cook for about seven minutes, until you have a really thick, glossy bechamel, then season generously. Simmer for two to three minutes more, and add a splash more milk if the mix thickens too much.

Take the bechamel off the heat, then beat in the white and brown crab meat and the lemon zest. Line a baking tray with clingfilm or greaseproof paper, then spread out the mixture on top in an even layer. Cover with a second layer of clingfilm or paper, leave to cool to room temperature, then chill for at least two hours.

When you’re ready to shape and cook the croquetas, use wet hands to shape the mixture into walnut-sized balls – there should be enough croqueta mix to make about 30 in total. Put the beaten egg in a shallow bowl and put the panko in a second bowl. Working one by one, roll each ball in the beaten egg, roll in the panko to coat, then return to the baking tray. Repeat with the remaining balls and, when they’re all coated, freeze for 20 minutes just to firm them up (you don’t want to freeze them).

Heat the frying oil to 170C – I use a thermometer, but you can also test by dropping in a pinch of the croqueta mix: if it bubbles gently and rises slowly to the surface, the oil is ready. Fry the croquetas in batches for three or four minutes each (do not overcrowd the pan), until deep golden all over and piping hot throughout. Serve hot sprinkled with a little sea salt, if you like.

Guardiola tells Manchester City players he is leaving as club line up Maresca

Manchester City
Guardiola tells Manchester City players he is leaving as club line up Maresca
Jamie Jackson
Tue 19 May 2026 12.16 CESTLast modified on Tue 19 May 2026 22.57 CEST
News
https://www.theguardian.com/football/2026/may/19/pep-guardiola-tells-manchester-city-players-leaving-enzo-maresca-chelsea-compensation

Pep Guardiola has informed Manchester City’s players that he will leave the club after Sunday’s final Premier League game of the season against Aston Villa.

The manager felt obliged to update his squad after news of his departure broke on Monday night, taking him by surprise while he was preparing for Tuesday’s match at Bournemouth.

Guardiola had hoped to keep his decision to leave City private for longer, so as not to provide a distraction. City need to beat Bournemouth to take the title race to the last day after Arsenal moved five points clear by defeating Burnley .

Guardiola is leaving after 10 years with a season remaining on his contract and City have identified Enzo Maresca as his replacement. Chelsea are in line for sizeable compensation for Maresca from City after the Italian’s acrimonious departure from Chelsea on New Year’s Day.

City are understood to have agreed a three-year deal in principle with Maresca but there are matters to tie up relating to his exit from Stamford Bridge. The former Leicester manager is understood to have contractual obligations to Chelsea . He walked away with three and a half years on his deal, with the club option of an extra year.

Sources close to Maresca, who worked as Guardiola’s No 2 at City in the 2022-23 season, have confirmed he did not claim severance and that Chelsea hold his compensation rights. That means the London club are in position to seek compensation. The number on the claim has been kept confidential but is unlikely to be small.

Chelsea have watched events around Guardiola’s future unfold with interest. They view Maresca’s resignation as the reason for their disappointing second half of the season. Chelsea are likely to miss out on the Champions League and lost the FA Cup final to City last Saturday. Liam Rosenior struggled after replacing Maresca and was fired last month , leaving Calum McFarlane to take over as interim until the end of the season, with Xabi Alonso to join this summer.


The club’s BlueCo ownership had no desire to make a mid-season change. The situation deteriorated after Maresca said after the win over Everton on 13 December that he had just experienced his worst 48 hours at Chelsea. It later emerged he had informed Chelsea that he had twice held talks with people associated with City about replacing Guardiola at the end of the season.

Tension had flared between Maresca and the Chelsea hierarchy after last summer’s Club World Cup triumph. Maresca felt he deserved a new contract and was disappointed when Chelsea did not respond to Levi Colwill sustaining a serious knee injury in pre-season by signing a centre-back. Chelsea felt no suitable defenders were on the market but the situation was not resolved. Sources said Maresca also tried to use interest from City and Juventus as leverage for a new deal.

The situation reached the point of no return after the 2-2 home draw with Bournemouth on 30 December. Maresca did not attend his post-match media duties, his absence initially put down to illness. It later emerged he had told the club he did not want to face the media. Sources have told the Guardian that Maresca met with his bosses in his office after full-time and indicated that he planned to quit.

Maresca intends to add Willy Caballero to his backroom staff at City, the Argentinian having been his assistant at Leicester before following him to Chelsea, where the former goalkeeper occupied the same role. Caballero, who played for City for three years until May 2017, left Chelsea with Maresca.

Saturday Night Live: the 10 best sketches from the 51st season

Saturday Night Live
Saturday Night Live: the 10 best sketches from the 51st season
Zach Vasquez
Tue 19 May 2026 13.00 CESTLast modified on Tue 19 May 2026 22.19 CEST
News
https://www.theguardian.com/tv-and-radio/2026/may/19/saturday-night-live-best-sketches-season-51

S aturday Night Live, which just closed out its 51st season , has been on the upswing for the past few months. Following their disappointing 50th anniversary, a combination of major changes and small course corrections have resulted in a noticeably better show. The departure of Bowen Yang earlier in the season, along with the reduced presence of Chloe Fineman, both of whom had become the faces of the series during one of its most frustrating periods, has been a huge boon, as has the increased presence of the younger cast, at least one of whom is poised to become its next star.

The sketches, as always, were hit and miss, but unlike other recent seasons, it wasn’t difficult finding the standouts. Here are the 10 best sketches of season 51 of Saturday Night Live:

Auctioneers

While there’s no ranking for the rest of this list, this is, far and away, the best of the bunch, and arguably the best sketch SNL has done in years. It’s also an (all-too rare these days) crossover hit, having gone viral almost immediately. The premise is delightfully silly (a scene from the crumbling marriage of two auctioneers), but it’s the actors’ commitment to the bit that really astounds. As the motormouthed cowboy couple, Sarah Sherman and host Matt Damon deliver some of the trickiest dialog the show has ever done with screwball aplomb. And while they no doubt made use of the cue cards, they weren’t beholden to them as so many SNL performers are. You can tell they rehearsed this until they killed it, and kill it they did.

Substitute Teacher’s Goodbye

If it weren’t for Auctioneers, people would probably be talking more about this sketch from Damon’s turn hosting, in which he plays a painfully earnest substitute teacher who tries, and spectacularly fails, to get his students to join in on an impromptu dance party. For almost two and a half minutes, Damon’s dweeby sub cuts a one-man rug while the rest of the class sit still in embarrassed silence (although Fineman almost ruins the whole thing by breaking). SNL does its share of awkward premises, but this is a rare case of them going all in on cringe comedy. Damon’s physical performance is even more impressive in hindsight, when you realize he had to follow this with Auctioneers just a few minutes later.

Tidy Care Crystals

Damon takes one more spot, this time for his performance of a suburban dad driven to the edge of sanity in this meta-TV ad for cat litter. All seems well when he and his wife (Ashley Padilla) first try out Tidy Care kitty litter, which comes with colorized crystals that alert pet owners to potential health hazards. But when the ad’s omniscient narrator (James Austin Johnson) acts cagey about the meaning behind blue crystals, things take a foreboding turn. Eventually, the narrator reveals that the crystals turn blue “at the first sign of human urine”. This leads to Damon’s character’s psychological breakdown, as he first accuses his teenage son, then his wife, of peeing in the litter box.

Will Ferrell monologue

This weekend’s season finale kicked off by pranking everyone in the audience and at home. Following his appearance in the cold open, former cast member and six-time host Will Ferrell was replaced on stage by his celebrity doppelganger, Red Hot Chili Peppers drummer Chad Smith. Smith is hilarious in his short screen time, soaking up the audience adulation until the real Ferrell emerges from backstage (where Smith pushed him down, requiring Lorne Michaels to give him mouth-to-mouth) to kick him out. No sooner does he take back the reins than the night’s musical guest, Paul McCartney, comes on stage and, mistaking Ferrell for Smith, orders him to “get back behind the drums where you belong”.

Rasta Driver

Andrew Dismukes has been one of the most consistent and underrated cast members of Saturday Night Live since he joined in 2020 (having been a writer for the show since 2017). In this sketch, he plays a working-class Uber driver who suddenly busts out an improvised Jamaican dancehall song while giving a ride to two young clubgoers, revealing, much to his horror, that he’s “one of the most talented Rasta emcees on earth”. Like Auctioneers, this is an impressive feat of verbal virtuosity, with Dismukes nailing the prolonged, tongue-twisting rap without so much as blinking.

The Goo Goo Man

Sometime all it takes for a sketch to work is one great line. Such is the case with this episode closer from Ryan Gosling’s March episode. Gosling and Sherman’s travelling couple attempting to check out of their hotel, only to be hit with a surprise incidental charge for “$1,200 for two visits from the Goo Goo Man”. Both are completely taken aback by this, but for different reasons. She thinks it’s a mistake, until her partner adamantly declares: “I only had one visit from the Goo Goo Man.” Gosling is known for constantly breaking in his sketches, but here he impressively manages to keep a straight face while haggling over absurd amenities like “tummy time” and “cuddle car”.

Mom Confession

It’s taken for granted that Saturday Night Live is and always has leaned left, but the truth is that for as often as it sends up rightwing political figures, it’s far more willing to make fun of smug, often hypocritical liberal voters. That’s all well and good, but it’s refreshing to see them not only take aim at middle class Trump voters for a change, but actually hit the bullseye. In Mom Confession, Ashely Padilla plays a suburban mother who gathers her four grown children together for a shocking announcement. After much strain, she finally admits, “I may have changed my mind … about Trump … I feel now … like he might be … bad for our country.” A perfect encapsulation of much of America’s too-little, too-late buyer’s remorse amid this current era of carnage and chaos, as well as one of the standout performances from Padilla (more on that below).

Toy Commercial

An update on the classic Philadelphia toy commercial parody from way back in 1994, today’s generation of kids are obsessed with their new favorite movie: best picture Oscar winner One Battle After Another. Host Teyana Taylor reprises her role as revolutionary Perfidia Beverly Hills, kicking down the door of a white family’s home to hand out action figures of “all your favorite heroes and villains from director Paul Thomas Anderson’s critically lauded masterpiece about resistance in the face of racial tyranny”. The best bits involve the little Caucasian kids reciting their favorite lines (“My name is Junglepussy. See this face? This is what black power looks like”) to their nonplussed parents.

Haircut

Despite being only a featured player in her second year on the show, Ashley Padilla has become the new face of Saturday Night Live. Combining a natural talent for physical slapstick with bizarre but always entertaining line delivery (reminiscent of Will Ferrell back in his SNL days), she is the reason to watch. It’s entirely possible that she eventually falls into mugginess (see: Kate McKinnon), but as of now, she has managed to mostly avoid that pitfall. If this were a different era, Lorne would be building a feature vehicle around her, but alas. This stupidly simple sketch about a woman who gets a truly awful haircut and gamely pretends to like it cemented her as the cast standout. Her sad little dance of hesitation as she enters frame is as endearing as it is pathetic, and for as good as the prosthetic wig she wears is, her facial expressions are the best special effects on display.

Pete Hegseth Cold Open

The very first cold open of the season saw the introduction of Colin Jost’s Pete Hegseth, a character that would be almost as prevalent throughout the next 20 episodes as the president. Last season, James Austin Johnson’s Trump made a meta-joke about SNL not having anyone with a strong enough jawline to play his new secretary of war (nee, defense). Enter Weekend Update anchor and head writer Jost, who’s always best when leaning into his innate unlikability and frat boy skeeviness. In his first go-round as the character, where he mocked Hegseth’s infamous humiliation of military brass at Quantico, he nails the angry middle-schooler aura that has come to define Hegseth, alongside his alleged alcoholism and utter ineptness. Over the course of the season, both Jost and SNL have somewhat lost the plot, turning him into just another silly clown (a mistake, given that Hegseth is currently racking up one war crime after another), but here they managed to get it right.

Woman shot dead by police in Jamaica at protest over previous police shooting

Jamaica
Woman shot dead by police in Jamaica at protest over previous police shooting
Natricia Duncan
Tue 19 May 2026 18.41 CESTLast modified on Tue 19 May 2026 22.23 CEST
News
https://www.theguardian.com/world/2026/may/19/woman-shot-dead-by-police-jamaica-protest

Authorities in Jamaica have launched an investigation after CCTV footage of a woman’s fatal shooting by police sent shock waves across the Caribbean nation.

Footage circulating on social media shows a police officer firing at a vehicle during a protest on Sunday in Granville, in Jamaica’s north-western parish of St James. The bullet hit Latoya Bulgin, 45, who was behind the wheel of the vehicle.

According to the Independent Commission of Investigations (Indecom), the police officers were “conducting crowd control duties” during a protest against a previous police shooting, in which 17-year-old Tjey Edwardson was killed on 12 May.

In the video, Bulgin’s minivan is seen stationary at the side of the road as several people climb out. Police officers can be seen standing nearby. With one of the side doors still open, the vehicle starts to pull back out into the road.

Apparently without warning, an officer standing a few feet in front of the vehicle pulls a handgun and shoots at the driver, amid screams and cries from people nearby. Some people are seen running.

Police officers are then seen dragging Bulgin’s limp body out of the car and on to the ground before putting her in the back of a police pickup truck. The officers do not appear to make any attempt to offer first aid to the injured woman.

Bulgin was reportedly taken to hospital where she was pronounced dead. Local reports say Bulgin, who was affectionately known as “Buju”, was a mother of two and a businesswoman.

The Jamaica Constabulary Force (JCF) said in a statement that it was “deeply concerned” about the shooting and had suspended the officer involved pending an investigation.

The incident has sparked outrage across Jamaica, with the opposition People’s National party calling for swift and transparent action and raising concerns about the increasing number of fatal police shootings.

Fitz Jackson, the opposition spokesperson on national security,called for calm and said too many Jamaicans were “almost as fearful of the police as they are of criminals”.

He said : “The Granville community is dealing with an absolute tragedy, compounded by two fatal police shootings in just one week. While interdicting the officer is a necessary first step, we need a transparent, fast, and completely independent investigation by Indecom. The residents of Granville and the wider Jamaica deserve the truth. We cannot keep losing citizens during interactions with the law enforcement officers who are paid to protect them.”

According to Indecom , 130 people have been fatally shot by Jamaican security forces this year.

Jamaicans for Justice , a human rights group that has been campaigning for more body-worn cameras for security officers, said Sunday’s shooting demonstrated the importance of independent footage.

“Without the availability of that CCTV footage, we would not be in the position to even be having this conversation and we would not perhaps have seen the JCF high command responding,” the group’s executive director, Mickel Jackson, told Radio Jamaica News .

She raised concerns about the preservation of evidence. “We’re not seeing where there was the preservation of the crime scene and allowing the independent investigators to arrive at the scene, to see how the body was positioned and so on,” she said.

“And I bring it a step further. When you look at the footage and you see the woman’s body just being hauled in the street and then being thrown in the back of the service vehicle, then it raises questions about the dignity of person and how we treat even those who the officers may in their judgment deem to be dead.”

Indecom said the CCTV footage underscored “the importance of technology and independent visual documentation in modern policing oversight”.

It appealed for witnesses to come forward and said: “Indecom wishes to remind the public that while video recordings may capture significant aspects of an incident, investigations require a comprehensive assessment of all available evidence, including official statements and witness accounts.”

Clint Eastwood cannon from The Good, the Bad and the Ugly traced to Spanish museum

Spain
Clint Eastwood cannon from The Good, the Bad and the Ugly traced to Spanish museum
Sam Jones
Tue 19 May 2026 16.15 CESTLast modified on Tue 19 May 2026 22.23 CEST
News
https://www.theguardian.com/world/2026/may/19/clint-eastwood-cannon-the-good-the-bad-and-the-ugly-traced-spanish-museum

Six decades after Clint Eastwood nonchalantly used a cigar to light its fuse and fell a fleeing Eli Wallach , the Manchester-made cannon that appeared in the Good, the Bad and the Ugly has been rediscovered in a museum in south-east Spain.

The artillery piece was tracked down by the Sad Hill Cultural Association , a group of volunteers dedicated to restoring the graveyard near Burgos, northern Spain, built for the climax of Sergio Leone’s seminal spaghetti western.

After coming across images of the cannon in a book on the film, the association set about trying to trace some of the weapons used in preparation for the 60th anniversary of the movie’s release later this year.

The 75mm cannon, made in Manchester by Whitworth in 1873, was one of the antique arms lent to Leone’s production team by the Spanish military. After filming it was returned to the army museum in Madrid. There it languished on outdoor display until 2010, when the museum and its collection were moved to Toledo.

A few months ago, Diego Montero, treasurer of the Sad Hill Cultural Association, visited the Toledo museum to look for the cannon. Further research led to the south-eastern Spanish city of Cartagena, where Montero discovered a group of retired soldiers had restored a 19th-century British cannon from the local military history museum .


“A few days ago we wanted to check the photos from the book against a more detailed photo, so we wrote to the director of the Cartagena museum, and he sent us a closeup photo of the top of the cannon and of the piece’s number,” said Montero. The serial numbers matched.

“The museum had no idea that they had the cannon that was used in the film. We told them that we were going to put out a press release because we knew that a lot of people would be interested – and they’d get loads of visits.”

The city council is certainly keen to use the cannon’s fame to draw more visitors. It posted on social media on Monday: “Did you know that one of cinema’s most famous cannons is in Cartagena and that you can visit it for free?”, with the post accompanied, inevitably, by Ennio Morricone’s genre-defining theme.

The museum’s director, Lt Col Ernesto Terry, said the cannon’s fame was already causing a stir.


“We had no idea this was the cannon from the film,” he said. “It’s been crazy and I’ve been talking about it non-stop to the media and to people who have been ringing to ask me about it. It’s been madness and we’ve had a lot more visitors.”

While the Sad Hill Cultural Association would love to borrow the cannon and temporarily reinstall it in the Burgos landscape, where it last stood 60 years ago, its protected heritage status means that will not be in time for the anniversary.

“The bureaucratic procedures are very lengthy, and we don’t have time,” said Montero. “But we’ll definitely try to do something in the future. Maybe we can get hold of the piece and at least bring it to Burgos, because there’s a military museum there.”

‘This keeps the dream alive’: the bands sleeping at venues to make touring work

Music
‘This keeps the dream alive’: the bands sleeping at venues to make touring work
Sundus Abdi
Tue 19 May 2026 15.00 CESTLast modified on Tue 19 May 2026 20.05 CEST
News
https://www.theguardian.com/music/2026/may/19/bands-sleeping-at-venues-to-make-touring-work

T ouring has become increasingly financially precarious for grassroots artists, pinched by issues including the cost of living crisis and increasing fuel costs. But a growing number of UK music venues are attempting a simple but potentially transformative fix: giving bands somewhere to sleep.

This month, the Music Venue Trust charity announced a new wave of funding initiatives to rebuild infrastructure for touring musicians, including schemes focused on artist accommodation: unused spaces in venues could be converted into rooms for touring musicians, in an effort to cut costs and make smaller tours more viable. “Accommodation costs are limiting touring options and venues, especially in rural locations where there may not be lots of accommodation choices,” says Mark Davyd, the charity’s chief executive.

One of the first venues involved is Voodoo Daddy’s in Norwich: the site is currently being refreshed throughout, with new shower facilities and triple-stack bunk beds installed for touring artists. Owner Ben Street says the project emerged from conversations with musicians who were struggling to make the numbers work. “There’s so many times that we’d have international artists discussing the fee and trying to get over here, and one of the big issues was they were trying to cover the cost of accommodation,” he says. With a tour party of six or seven, “the cost of that was just really difficult”. Rather than charging separately for rooms, Street says accommodation costs are currently being folded into performance deals: artists may accept a slightly lower guaranteed fee in exchange for staying at the venue, but avoid paying far higher hotel costs elsewhere in the city.


Previously, he said, artists would often rush off after shows: “They’d stay at a Travelodge on a motorway, or a Premier Inn way out, because it’s cheaper. That means they finish the show, have to really quickly pack up and just disappear. It just wasn’t a nice experience for anyone.”

Now, he hopes artists will be able to stay on site, spend more time with audiences and reduce travel costs at the same time. “They can sign some merch, we can have a drink with them after. It just makes the whole experience way nicer and financially viable.”

The idea is being greeted with enthusiasm by artists. “Accommodation is an amazing perk that helps international acts survive on the road,” say the Jump Cuts, a Florida-based indie rock band who are due to stay at Voodoo Daddy’s later this year. “Everyone’s touring on razor-thin margins. This setup helps keep the dream alive for smaller bands to still go on tour despite the rising costs of pretty much everything.”

Street says the idea is also informed by his own years spent touring in bands. He remembers touring in Europe “where smaller grassroots or independent venues would have accommodation included and have amazing catering as well,” he says.

Is he worried about someone launching a TV through a window in time-honoured style? “Bands on tour can cause havoc,” he admits. “But I feel confident that most artists will appreciate what we’re doing and look after our little band hotel.”

Other venues see the move as a way of strengthening local live scenes and competing for touring acts who are forced to streamline their routes to save money. The Cornish Bank in Falmouth has allowed artists to stay in residencies where they create new work , and at Leicester venue Firebug, owner Matt Kirk believes offering accommodation could help attract artists who might otherwise bypass the city altogether. “If we have the infrastructure to go, ‘Don’t go to Nottingham, come to Leicester,’ that’s huge,” he says.

Kirk also argues that lowering venue costs could benefit audiences as much as promoters. Because accommodation costs aren’t factored in to the deal between venues, promoters and artists, “we can reduce the ticket price to make it more affordable. Twenty quid is actually quite a lot of money for people nowadays.”

As grassroots venues continue to fight rising costs and shrinking margins, MVT hopes these projects can offer something more sustainable than short-term emergency support. Davyd says the trust is already in conversations with 27 venues about developing accommodation facilities, with roughly half of MVT’s member venues having potentially usable space. “Not all of them will house all the bands on tour, and not all of them can be available all the time,” he says. “But if we can significantly drop the cost of accommodation as a factor for touring for the grassroots, it’s going to result in a lot more touring.”

The Guardian view on saving for old age: alarming shortfalls set the scene for a pensions overhaul | Editorial

Pensions
The Guardian view on saving for old age: alarming shortfalls set the scene for a pensions overhaul
Editorial
Tue 19 May 2026 19.37 CESTLast modified on Tue 19 May 2026 22.23 CEST
News
https://www.theguardian.com/commentisfree/2026/may/19/the-guardian-view-on-saving-for-old-age-alarming-shortfalls-set-the-scene-for-a-pensions-overhaul

R ecommendations from the government-backed Pensions Commission are not due until next year. But its interim warning that at least 15 million Britons are not saving enough for retirement already signals the scale of the challenge. The trend towards increasing longevity means that the issue of retirement incomes is unavoidable. At some point during the next decade, a threshold is expected to be reached whereby there are three pensioners for every 10 working-age adults.

The decision to reconvene this expert group was a good one. The automatic enrolment system it proposed has been a success, with around 90% of eligible employees signing up since 2012, along with their employers. But millions of low-paid workers, as well as the vast majority of self-employed people, face an uncertain future unless they too are helped to plan and save. One suggestion, made by the Institute for Fiscal Studies (IFS) as part of its own pensions review , was that HM Revenue and Customs could oversee a system whereby self-employed taxpayers would be enabled to make pension contributions at the same time as paying their tax bill.

Of the system’s three pillars – auto-enrolment, the state pension and voluntary individual saving – the commission judges the last to be the weakest. One issue is whether people are saving enough to top up their state pension (currently £241.30 a week or £12,547.60 a year) to a level at which they will be satisfied with their income. Another is how these additional savings are managed. Since no one knows exactly how long they are going to live, or what their needs will be, decisions can be difficult even for financial experts. The report implies that changes made under the Conservatives and designed to boost pensioner freedoms were ill-advised. UK retirees have far greater flexibility than their peers in most countries, and those withdrawing lump sums are at risk of running down their savings too quickly. A rebalancing towards a more cautious default is likely to be among next year’s recommendations.

Inequalities of various kinds also require addressing. The gender pensions gap is far larger than the pay gap, with women approaching retirement holding half the savings of men on average (a median figure of £81,000 versus £156,000). The commission has rightly indicated that policies to tackle this disparity will be a priority. While the retirement age has now been equalised, women’s greater longevity means that the average woman needs to support herself through retirement for longer than the average man. Some ethnic groups are also overrepresented among those with inadequate savings.

The commission’s remit excludes the triple lock , which is used to uprate the state pension, and this report ignores it. Any change to the current system is highly unlikely during this parliament. But it is worth noting the IFS’s view that were the pension age to be raised again, as a way of reining in costs, this would disproportionately benefit the wealthiest pensioners who live the longest, while poorer pensioners would have their retirements further shortened.

The warning of a savings shortfall must be treated seriously. Pensioner poverty has fallen in recent decades relative to poverty in other age groups and must be prevented from climbing up again. But the success of auto-enrolment is a reason for cautious optimism about what comes next. Unlike the impasse over social care funding, the pensions system has shown a capacity to adapt.

Do you have an opinion on the issues raised in this article? If you would like to submit a response of up to 300 words by email to be considered for publication in our letters section, please click here .

Gambling addicts are struggling as Kalshi and Polymarket explode in the US: ‘You could be betting your rent away’

Prediction markets
Gambling addicts are struggling as Kalshi and Polymarket explode in the US: ‘You could be betting your rent away’
Alaina Demopoulos
Tue 19 May 2026 16.58 CESTLast modified on Tue 19 May 2026 17.25 CEST
News
https://www.theguardian.com/us-news/ng-interactive/2026/may/19/kalshi-polymarket-gambling-addiction-sports-betting

When Kevin first heard about the prediction market Kalshi, he knew deep down it would be wise to stay away. Kalshi reminded him of a weakness of his: sports betting .

Kevin, who is 36 and works in law enforcement in Texas, has been a gambling addict for 18 years. It’s a problem that cost him his first marriage and forced him to file for bankruptcy.

Sports betting is illegal in Texas, so Kevin used a bookie based out of the state – until his second wife changed the passwords to his bookie account. Going to a physical casino required him to get in the car and drive. But Kalshi was right there: “I could still do my sports thing and it was actually legal.” (He requested to go only by first name to speak about sensitive matters.)

Despite being a recovering gambling addict, Kevin created a Kalshi account last summer, assuring his wife he wasn’t gambling. “I kind of swindled her into saying Kalshi was like stocks,” he said – not so difficult a sell, considering Kalshi describes itself as operating “like a stock exchange for events”.

The prediction market Kalshi allows more than 5 million monthly users to “trade” or place wagers on what might happen in pop culture, politics, weather or any real-world event with an uncertain outcome. Sports are an enormously popular category on these platforms, which make money by charging fees for trading. Kalshi’s competitor Polymarket, which operates similarly, is making a return to the states.

In the past year the boom in prediction markets – and their unscrupulous nature – has inspired parodies on SNL and South Park. Viewers of this year’s Golden Globes were treated to real-time Polymarket odds for category winners during the telecast, whether they liked it or not; the collaboration was widely panned as gauche. During the Super Bowl, Kalshi surpassed $1bn in trading, up 2,700% over the previous year.

They have surged in popularity as researchers report a dramatic rise in Americans seeking gambling addiction help. This began even before the introduction of prediction markets: in 2018, the US supreme court legalized sports betting and paved the way for online sportsbooks such as DraftKings and FanDuel, which have also exploded in the US.


Experts and people who experience problem gambling say that though prediction markets are not subject to the same oversight as sportsbooks, they are just as addictive. They say US regulators are not doing enough to keep users safe.

“The more people gamble, the more activities they gamble on, and the more ways they gamble, the more likely they are to develop a problem,” said Lia Nower, director of Rutgers University’s center for gambling studies, via email. “So, on average, unregulated markets like Kalshi and Polymarket will have an additive effect to the legal forms of gambling. This will likely contribute to increasing rates of problem gambling in the years to come.”

For Kevin, it took less than a year for him to get himself back on the wagon. In that time he estimates that he lost $5,000-10,000 on Kalshi – enough to “substantially impact” his family’s finances. “You can just be in your boxers laying in bed, betting your rent away,” he said.

Most gamblers lose money, and prediction markets are no different. Seven in 10 traders record losses on Polymarket, according to the Wall Street Journal, and a tiny percentage of accounts make 67% of profits. (Polymarket declined to comment on the journal’s numbers.) Kalshi told the journal that there were 2.9 unprofitable users for every profitable one in April.

But prediction markets draw careful distinctions between themselves and gambling platforms in other ways.

In sports betting or at a casino, players bet against a bookie who keeps their own sets of odds. State gambling commissions or tribal gaming agencies monitor for suspicious behavior from bookies, and generate taxes that fund public services. Online sportsbooks such as DraftKings can only operate in states where sports betting is legal, with age restrictions between 18 and 21, depending on the state.

Prediction markets differ in that there is no traditional “house” to bet against, according to the companies. Users trade against each other, similar to futures markets. Therefore, Kalshi and Polymarket do not have to comply with state gambling regulations. Instead, prediction markets are overseen on the federal level by the Commodities Futures Trading Commission (CFTC), better known for controlling the derivatives and commodities markets.

Kalshi is available in all 50 states to users aged 18 and older. As of last week, US users who are 18 and up can start trading on some categories on a new Polymarket app. In 2022, the CFTC fined Polymarket $1.4m and sent it a cease-and-desist order due to regulatory violations. This setback led to Polymarket banning US users, though some still found ways to reach it using VPNs. (Using a VPN to access Polymarket violates its terms and conditions.)

Public health advocates and state lawmakers are increasingly concerned that the distinction between prediction markets and online gambling is functionally meaningless. “The prediction market platforms may take umbrage at the idea that they’re gambling platforms. The rest of the world needs to recognize that they are,” said Benjamin Schiffrin, director of security policies for Better Markets, a non-profit promoting public interest in financial markets and reform on Wall Street.

Kevin, a seasoned gambler, also fails to see much of a difference. “If you look at an app on your phone for bookie betting and Kalshi, it’s the same stuff – numbers and stats, it’s just dressed up a bit differently,” he said. “There’s a language that you already are primed to know through other types of gambling.”

According to the National Council on Problem Gambling (NCPG) nearly 20 million Americans reported experiencing problematic gambling in 2024. Gambling addiction can financially cripple entire families. It can also be difficult to identify – you might not know a loved one has a gambling problem until they burn through half their savings. One in five problem gamblers attempt suicide; this is the highest rate of any addiction disorder.

Nower said that treatment for gambling addiction looks the same whether someone wagered on prediction markets or online gambling sites. “But [abuse] prevention and education will vary, as a lot of people view prediction markets as ‘not gambling’ because they aren’t regulated like other forms of gambling,” she said.

The NCPG runs a helpline; in February the board of directors called on prediction markets to promote the helpline on their platforms like sports betting platforms do. Currently Kalshi links to the 988 Suicide & Crisis Lifeline and Birches Health, a treatment provider for “digital addictions and compulsive behaviors”, on a policy page that does not use the terms “gambling” or “addiction”. Polymarket does not refer users to a helpline.

This week, Kalshi announced a $2m investment in the NCPG that will “expand consumer education campaigns, increase awareness of the warning signs of problematic behavior, and promote responsible trading and healthy decision-making”. It will not start promoting the gambling hotline on its platforms. Kalshi’s head of communications, Elisabeth Diana, said a conversation about doing so “is still ongoing” internally.

Kalshi makes money by charging small fees on trades; traditional gambling venues profit off of players’ losses. This is a message Kalshi representatives push in response to claims that prediction markets can exacerbate gambling addictions. “With prediction markets, there’s no incentive to make people lose, and we think that’s a fundamental difference and creates a less predatory, fairer, more transparent incentive,” Diana said.

Polymarket declined to comment on this story.


Polymarket and Kalshi advertising can be hard to avoid for people in recovery for gambling addiction.

Rob Minnick placed his last bet in November 2022. Kalshi and Polymarket existed when he was in the throes of dependency (the brands were founded in 2018 and 2020, respectively), but were not nearly as popular. He bet online with sportsbooks and in casinos, spending six to eight hours a day on his habit. Minnick now creates gambling recovery content on YouTube, where he has more than 38,000 followers.

These videos generate money through ads, and he is careful to block ads that have to do with gambling, casinos or “every conceivable category of trading” so people on the brink of sobriety do not have to sit through potentially triggering advertisements. But about a year ago, Kalshi promotions found their way on to his page.

“I have no idea how it showed up on my feed,” Minnick said. “They are sneaking through advertising in places where they really shouldn’t be, such as podcasts about gambling addictions [like mine].”

The fact that the ads got through Minnick’s blocker disturbed him so much that he asked his lawyer to send a cease-and-desist letter to Kalshi. “Common sense, decency, and the consumer protection laws of several states dictate that Kalshi ads should not be running on a channel dedicated to helping vulnerable people struggling with gambling-related harm,” the letter reads.

A Kalshi representative never confirmed receipt of the letter, but the advertising stopped shortly after. “My interpretation is that these businesses are pushing the line until someone says something and then backing off because they know that what they’re doing is not good,” Minnick said. “It’s the same beast in a new set of clothes.” (Diana declined to comment.)

A 2025 study conducted by the American Gaming Association found that 85% of Americans believe prediction markets’ sports categories amount to gambling, and almost as many said they should be regulated as such. At least 13 federal lawsuits have been filed that accuse Kalshi of an operating unlicensed gambling platform or being an illegal service that worsens gambling addiction, according to NPR. In response to the lawsuits, Diana told the Guardian: “We operate fundamentally differently than a casino or a sportsbook, and so we’re confident in our legal position on it.”

But Kalshi and Polymarket have powerful allies : Donald Trump Jr serves as an adviser to both, and Truth Social is developing its own prediction market called Truth Predict. Donald Trump has expressed some distaste for prediction markets, but last month his administration sued Connecticut, Arizona, and Illinois in an attempt to block state regulations on prediction markets.

Last week, US regulators indicated they have no appetite for reclassifying prediction markets as gambling, with the CFTC’s chair, Michael Selig, calling prediction markets and sportsbooks “two separate things”.

Prediction market evangelists are inescapable on social media, where influencers peddle the brands as a way for cash-strapped young people to make money in a difficult economy. Kalshi and Polymarket have zeroed in on college campuses, handing out branded swag and sponsoring frat parties in exchange for mass account signups. And though users still skew heavily male, Kalshi has enlisted female influencers to court more women.

Given the reach and availability to young adults under 21, experts say prediction markets are probably creating future addicts who might not have otherwise stepped foot in a casino or placed a traditional sports bet.

The younger someone is when they begin gambling, the more likely they are to develop a substance-use disorder – this is true for drugs, alcohol and gambling, said Alexandra Plante, a senior adviser on substance-use disorder at the National Council for Mental Wellbeing. “Gambling preys on the adolescent brain in a very unique way,” she said. “The data is starting to reveal this big bus headed straight for us.”

Young men are of particular concern. A July study by Common Sense Media found that roughly a third of 11-year-old boys reported gambling in the past year. By age 17, that amount rose to almost half.

“White guys, 18 to 24. That’s it. That’s all we see,” Timothy Fong, a psychiatrist and co-director of UCLA’s gambling studies program, recently told the science quarterly Nautilus in an interview about gambling addiction in the age of Polymarket. “The last 20 calls I’ve had for help were 18- to 24-year-old white guys with good families, who were highly educated, tech savvy, but had run into some trouble.”

The NBA, PGA Tour and NCAA have called for US regulators to raise the legal age for prediction markets to 21, while Kalshi’s CEO, Tarek Mansour, said that Kalshi’s minimum age should remain 18, to match the minimum age for investing in the stock market. “We’re a financial exchange, and so it’s no different than allowing 18-year-olds to use a financial exchange, which they’re allowed to do,” Diana said. (Polymarket has not commented on its minimum age.)

This month, Mansour announced new rules to curb underage use on Kalshi, including the use of facial recognition technology to make it more difficult for kids to use their parents’ accounts.

Kevin still remembers how his grandma loved to gamble. As a child growing up in Minnesota, his family took trips to casinos located on Indigenous reservations. “There would be six feet of snow outside, but it was warm in there, and exciting,” Kevin remembered. He believes that exposure may have led him to develop a bad habit. As an 18-year-old navy recruit stationed in Japan, he would visit Pachinko slot machines whenever he felt homesick.

Now a father of two children who are under three years old, Kevin wants to shield his kids from any problem gambling. He placed his last Kalshi bet about six months ago, and has not had a “big slip” since then. He attends counseling twice a week, and his wife is in charge of all their finances. He installed an app called Bark on his phone, intended for parents to monitor their children’s screentime, which prohibits him from accessing Kalshi or other prediction markets.

“It sucks, but it’s what I need,” he said.

In the US, call the National Council on Problem Gambling on 1-800-MY-RESET. In the UK, support for problem gambling can be found via the NHS National Problem Gambling Clinic on 020 7381 7722, or GamCare on 0808 8020 133. In Australia, Gambling Help Online is available on 1800 858 858 and the National Debt Helpline is at 1800 007 007

Tell us: have you been affected by the cruise ship hantavirus outbreak?

Hantavirus
Tell us: have you been affected by the cruise ship hantavirus outbreak?
Guardian community team
Mon 11 May 2026 14.32 CESTLast modified on Mon 11 May 2026 15.02 CEST
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https://www.theguardian.com/world/2026/may/11/tell-us-have-you-been-affected-by-the-cruise-ship-hantavirus-outbreak

Twenty Britons from a cruise ship hit by a hantavirus outbreak continue to be offered practical and emotional support as they isolate at a UK hospital.

Along with the 20 British nationals, a German who is a UK resident, and a Japanese passenger, were taken to Arrowe Park Hospital on the Wirral on Sunday after the MV Hondius docked in Tenerife.

Three passengers who boarded the cruise ship have died. Eight people no longer on the vessel have fallen ill, according to a World Health Organisation (WHO) tally from Friday, of whom six are confirmed to have contracted the virus. The WHO said its goal was to finish the ship’s evacuation, with the exception of 30 crew members remaining on board, by 7pm on Monday [11 May].

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