Curse of the Nile’s gold: how Sudan is losing its fertile fields and ability to produce food | Global development | The Guardian

Keyword – Global development
Trefwoorden – Global development, Sudan, Global health, Pollution, Mining, Food security, Rivers, Gold, Environment, Commodities, Africa, World news, Middle East and north Africa, Human rights, Agriculture
Title – Curse of the Nile’s gold: how Sudan is losing its fertile fields and ability to produce food | Global development | The Guardian
Author – Samira Hassan Khalifa in Abu Hamad
Link – Curse of the Nile’s gold: how Sudan is losing its fertile fields and ability to produce food | Global development | The Guardian
Publish date – 2026-09-11T11:00:03.000Z
Category – News
URL – https://www.theguardian.com/global-development/2026/sep/11/nile-gold-mining-sudan-environmental-disaster-poverty-public-health-emergency-crops-fail-chemicals

I n Abu Hamad, on the banks of the Nile, verdant orchards, gardens and fields once produced a bounty of dates, citrus fruits, winter grains and cereals for the towns and cities of eastern Sudan , including Khartoum and Port Sudan.

Today, the land looks drastically different. Trees have been cut down, agricultural areas cleared, and farms have been replaced by shops and commercial sites. Dotted around the town and its outskirts, more than 700 mounds of grey waste are poisoning the soil, water and air. The mounds are the toxic remnants of artisanal gold mining, a practice that began in about 2008 and has intensified over the past six years.

In 2024, artisanal operations accounted for more than 90% of Sudan’s gold production . And Abu Hamad in River Nile state has become one of the largest gold-mining and trade towns in the country .

Desperate for income, locals process tailings, the byproduct of artisanal mining, which contains about 70% of gold and is extracted using chemicals such as cyanide, mercury or thiourea, a compound that was initially thought to be relatively safe.

The creeping toxicity has decimated the agricultural foundation of Abu Hamad, transforming the town’s tranquil way of life into a daily battle against pollution and disease. Flood waters carrying runoff from mining sites have caused massive spikes in soil salinity, leading to a catastrophic decline in food production. Mohamed Fathi al-Rahman al-Khalifa, a local farmer, has watched the soil turn hostile.

“When the trees were still very young, the first harvest produced nearly four truckloads of oranges. Today, production does not exceed half a truckload,” Al-Khalifa says, highlighting the unnatural stunting of his orchards.

The agricultural collapse across all major staples is staggering, say farmers. A single acre (0.4 hectares) of wheat that historically yielded between 40 and 60 sacks now produces 12 to 18 sacks.

Similarly, fava bean yields have plummeted from an average of 40 to 50 sacks per feddan (a unit of land equivalent to about an acre, 0.4 hectares) to just three or four, according to local farmers. Even fully mature orange groves that should easily produce 10 truckloads of fruit now yield less than half a truckload, they say, with much of the harvest arriving misshapen and thick-peeled.

Al-Khalifa warns of a looming catastrophe that extends far beyond the borders of River Nile state. “Food security is no longer merely a local issue affecting Abu Hamad. It has become a national issue that concerns Sudan as a whole.

“Sudan possesses enormous agricultural potential and is crossed by the Nile River, [meaning] agricultural products should be abundant and affordable, yet the reality is quite different. Today, we see rising prices for vegetables and farm products across different states and cities,” he says.

The tragedy of Abu Hamad is not isolated. It is deeply entangled in Sudan’s war, now in its fourth year. The Sudanese Armed Forces (SAF) and the Rapid Support Forces (RSF) rely heavily on the gold sector. Since the war started in April 2023, both sides have been involved in controlling mining, says researcher Suliman Baldo of the thinktank Sudan Transparency and Policy Tracker.

Last year, the mining sector generated approximately $1.8bn (£1.3bn) in revenue from production and exports, producing roughly 75 tonnes of gold over the year and exceeding the SAF-controlled government’s target by 13%. This gold accounted for 58% of Sudan’s total export value in the SAF-controlled areas. The actual profit margin, however, may prove much higher, given the high level of gold smuggling across the border into Egypt . Production and trade levels among the RSF-controlled mines remain undocumented.

For the most part, Sudan’s war has allowed mining operations and gold trading to take place unabated and unregulated. According to Mubarak al-Fadil al-Mahdi, the head of the Umma party, a former investment minister and a businessman with ties to the gold sector, there is very little incentive for the warring parties to stop these practices.

“This is one of the Sudanese army’s most important incentives to perpetuate the war and prevent it from ending so that it can benefit from the corruption of these funds,” al-Mahdi says. “These funds are not subject to any oversight and are solely managed by the army commander and the governor of the central bank.”

The devastating impact of this unregulated mining is equally visible in the region’s pastures. Abu al-Qasim al-Khazin, a livestock herder from the Al-Sharik locality within the district of Abu Hamad, paints a grim picture of the toll the chemical runoff is taking on local fauna.

“We have seen numerous cases of animals born completely without hair [and] extremely unusual cases in which animals were born without eyes,” Al-Khazin explains.

The toxins affect more than just physical development. “In some cases, the animals appeared to have completely lost their normal behaviour – some people described their condition as resembling madness.”

The environmental disaster has inevitably become a public health emergency. Analysis in 2022 revealed that 20% of drinking water samples contained mercury.

A local doctor and medical activist, who asked to remain anonymous for security reasons, says that health issues previously rare in the area are now everyday realities. “Among these concerns is the rising rate of miscarriages among pregnant women, as well as cases of congenital abnormalities in foetuses,” they say.

The strain on local healthcare is immense, with the dialysis centre in Abu Hamad now serving close to 100 patients – far beyond its original intended capacity – after a rise in kidney failure.

The danger peaks during the rainy season, when the lethal grey mounds are disturbed. “During the rainy season two years ago, we witnessed mining waste and tailings being washed away by flood waters and carried into residential neighbourhoods,” the doctor says.

Hashim Abdelazim al-Mahi, an engineer and local environmental activist, has tracked the devastating reality of the pollution . He points to the introduction of thiourea, as an alternative to cyanide in the gold extraction process.

“When thiourea was first introduced into Sudan [ in 2017 ] it was promoted as an environmentally friendly material. However, reality has shown otherwise,” Abdelazim says.

According to recent local medical records, approximately one out of every 50 children is born with some form of serious congenital abnormality, including cleft lip conditions and complex cases such as skull deformities.

Despite the risks, Abdelazim is not demanding a complete end to the industry but rather an end to the negligence. “Of course [gold] mining will continue. We cannot expect the industry to stop completely,” he says. “Mining should not stop, but the state must stop these harmful practices linked to the industry and address them seriously; human health should remain a priority for the state and should never be compromised or bargained away.”

As the land dies, the social fabric of Abu Hamad is unravelling. Driven by soaring poverty and the allure of quick profits, young men are abandoning their education to enter high-risk mining operations.

Mohamed Ahmed Abdelaziz, the headteacher of the Northern Boys’ School in Ghariya, has watched his classrooms empty. Primary school classes have dropped from 75 pupils to 20, and secondary classes show identical attrition. “A student may see someone working in mining who has bought a vehicle or earned a substantial income within a short period and begin to ask himself, ‘Why should I continue studying?’” he says.

The long-term consequences of this shift in community priorities is deeply troubling to the veteran educator. “If large numbers of students continue to abandon their studies, society will lose the teachers, doctors, engineers, university professors and other professionals it needs for development.”

For the young men in the pits, survival, not greed, drives their decision. Al-Daw Adam Jibril Mohammed, a high-achieving student, dropped out of university when he could no longer afford the tuition.

“I felt that education required many years of study, while mining offered immediate and direct financial returns,” Adam says. However, the reality of the work is gruelling and far from a guaranteed payday. “A person may work an entire day and find nothing whatsoever; income from mining is uncertain and depends largely on luck.”

In July, the prime minister, Kamil Idris, who is part of the army-controlled government, ordered the immediate removal of all gold-processing mills from residential and military areas. The directive will also introduce mandatory ID cards for miners and increased security in mining regions. In 2024, authorities also tried to ban the use of mixers such as mercury and cyanide in Wadi Halfa, Northern state, and South Kordofan state. But these piecemeal efforts have proved too little, too late.

In Abu Hamad, the contaminated mounds of toxic soil and gravel remain exposed and untreated. As the rainy season approaches, the risk of these toxins seeping into the Nile River increases.While the war rages on, the residents of Abu Hamad must navigate a landscape permanently altered by human greed. Until state authorities intervene to regulate the informal sector and enforce safe processing methods, the grey mounds will continue to multiply. For the farmers, herders, doctors and children of Abu Hamad, the gold rush has yielded little wealth – only a slow, relentless poison.

This story by independent Sudanese outlet Ayin Network is supported by the Impact Reporting programme of the Institute for War & Peace Reporting ( iwpr.net )

‘You’re fired!’ The TV shows you can’t stomach any more | Television | The Guardian

Keyword – Television & radio
Trefwoorden – Television, Culture, Television & radio, The Apprentice, Strictly Come Dancing, Coronation Street, House of the Dragon
Title – ‘You’re fired!’ The TV shows you can’t stomach any more | Television | The Guardian
Author – https://www.theguardian.com/profile/alfie-packham
Link – ‘You’re fired!’ The TV shows you can’t stomach any more | Television | The Guardian
Publish date – 2026-09-11T11:00:03.000Z
Category – Culture
URL – https://www.theguardian.com/tv-and-radio/2026/sep/11/tv-shows-you-cant-stomach-any-more

The Apprentice

We loved this show for the first four or five seasons. It had a really good mix of candidates, different ages and walks of life. I think it was after season nine that we started to feel the programme was losing its authenticity. Contestants started to look like homogenous Love Islanders, all the same demographic – 20-30 age bracket, highly polished body image, eye on a post-show influencer career, etc. It lost its uniqueness and became just another reality show. Ngaire Vine, 56, Derbyshire

Ludwig

The first season was excellent but the new series is a massive disappointment. In the first, David Mitchell’s character was believably eccentric and Anna Maxwell Martin was amusingly quirky. In this series they have taken interesting and believable character traits too far and the whole thing is ridiculous. I had been eagerly awaiting a second series but have stopped watching. It’s a shame that two excellent actors have been given such ludicrous scripts. Margaret Ainsbury, 78, Denbigh

The Chase

The Chase feels well and truly past its sell-by date. It’s a real shame, because I love Bradley Walsh, and the Chasers themselves are all fantastic. However, the core concept of the show has grown tired. The player endures the initial cash builder, sweats through a head-to-head round and scrapes together money (usually a pitiful amount) just to pool it into a central pot. And what is the reward for surviving all of that? Watching it vanish in the final chase because the chaser rattles through a block of questions in a fraction of the allotted time. I want to keep loving it, but the magic has worn off. Jamie Jones, County Durham

Grey’s Anatomy

I was completely captivated when Grey’s Anatomy first aired in 2005. There were strong performances – notably Sandra Oh – and strong characters with interesting histories and gripping medical cases. Fast forward to the present day and only a handful of the original cast remain … and even they look bored with the proceedings. The younger doctors inspire little empathy and the storylines need oxygen. I could say urgently, but I think it best to let it rest in peace now. Ruth Muirhead, Wales

Prison Break

Series one felt like groundbreaking telly: stylish, gritty, twisty – I loved it. Series two followed the escapes so was a different show but still OK. But it really had nowhere else to go after that. Wrap it up? Nope, let’s stick them all back in another prison. Please . Matt, 43, Manchester

Coronation Street

A British friend and I have been watching Coronation Street for more than 50 years. It was a mindless pleasure that I would end my stressful day with. In the last year or so, it has become a stressor. There are so many sinister, evil characters now. I had to fast forward through the scenes with the character Theo. My British friend bailed on the show completely because of that storyline. I miss the silliness of affairs and neighbourhood arguments in the pub. Jane, 72, Toronto, Canada

House of the Dragon

I always liked the dragons in Game of Thrones, and I thought the prequel might be a fresh series that doesn’t have GoT’s later poor plotting baggage. Paddy Considine did such a superb turn in the first season as the troubled and sickly Viserys Targaryen. And I could even forgive the sudden cast changes in season one to account for elapsed time in the narrative. The soundtrack, by Ramin Djawadi, is lovely. Over three seasons, however, I’ve become increasingly apathetic about the characters. The show’s just fallen flat and hasn’t managed to reach the highs of the first few seasons of GoT. Perhaps it really is time that Warner Bros (and Disney etc) give up on legacy IP. Let’s have some new stuff, please. Reinhardt, 39, Pretoria, South Africa

Family Guy

Family Guy was hilarious. The first 10 or so seasons were all great for different reasons. It’s just fun – turn your brain off and laugh. But the last few years have been tiresome. Not awful, just plain. The voices are beginning to fade – I understand why, it’s been 25 seasons – and the jokes feel stale and uninspired. Don’t get me wrong, there are good episodes and some have great political commentary. But it has just gotten sour, to the point where I, an avid viewer, slowly stopped watching. I’ve found comfort in Bob’s Burgers now, but hey, maybe that’s just growing up! I still remember when Family Guy started … Hunter, Glasgow

Love for Lydia

This HE Bates drama was first shown in the late 70s when I was 14. I adored Lydia who was played by Mel Martin. She looked so sophisticated with a beautiful black bob hairstyle. Men fell in love with her left, right and centre. I wanted to be Lydia. Last year it was shown again on Talking Pictures TV. With age comes experience and I could see how terribly selfish and insensitive Lydia actually was. She was a beautiful monster and Richardson who was besotted with her was a complete drip! Julie Coan, 63, Heywood, Greater Manchester

The Office (US)

The prime example would be the American Office. Carell departing was too much to overcome, despite the star power of Will Ferrell and Kathy Bates. No disrespect to those actors; I understand the dilemma. If a first season of a show is successful, they want to continue, and as viewers we want more. But it’s becoming increasingly rare that after the flush of initial quality, subsequent seasons can continue the magic. Charles David, Michigan, USA

Scrubs

I can’t stand Dr Cox’s “tough love” any more. His character was heralded for his honesty, especially compared with the slimy Dr Kelso, but Cox was a manipulative, sexist bully. Sharon, 42, Vancouver, BC, Canada

Gilmore Girls

I am in a perpetual cycle of Gilmore Girls rewatch – it’s my cosy year-round comfort show. However, I don’t watch season seven, or God forbid, the Netflix revival. Season seven totally betrays the cute and cosy atmosphere of seasons one to six, and the lives of the main characters drastically change. I suppose that happens after six years, but the showrunner also changed and you can feel the pull in a new direction. Needless to say, elopement and sexting should never have been on the cards. Jazz, 38, Windsor

Roseanne

Roseanne was, for a long time, a wonderful sitcom and one which has given many, many happy memories. Razor-sharp dialogue and wit, extremely likable characters with terrific, emotional, relatable storylines all laced with a real bite. Then it just went completely off the rails towards the end with an utterly nonsensical plot. A real shame because it was one of the best TV shows ever made. Michael, Bristol

The Boys

The Boys began as a topical, biting commentary on modern superhero movies and our political landscape. Its final two seasons felt like a caricature of itself, with characters reduced to bizarre versions of themselves and lazy writing that completely failed to tackle the modern US. Aaron, Lancashire

Céline Dion sparks mass karaoke and power-ballad fever with return to stage in Paris | Céline Dion | The Guardian

Keyword – Music
Trefwoorden – Céline Dion, Paris, France, Music, Culture, Europe, World news
Title – Céline Dion sparks mass karaoke and power-ballad fever with return to stage in Paris | Céline Dion | The Guardian
Author – https://www.theguardian.com/profile/angeliquechrisafis
Link – Céline Dion sparks mass karaoke and power-ballad fever with return to stage in Paris | Céline Dion | The Guardian
Publish date – 2026-09-11T10:56:06.000Z
Category – Culture
URL – https://www.theguardian.com/music/2026/sep/11/celine-dion-fans-paris-sold-out-comeback-shows

More than 30,000 Céline Dion fans have gathered in Paris for the Canadian singer’s long-awaited return to performing on Saturday night, four years after she revealed her diagnosis of stiff person syndrome, a rare neurological condition.

Thousands more people without tickets have flocked to a series of giant karaoke events across France to belt out Dion’s famous power ballads, in celebration of the star’s health stabilising enough for her to return to the stage.

Paris city hall organised a free outdoor karaoke for 10,000 people on Friday night in the north of the city as a giant sing-along to hits such as Dion’s My Heart Will Go On , which featured in the Oscar-winning film Titanic and became one of the bestselling singles by a woman in music history.

Emmanuel Grégoire, the mayor of Paris , said the capital’s giant street karaoke would honour Dion as “an artist of the people” and a great unifier in France. “Music has that singular power to bring together and build a society,” he said.

Dion, who grew up the youngest of 14 children in a small town near Montréal in French-speaking Quebec, has a massive fanbase in France. Her French-language ballads are regularly the most requested songs at karaoke venues.

Dion’s popularity also stems from her life story: from an upbringing in a poor Quebec family, singing as a child at her father’s piano bar, to her massive stadium gigs.

Dion, 58, announced in 2022 that she had been diagnosed with the incurable autoimmune disorder stiff person syndrome. She took a break from performing, later describing how the condition meant she had suffered muscle spasms so strong that her ribs were broken. She told journalists there were times she could not walk. In the 2024 documentary I Am: Céline Dion she provided insight into the severity of her pain from the condition, including having a seizure.

The content of Dion’s series of concerts at the Plenitude arena in La Défense, west of Paris – the biggest indoor concert venue in Europe – has been kept secret. The singer told fans outside her hotel that she was being careful to protect her health, travelling to and from her hotel only to rehearse and greeting waiting fans from a safe distance.

Dion told the crowd that the concerts would be longer than her usual performances and advised them to wear comfortable shoes.

Usually in France, Dion would sing a set mostly made up of her French-language hits – her 1995 album D’eux became the biggest-selling Francophone album of all time. But with Paris currently her only venue, many fans are coming from North America and across the world, so English-language hits will also feature.

In April, about 9 million people had registered for the pre-sale ticket lottery. The concerts swiftly sold out.

The Paris region expects the 16-date residency in September and October as well as further sold-out dates in May to boost the local economy by up to €800m (£690m). The Céline Dion frenzy could eclipse the profits local hotels, restaurants and tourist sites enjoyed around previous concerts by Taylor Swift and Beyoncé.

At the Galeries Lafayette department store, a Céline Dion merchandise corner had seen a steady trade, with some fans arriving before opening hours.

Alexandra, 36, a civil servant from the Paris region, had bought a T-shirt and signature Céline Dion macarons. “It’s important to me because I grew up with her music,” she said. “My mother was huge a fan so I listened to Céline Dion songs on the way to school.

“Whenever we went on holiday, Céline Dion would be playing in the car. Her music is part of some of my best memories of childhood. She is humble and she has managed to stay very close to the people.”

She added: “I’ve followed her health challenges. I thought she might not be able to perform again. But she has clearly set herself an incredible challenge and I hope she can manage these concerts without impacting her health. I think she’ll be so lifted up by the fans’ love for her that she will find strength in it.”

‘She changed the beauty industry’: how Charlotte Mensah brought black hair into the spotlight | Women’s hair | The Guardian

Keyword – Fashion
Trefwoorden – Women’s hair, Life and style, Beauty, Fashion
Title – ‘She changed the beauty industry’: how Charlotte Mensah brought black hair into the spotlight | Women's hair | The Guardian
Author – https://www.theguardian.com/profile/sinead-campbell
Link – ‘She changed the beauty industry’: how Charlotte Mensah brought black hair into the spotlight | Women's hair | The Guardian
Publish date – 2026-09-11T10:19:44.000Z
Category – Lifestyle
URL – https://www.theguardian.com/fashion/2026/sep/11/charlotte-mensah-exhibition-beauty-industry-black-hair

W hen Charlotte Mensah was a young child growing up in Accra, Ghana in the 1970s, she would spend hours watching her aunties having their hair intricately threaded, an ancient African technique where hair is wrapped tightly using yarn or thread. She didn’t know then that she would go on to become one of the most influential hairdressers in the UK. Renowned for championing natural black hair textures, she has worked as hairstylist to singers Janelle Monáe and Erykah Badu, and the writer Zadie Smith.

According to Smith, in an essay she penned about Mensah’s magic earlier this year: “Charlotte can make a great mane of braids appear where previously there were only split ends and hair loss.”

A three-time winner of afro hairdresser of the year and the first black woman to be inducted into the British Hairdressing Awards Hall of Fame in 2018: the extraordinary course of her 40-year-long career is now the subject of an exhibition, Charlotte Mensah: Community Matters in west London. It charts her rise from growing up in the Ghanaian capital, through her early days as a junior hairdresser in London’s West End in the 80s, to styling celebrities for magazine covers.

The dynamics of black hair and the beauty industry have changed dramatically in this time. According to Madeleine Haddon, senior curator of the V&A East, who has worked with Mensah on the exhibition: “This is a story of Black British creativity and many of the prejudices and hurdles that she [Charlotte] had to overcome in the 80s and 90s, but also how she changed the beauty industry and transformed perceptions of black beauty.”

When Mensah moved from Ghana to Stonebridge, north-west London, aged 11, she first became conscious of her hair – and was bullied for it. Whereas the black children at her school wore their hair relaxed, in braids or in cornrows, Mensah had what she calls a “TWA” – a tiny weeny afro. “I turned up with this short hair and they all started laughing at me,” she says. “I used to cry … they just thought my hair was so funny and I looked like an alien.”

When she left school at 16 in the mid 80s, Mensah landed an apprenticeship at the first luxury black hair salon in the UK, Splinters in Mayfair, which opened in 1970. At that time, Mensah had only practised at home, styling her younger sister’s hair in “simple little braids, twists, cornrows”.

Splinters was worlds away from her bedroom in north London. The teenage Mensah was sweeping the floors at a salon where clients such as Diana Ross, and Flori Roberts – the eponymous owner of the first cosmetics brand developed specifically for women of colour – passed through the door. She then worked her way up through some of London’s top black hair salons, such as Terry Jacques in Knightsbridge, which was frequented by Luther Vandross and Brandy. “It opened my eyes to a bigger world that I didn’t think existed,” she says. “I saw those women that came into the salon, they were very independent, they had their own businesses, and I thought, ‘I want to be like one of these women’.”

In 1999, at the age of 29, Mensah opened her first salon, Hair Lounge in Kilburn. The location later moved to Portobello Road, in London’s Notting Hill, where, 25 years and countless awards later, Mensah can still be found braiding hair and chatting to customers every day. As Smith has written: “ Charlotte Tilbury is unlikely to do your makeup at the Selfridges counter, but Charlotte Mensah will definitely braid your hair in Ladbroke Grove. She’ll also weave it, cut it, blow it out, colour it, treat it, whatever you need. Her craft is her passion, and she applies it to everyone equally, from the pop star prepping for a show to the auntie getting ready for church.”

For the last 10 years, Mensah has also had an eponymous product line, a high-end range of hair oils and finishing mists. It grew out of a need – growing up in the 70s and 80s, relaxed hair and curly perms were the fashion, but the products necessary for them weren’t widely sold. Mensah had to travel out-of-borough to buy brands such as Dax and Sofnfree, that were imported from the US.

Now the landscape has changed. Boots and Superdrug have designated afro hair sections stocked with brands such as Camille Rose and SheaMoisture, for different black hair types. The celebrity-owned beauty business wave has ushered in brands such as Pattern by Tracee Ellis Ross, Cecred by Beyoncé and UK-based afro hair care lines, such as Afrocenchix. “There’s more access,” says Mensah. “So if I’m a young black girl living in Sheffield, I can go into my local high street or online and find something for my hair, which never used to happen.”

Mensah has also pushed the creative potential of black hair styling. One of the pictures in the exhibition is a photograph of the British boxer Nicola Adams in a Grace Jones-style boxed afro on the cover of Vanity Fair UK, styled by Mensah. Others of her covers include model Jourdan Dunn with spiralling braids for Heroine magazine, the singer Celeste with cornrows on Found And Vision, and writer-actor Michaela Coel bare-faced with Bantu knots for New York Magazine.

Her aim now is to address the remaining social prejudices surrounding black hair types, the notion that natural, kinkier hair textures need to be “tamed” or straightened to look “beautiful”. In particular, the lack of access to hairdressers outside big cities trained to style black hair types is a significant barrier.

Last year, the BBC reported that out of 259 colleges in England, only 82 said they taught a curriculum inclusive of afro hair care, and women are still travelling across the UK to get their afro hair cared for. Mensah suggests that education on treatment and styling of different hair textures outside the European standard is needed to tackle the issue. She has set up her own academy, based in London and Accra, which offers a training and mentorship programme for hair stylists.

“You should be able to walk into any hair salon on your high street and have your hair done, [an experience] which doesn’t exist,” she says, referring to the fact that many stylists still do not have the expertise to work with hair of all textures. “That comes from the education system … I can do all hair types. So everyone else should be able to.”

Drawn Together review – preposterous romance with all the erotic charge of leaf mulch | Film | The Guardian

Keyword – Film
Trefwoorden – Film, Romance films, Thrillers, Film adaptations, Books, Culture
Title – Drawn Together review – preposterous romance with all the erotic charge of leaf mulch | Film | The Guardian
Author – https://www.theguardian.com/profile/cathclarke
Link – Drawn Together review – preposterous romance with all the erotic charge of leaf mulch | Film | The Guardian
Publish date – 2026-09-11T10:06:20.000Z
Category – Culture
URL – https://www.theguardian.com/film/2026/sep/11/drawn-together-review-mercedes-ron-culpables

H ere is Prime Video’s latest Mercedes Ron adaptation, following the massive ratings success of her Culpable trilogy (My Fault, Your Fault , Our Fault ). Drawn Together tells the story of a ballet dancer falling in love with her bodyguard. It’s meant to be darker and sexier than the Culpable movies (which were derived from YA-aimed novels), but has all the erotic charge of leaf mulch. It’s the worst of all worlds – trash minus any froth or fun, trash with pretensions. Fans no doubt will be instantly at home in its glossy world of the ultra-wealthy, all the budget blown on cream-coloured furnishings and jodhpurs.

Ester Expósito is Marfil, a 20-year-old student and ballet dancer from Spain living in New York. One night, she is abducted in Central Park and wakes up two days later in hospital with no memory of what happened. What Marfil doesn’t know is that her billionaire father Alejandro (Pablo Molinero) is an organised crime boss, and he hires bodyguard Sebastián (Hugo Diego Garcia) as 24/7 protection for Marfil. In a film with more holes than plot, this stands out as especially preposterous. No father alive would risk hiring smouldering Sebastián (think Tom Hardy’s hot young Spanish cousin) as security for his daughter.

In truth, Alejandro’s ill-gotten gains would be better spent on therapy for Marfil to work through her deep-seated psychological issues. She wants to break free of her controlling father but throws herself into the arms of Sebastián, a man who won’t let her leave the house alone and secretly films her on CCTV. The chemistry between the two actors barely generates a spark – but stay alert at the 70-minute mark, because the sex, when it finally comes, is blink and you’ll miss it. There’s another book in the series, so the movie ends on an irritating cliffhanger, with a wait for the climax.

Drawn Together is on Prime Video

‘Delay the meals’: Mikel Arteta reveals latest maverick Arsenal methods | Arsenal | The Guardian

Keyword – Football
Trefwoorden – Arsenal, Mikel Arteta, Football, Sport
Title – ‘Delay the meals’: Mikel Arteta reveals latest maverick Arsenal methods | Arsenal | The Guardian
Author – https://www.theguardian.com/profile/ed-aarons
Link – ‘Delay the meals’: Mikel Arteta reveals latest maverick Arsenal methods | Arsenal | The Guardian
Publish date – 2026-09-11T10:04:37.000Z
Category – Sport
URL – https://www.theguardian.com/football/2026/sep/11/mikel-arteta-maverick-arsenal-methods-player-challenges-delayed-meals

Mikel Arteta has revealed that he likes to set players challenges, such as delaying their meals before matches and making the dressing room hotter, to ensure they are fully prepared for any eventuality.

Arsenal’s flight to Italy for their Champions League opener against Napoli this week was delayed for more than five hours , with Arteta forced to cancel his pre-match press conference after the squad arrived in Naples just before 10pm local time. The disruption proved no handicap as they made it 13 successive league-stage victories in Europe, thanks to Martin Ødegaard’s second-half winner .

Arteta has a reputation for his innovative methods having previously employed pickpockets during pre-season training camps and preparing for a trip to Anfield by pumping crowd noises through a speaker. The Arsenal manager has now explained how his players have been trained to expect things to go wrong. “I love those challenges. I try to create them in pre-season,” he said. “So when they happen, we already experience them and we already know. So, get to the stadium very late, change the routine as soon as the players have to do something else. Because when it happens, and it can happen, you can miss the flight, the train can be delayed, there’s so much traffic, and I don’t want the players, the staff as well, panicking.

“So, when that happens, adapt to it. ‘OK, we have another two or three hours on the plane, how can we use them?’ Play together, spend some time together, sleep, use it, but certainly don’t complain and then use it as an excuse because that’s not helpful at all.”

Asked what other methods he has employed, Arteta added: “Just delay the meals, delay the transport, take a different route. We have done many things: make the dressing room hotter, more difficult, more challenging, less [massage] beds. Those kind of things. Because we are going to have to adapt to different contexts and we will try to anticipate it and create the best possible conditions. But when there is that element of stress or surprise on matchday, it’s important [to be prepared].”

Arsenal travel to Sunderland on Saturday night looking to extend their 100% start to the new campaign after being held to a 2-2 draw at the Stadium of Light last year. Leandro Trossard scored Arsenal’s second goal before Brian Brobbey’s late equaliser and Arteta contrasted the Belgium forward’s reaction to leaving in the summer with that of Gabriel Jesus. “No one told me nothing,” said the Brazilian, who was made to train separately from the rest of Arsenal’s squad before moving to Barcelona. Trossard, meanwhile, was at the Emirates for last week’s win over Chelsea having joined Beskitas in July.

“Very surprised, to be fair, especially because with Gabriel I had an individual talk in the dressing room,” said Arteta. “And the words that we used for each other, it was all about gratitude. So, I don’t know. It’s OK. Sometimes I understand when you have to deliver bad news or news that people don’t expect. Those things are reactive. Somebody has to be the bad cop; if I have to be, I have to be.

“What is important is normally what happens three months later, six months later. When Trossard comes in, he’s in the dressing room with all of us, the atmosphere and the relation you have with all the players that they left, at some point their relationship has been really good. I hope that’s the same case.”

One in nine migratory birds threatened with extinction, global report says | Birds | The Guardian

Keyword – Environment
Trefwoorden – Birds, Animals, Conservation, Environment, Wildlife, Endangered species, Biodiversity, Wetlands, Kenya, World news
Title – One in nine migratory birds threatened with extinction, global report says | Birds | The Guardian
Author – https://www.theguardian.com/profile/patrickbarkham
Link – One in nine migratory birds threatened with extinction, global report says | Birds | The Guardian
Publish date – 2026-09-11T10:00:03.000Z
Category – News
URL – https://www.theguardian.com/environment/2026/sep/11/migratory-birds-species-threatened-extinction-decline-global-report

One in nine migratory birds are threatened with extinction and 45% of migratory species such as cuckoos, turtle doves and Arctic terns are in decline, according to a global report.

The migratory slender-billed curlew was officially declared extinct last year, the first global bird extinction in mainland Eurasia and Africa in recent centuries. Worldwide, seven migratory bird species have been confirmed or are suspected to have become extinct over the last 150 years.

The threats to migratory birds, which are overwhelmingly caused by humans and include the intensification of farming, unsustainable hunting, pollution, invasive species and global heating, were revealed in the State of the World’s Birds report .

Seabirds and shorebirds, which depend upon marine habitats and coastal wetlands, are faring particularly badly, according to the analysis, which is produced every four years by BirdLife International.

Stuart Butchart, the chief scientist at BirdLife International , said: “Migratory birds are sentinels, and their declines reveal growing pressure on the natural systems that sustain us. But the science is equally clear: conservation works, with coordinated action preventing extinctions and helping populations recover. The solutions exist: what is needed now is their implementation at flyway scale.”

The report was published at the Global Flyways summit in Nairobi, Kenya, where governments, scientists, conservation NGOs and financial institutions signed a commitment to increase efforts to protect migratory birds along their flyways, the routes taken by billions of migratory birds moving between continents and seasons.

The Nairobi Flyways Declaration comes with three development banks integrating flyway conservation into their lending frameworks, providing $6bn (£4.4bn) for habitat protection and restoration along migratory routes.

Threats to migratory birds include persecution, with an estimated 13.1 million to 42.7 million migratory birds illegally killed or taken every year in Europe, the Mediterranean, the Caucasus and the Arabian peninsula. Many of these are songbirds caught in mist nets or on “lime sticks” for human consumption.

Invasive species, such as rodents sometimes accidentally introduced on to small islands where seabirds breed, also threaten migratory birds.

Loss or damage to natural habitats is another prime cause. According to the report, scientific monitoring over the past decade has found that more than half (58%) of 1,099 key biodiversity areas for migratory birds are in poor or very poor condition.

But the report highlights how conservation action, often across national boundaries, is reviving some species.

The eradication of non-native rabbits, cats, rodents and the weka bird from Australia’s Macquarie Island, an important site for breeding seabirds, has led to a resurgence in populations of migratory seabirds including the blue petrel, grey petrel, white-headed petrel and the Antarctic prion.

In China, an ambitious countrywide programme to remove smooth cordgrass, a North American grass introduced in 1979 to stabilise coastal mudflats for development, has restored 37,553 hectares (92,756 acres) – half the total area – in its first year, opening up vital food-rich mudflats to shorebirds again.

In Britain, the restoration of wetlands on agricultural land threatened by coastal erosion at Wallasea Island, Essex, has led to peaks of more than 32,000 waterbirds returning to the site, including 11,270 red knots.

Outlined at the summit were plans by the Asian Development Bank to mobilise $3bn over the next decade to protect at least 50 priority wetlands across the east Asian-Australasian flyway, with the funds also supporting nearly 200 million people who depend on these ecosystems. The Development Bank of Latin America and the Caribbean is mobilising $3bn-$5bn up to 2050 to safeguard more than 30 landscapes and seascapes. Several billion dollars has also been pledged by the World Bank and BirdLife to support flyways across Africa, Europe and Asia used by more than 2 billion migratory birds.

Princess Takamado of Japan, the honorary president of BirdLife International, said: “Migratory birds do not recognise borders. They connect Asia to Africa, the Arctic to the tropics. The Nairobi Flyways Declaration acknowledges this reality – that it needs international cooperation and coordination to keep migratory birds safe. I am excited and proud to see that the scientific community, conservation organisations and the financial sector are uniting to make this happen. We stand at an important turning point. We have been waiting for this moment for a long time.”

Martin Harper, the chief executive of BirdLife International, also called the Nairobi Declaration a turning point but said governments, businesses and civil society needed to play their part. “Development banks are rising to the challenge. The BirdLife Partnerhip is prepared to act. We now need others to step up to reverse the declines and save the wonder of migration.”

Trump’s clash with Canada is his latest imperialistic embarrassment | Sidney Blumenthal | The Guardian

Keyword – Opinion
Trefwoorden – Donald Trump, US news, Canada, Mark Carney, Americas, US foreign policy
Title – Trump’s clash with Canada is his latest imperialistic embarrassment | Sidney Blumenthal | The Guardian
Author – https://www.theguardian.com/profile/sidneyblumenthal
Link – Trump’s clash with Canada is his latest imperialistic embarrassment | Sidney Blumenthal | The Guardian
Publish date – 2026-09-11T10:00:03.000Z
Category – Opinion
URL – https://www.theguardian.com/commentisfree/2026/sep/11/trump-carney-canada-imperialism

T rumpism is the lowest stage of imperialism. “We’re not going to invade Greenland. We’re going to buy it,” Donald Trump reportedly told the annual black-tie dinner on 1 February of the private Alfalfa Club, an assemblage of prominent Washington figures, a number of whom he had publicly humiliated, and others he was investigating or suing. “It’s never been my intention to make Greenland the 51st state. I want to make Canada the 51st state. Greenland will be the 52nd state. Venezuela can be 53rd.” The room greeted several of his remarks with dead silence. His cosplay as the Pirate King was not received as a good-humored takeoff from a Gilbert and Sullivan opera. He went on. “So many people in the room I hate,” he said in a display of honesty. “Most of you I like,” he claimed. Then, at his peak euphoria, he flew off to Mar-a-Lago to plan his attack on Iran, which took place 27 days later.

Trump’s imperialism of piracy and plunder is less of a system even than that of the earliest imperialism of 17th-century privateers raiding the Spanish Main, the divine right of kings, and monarchs dividing up the spoils as favors to create their lords and earls. His schemes of aggrandizement operating by threat and force are justified by no larger rationale, nothing as exalted as “the white man’s burden”, marauding wherever and however he can to seize resources.

Describing his actions as some version of colonialism grants him a more orderly and coherent method than he possesses. His pillaging bears not the slightest resemblance to the highly organized administration of Queen Victoria’s British empire. Trump’s predation is calculated to wreck the long-established arrangements of international trade, law and cooperation created after the second world war and the fall of colonial empires, whose guidelines he sees as obstructing his own profit and power. Obsessed with his fortune hunting, he couldn’t care less about the political consequences for ill-fated Republican candidates in the midterm elections who must face the music for the harm he is doing to their states. They are the least of his collateral damage.

Mark Carney, the Canadian prime minister, offered the most succinct critique of Trump’s intent to usurp the sovereignty of countries in order to make them turn over their wealth to him. Carney said : “Canada is a sovereign, independent nation. We are not a target to be bullied, nor are we a client state to be subordinated … We will not sign an agreement that sacrifices our basic sovereignty, undermines our legal system, or cedes control over our foreign trade to Washington.” He called Trump’s demands a “last-minute power play intended to reduce Canada to an economic subsidiary”.

Trump’s ultimatum abrogated the legal foundation of the US-Mexico-Canada Agreement, which he himself had signed in 2020. He had previously demeaned Carney as the “governor” of Canada. Now, adopting his characteristic pose as victim, Trump claimed Canada had been “ripping off the United States for years” and were among “ worst ” nations to “deal with”.. “ They feel entitled and will be entitled no longer … It’s time to teach Canada you can’t do this anymore…. Someone should get these clowns to fall in line.”

Carney replied that Canada was “at war” and would adopt “counter-measures”, tariffs of its own. “America,” he said , “has changed … If Washington wants to trade, they must come to the table as equals.”

Trump’s answer was to issue an executive order renaming Lake Ontario as “Lake America”, the reflexive branding of the real estate operator. The White House put out AI-generated videos of Trump kicking over a sign reading “Lake Ontario” and replacing it with a new one, “Lake America”, and another with a squadron of ducks all with Trump’s hairdo and armed with machine guns patrolling the shore of “Lake America” to the theme music of Hawaii Five-O. The implied invocation of the Marx brothers’ farce of the ludicrous country of Freedonia nonsensically going to war, Duck Soup, seems lost on the busy beavers of Trump’s slop.

Trump’s method has been consistent since he leveraged a mineral resource deal out of Ukraine in April 2025 at a weak point in its conflict with Russia. Rather than pressure Putin, Trump’s agents disguised as diplomats, his son-in-law Jared Kushner and real estate pal Steve Witkoff, the Rosencrantz and Guildenstern of Trump’s imperialism, stand by to negotiate post-sanctions deals on his behalf.

Venezuela became Trump’s template for his piratical adventures. After swooping in on 3 January to capture its strongman, Nicolás Maduro, Trump promised a transition to democratic elections and that the US would play a custodial role over Venezuelan oil for the benefit of its people.

Not long after Trump grabbed Maduro, he declared he needed to acquire Greenland and threatened a tariff war against Denmark and European allies to “ get Greenland , including right, title and ownership”. “We probably won’t get anything unless I decide to use excessive strength and force, where we would be frankly unstoppable. But I won’t do that,” Trump said , adding, “I don’t have to use force,” and “I don’t want to use force.” He relented momentarily on 21 January after he claimed he had reached a “framework” agreement to negotiate over natural resources, though he subsequently sent preposterous agents into Greenland to stir up a quixotic annexation movement to no avail.

A month later, he bombed Iran. Trump stated that his true inspiration for the Iran war was the Venezuelan model in a post on 11 June: “At some point in the not too distant future, we will … assume total control of their Oil and Gas Markets, much like we have with Venezuela, which is working out brilliantly for both Venezuela and the United States of America.”

On 31 August, Trump announced that the US would take a stake in 17 oilfields in partnership with North American Blue Energy Partners, controlled by a Venezuelan oilman, Alejandro Betancourt . Betancourt was briefly detained in Britain, which was reportedly linked to a Swiss warrant on suspicion of money laundering. Betancourt has denied any wrongdoing and has not been charged with any offenses. The Swiss warrant was withdrawn in May and he became a Trump associate.

The Trump administration has already claimed to have received proceeds of $500m from oil sales, initially deposited in an account in Qatar. When the congressman Sean Casten of Illinois and the senator Chris Van Hollen of Maryland wrote a letter requesting information, the administration shifted the money to an opaque account managed by the treasury department. In an article published in June by the Council on Foreign Relations, “The U.S. Took Over Venezuela’s Oil Industry. Where Has All the Money Gone?”, Roxana Vigil, a former treasury department expert, observed that in dealing with the “same corrupt regime, different leader … the Trump administration has provided almost no information on the system it has established to sell Venezuelan oil, collect the revenue, and use the funds”.

The countries whose sovereignty, self-interest and rule of law Trump has struck include the United States. His assault on Canada has sent a shock through the whole US economy. The state most affected economically, Michigan, shares with Canada one of the most integrated industrial relationships in the world. More than 38% of Michigan’s exports go to Canada, the Detroit-Windsor corridor handles 25% of all US-Canada trade, and Trump’s tariffs immediately threaten 260,000 jobs with an immensely damaging multiplier effect. As of March, his tariffs had already caused estimated losses of $35bn to automakers. The average cost per Michigan household is estimated to be $5,619 in added expenses due to tariff-induced price increases.

Trump’s tariffs have effectively hamstrung the Republican candidate for the Senate in Michigan, Mike Rogers, leaving him with the Hobson’s choice of either inciting Trump’s rage or submitting to his whim. Rogers has decided to take the latter course. He has called Trump’s economic policies “masterful”. When JD Vance came to the state, Rogers praised the administration. “The impact you have had on our state is phenomenal,” he said . Rogers hurls language about “extremism” against the Democratic candidate Abdul El-Sayed that substitutes for discussing Trump’s economic fiasco. Rogers is performing the kind of self-abasing fealty to Trump that Trump wishes he would receive from Carney. If only Rogers were the prime minister of Canada, there would be no trouble about “independence”.

Vladimir Lenin, in his 1917 tract, Imperialism: The Highest Stage of Capitalism, argued in his dogmatic and overdetermined style that imperialism at the turn of the 20th century represented the integration of monopoly, finance and industrial capital, with the great powers dividing the world into colonies, and their conflict precipitating the first world war.

In Trump’s imaginarium, he views himself as omnipotent and omniscient. When the world isn’t pliable, he must resort to greater force to reassure himself that the world acknowledges his self-image. The more he meets resistance to his fixed idea, the more pressure he must exert. He finds himself in a vicious cycle. His power hemorrhages, US power dissipates and he spins in a whirlpool.

Trump’s Venezuelan paradigm, whose conditions cannot be replicated, have quickly descended into questionable business deals. Failed from the start of his Iran war, his pursuit of “total control” recedes over the horizon. His clash with Canada has been confronted with Carney’s fierce defiance. Trump’s quest for a new field to conquer has landed him in yet another quagmire.

“When the Americans stop doing memes, stop throwing shade, stop trying to be tough, and start being serious about having those discussions, we can have those discussions,” said Carney. In the meantime, Trump’s outlandish exhibitions of triumphalism in the face of rejection and defeat echo the Marx Brothers more than they echo Marx and Lenin: “ Hail Freedonia !”

Sidney Blumenthal, former senior adviser to President Bill Clinton and Hillary Clinton, has published three books of a projected five-volume political life of Abraham Lincoln: A Self-Made Man , Wrestling With His Angel and All the Powers of Earth . He is a Guardian US columnist and co-host of the Court of History podcast

I heard it through the grapevine: everything you need to know about growing grapes | Gardening advice | The Guardian

Keyword – Life and style
Trefwoorden – Gardening advice, Gardens, Life and style
Title – I heard it through the grapevine: everything you need to know about growing grapes | Gardening advice | The Guardian
Author – https://www.theguardian.com/profile/claire-ratinon
Link – I heard it through the grapevine: everything you need to know about growing grapes | Gardening advice | The Guardian
Publish date – 2026-09-11T10:00:02.000Z
Category – Lifestyle
URL – https://www.theguardian.com/lifeandstyle/2026/sep/11/vine-growing-grapes

M y garden faces east-ish and gets a decent amount of sunlight, but it’s fairly exposed and can be cool, so plants that need really warm weather don’t like to grow here. Yet, there’s a corner by the back door that’s a pocket of sun and shelter, and a wise former occupant decided to plant a grapevine there. If I hadn’t inherited this mature grapevine, I can’t imagine I would have thought to plant one, but if you’ve got the right conditions they’re a lovely addition to an edible garden.

First you have to choose whether you want to grow wine grapes or dessert grapes. Wine grapes are smaller and less palatable – but hardier – than dessert grapes, which generally need to be grown in a sturdy greenhouse in order to fully ripen. Grapevines can be sourced from plant sellers and garden centres, and most will have been grafted – so make sure to choose a vine that is best suited to your soil type and local climate.

Like other perennial fruit plants, grapevines are best planted when dormant, though young plants can be vulnerable to cold temperatures, so aim for early spring to give them the best chance. Grapevines need free-draining soil with a decent level of fertility, so choose your location wisely and incorporate organic matter into the planting hole. My grapevine grows against a fence furnished with wires, which gives it the shelter and structure it needs.

A newly planted grapevine will need regular watering in its first season in order to establish well, but from then on it should be happy being watered by the rain (aside from when there’s a drought, of course). Mulching in winter will improve soil structure and water retention; just be sure not to let the organic matter touch the vine itself.

Some people are put off growing grapevines by the precise training and pruning they need. While this is true, if – like me – you’re happy to see a thriving plant bearing a decent (but perhaps not optimal) amount of fruit, then the following less rigorous approach should do. I regularly trim the leaves and vines on mine to ensure there’s good airflow to keep the plant healthy. Just as when thinning apples, remove some bunches of grapes (or even some grapes from the bunches) to encourage the remaining fruit to swell and ripen. If you’re up for the challenge, do look up the different ways to train a vine and give it a go.

Grapes are ready to harvest from late summer into autumn, depending on the variety, and the best way to know whether they’re ready is to give them a taste. While cultivating grapevines can be exacting, they are a beautiful plant if you’ve got a spot with the right conditions for them to flourish.

Tech whistleblowers warn AI could wipe out humanity. Doomspeak or not, we must take these claims seriously | Gaby Hinsliff | The Guardian

Keyword – Opinion
Trefwoorden – AI (artificial intelligence), Technology, Computing, Technology policy, Ethics, Anthropic, OpenAI, World news, Politics
Title – Tech whistleblowers warn AI could wipe out humanity. Doomspeak or not, we must take these claims seriously | Gaby Hinsliff | The Guardian
Author – https://www.theguardian.com/profile/gabyhinsliff
Link – Tech whistleblowers warn AI could wipe out humanity. Doomspeak or not, we must take these claims seriously | Gaby Hinsliff | The Guardian
Publish date – 2026-09-11T10:00:01.000Z
Category – Opinion
URL – https://www.theguardian.com/commentisfree/2026/sep/11/risky-ai-research-pause-humanity

A nother day, another horseman of the apocalypse galloping over the horizon. Lately we have heard from so many AI doomers – tech whistleblowers popping up to warn that their work is probably going to kill us – that we’re becoming almost blase about it. Humanity wiped out within a decade? Well, only if another world war or the climate crisis doesn’t get us first. Since it’s never clear whether the tech threat is real, or just a twisted form of hype from an industry that drums up investment by making their products sound more powerful than they really are, most of us settle for trying not to think about it too hard.

But something about the AI researcher Jacob Coxon’s very public resignation from the cutting-edge American lab Anthropic, via a post on X arguing that he can’t keep working for companies “gambling with our lives”, has cut through where bigger names have not. Most chillingly, he claimed that colleagues still at Anthropic aren’t staying because they think he’s wrong about the dangers of pursuing self-improving super intelligence – the holy grail of machines that are not just smarter than humans but capable of building their own even more powerful successors, evolving independently of humans – but because they’re afraid of ceding the field to people with fewer scruples. His colleagues, Coxon said, talk routinely about the “endgame” or the “ crunch time ”, meaning that what they do in the next year or two will decide the fate of humanity. Whether that’s true or simply self-aggrandising techbro delusion, what he describes is an industry now practically begging to be saved from itself.

The frisson of alarm over AI running through Westminster this week was real, sharpened by news of Anthropic – which pitches itself as being more safety-conscious than its rivals OpenAI – declining for the first time to submit a new model for scrutiny by Britain’s AI safety watchdog . We are now entering a far more disruptive era of AI, dominated not by relatively basic chatbots but by agents designed to undertake tasks on humans’ behalf, making their own decisions about how to complete them. Unfortunately, it turns out even basic life admin requires the kind of fine judgments that come instinctively to humans but seem remarkably hard to codify for machines.

Take the over-zealous agent tasked recently by its Australian client with booking him into a pilates class, which responded to finding the class full by hacking the gym’s website and booting other people off the waiting list. Now imagine it blundering into something more life-threatening than a gym class. When Coxon says his industry hasn’t fixed problems with alignment, and when OpenAI’s chief scientist warned last week that no lab had solved them well enough to carry on scaling this fast much longer, what they’re talking about is this failure to replicate in machines the values and assumptions humans apply to decisions without even really knowing they’re doing it – including the sense of how far it’s justifiable to go in getting what you want.

A series of reported escapes by agents supposedly confined to OpenAI’s lab for testing, some of which contrived to access the internet behind their human supervisors’ backs and conduct real-world cyber-attacks, has meanwhile raised serious questions over the industry’s ability even to experiment safely. (Unnervingly, Coxon says newer models seem to know when they’re being tested, making it easier for them to deceive researchers.)

And agents don’t have to acquire anything like super intelligence to threaten human life: think how easily a cyber-attack on air traffic control, or NHS data systems, or even water purification systems could cause mass fatalities.

What’s happening in some frontier AI labs now is arguably the equivalent of the Manhattan Project that built the atomic bomb, but this time led by private companies in a mad dash for wealth and market dominance, not scientists under an elected government’s command. Britons meanwhile got more say in sugar taxes on junk food than we’re getting over regulating something theoretically capable of rendering us extinct.

Given time, of course, it might prove possible to replicate in machines the vast ecosystem of social ties, moral codes, intensive parenting and state policing that humans have developed to stop us behaving like sociopaths. (Only this week, Google’s DeepMind reported an experiment where 100 agents were given a maths problem and told not to cheat: though a minority promptly did cheat, a larger group either snitched on them to the humans or helped devise technical fixes.) But time is the one thing nobody dares to give themselves in the middle of an arms race, which is why it’s high time for governments to act. We need an international agreement to press pause , not on AI research as a whole, but on the riskiest projects, until we better understand whether it will ever be possible to mitigate the dangers or control the results. Since it’s hard to imagine Donald Trump voluntarily sacrificing US geopolitical or commercial advantage over China for the good of humanity, leadership may have to come for now not from above but below, where industry insiders spooked by their own work are making common cause with the rest of us.

More Americans are now concerned than excited about AI, according to polling this summer from the Pew Research Center – and unusually it’s the young who are most hostile, afraid it will not only take their jobs but make it harder to form relationships or think creatively. (That’s what growing up on social media seemingly does for trust in tech.) Even big business seems increasingly sceptical, with almost two-thirds of international executives surveyed by the consultants McKinsey this summer reporting no measurable impact on earnings from using the admittedly basic AI tools now available to them.

Warnings about an AI bubble triggering another 2008-style global financial crash haven’t helped, while plans to build giant, energy-guzzling datacentres are meeting angry local resistance on both sides of the Atlantic from people who can’t see what’s in it for them. Pressing pause on potential Armageddon looks in the circumstances less like the luddite option, and more like a smart way for tech companies to avoid a full-on backlash that will sweep away the good with the bad.

But if the AI doomers are right, then the window to do so may not always be open. It’s time for humans to stop and think about what we’re doing to ourselves – while we alone still have the power to do so.

Gaby Hinsliff is a Guardian columnist