Wes Streeting calls for equal tax on income and capital gains in Labour leadership pitch

Tax and spending
Wes Streeting calls for equal tax on income and capital gains in Labour leadership pitch
Alexandra Topping
Thu 21 May 2026 10.45 CESTLast modified on Thu 21 May 2026 11.11 CEST
News
https://www.theguardian.com/politics/2026/may/21/wes-streeting-tax-income-capital-gains-wealth-labour-leadership

The former health secretary Wes Streeting has set out plans for a “wealth tax that works”, by equalising tax on assets and income.

Streeting said the current system – in which capital gains tax is generally much lower than income tax – was not fair and penalised work.

“The wealth gap in this country has widened, the opportunity gap in the country is widening and the gap between earned income and unearned income has also widened,” he told the BBC’s Political Thinking podcast .

Laying out part of his pitch for the leadership of the Labour party, Streeting told Nick Robinson that the plan could raise up to £12bn a year. He used the example of a woman in Lancashire who paid a higher rate of tax on her salary than her landlord paid for the growing value of the house she rented.

“She slogs her guts out, he puts in far less effort, yet the state rewards him more than her. And we wonder why people are angry,” he said. “The system is penalising work. It’s not fair and it’s bad for our economy. We need a wealth tax that works. A pound made from simply owning assets should not be taxed less than a pound made from a hard day’s work.”

Under the existing system, higher or additional rate taxpayers pay 24% on gains they make on capital in the current financial year. Under Streeting’s proposals, capital gains tax rates would mirror the three bands of income tax of 20%, 40% and 45%, with a person’s capital gains tax band calculated by adding up their income and profits from assets. A 2024 report by the Centre for the Analysis of Taxation estimated that changing capital gains tax under its proposed plan could raise £14bn.

Critics of raising capital gains tax argue that it could result in capital flight, discourage investment, or – because the tax is paid on sale – encourage investors to hold on to assets. But Streeting said there was “a good pro-business, pro-growth, pro-productivity argument” in his proposals because the current system encouraged investment in less productive businesses. Streeting said tax changes could include measures to protect real entrepreneurs, with lower capital gains tax rates for those taking risks building companies.

“The kite that I am flying in this leadership contest will be to equalise those rates, with allowances for genuine entrepreneurialism, investment, reinvestment, so that we can be both pro-worker, pro-entrepreneurialism, pro-fairness, and in the course of that, generate up to £12bn worth of revenues.”

The Ilford North MP said the government should close loopholes that allow people to disguise income from work as capital gains, such as setting up personal service companies or taking pay in shares.

Streeting, who quit the cabinet last week and called on Keir Starmer to stand down, warned in his resignation speech on Wednesday that Labour must change course or risk handing Reform UK power .

He said that while he had the support of 81 MPs, the number needed to launch a leadership challenge, he had decided not to because he had “got wind” that the Greater Manchester mayor, Andy Burnham, had found a seat to stand in.

“It was clear that if we had been plunged straight into a leadership contest by me or for that matter, anyone else, I think it would have been seen as a deliberate attempt to get ahead of Andy Burnham’s potential return,” he said.

“And if there’s one thing that we need to do coming out of a change in leadership, it is to bring the tribes of the Labour party together, to unite around one leader as one team, drawing on Labour’s different political traditions to unite progressives and beat Reform.”

This week’s soccer questions: Manchester City’s next steps, and is Messi peaking at the perfect time?

Football
This week’s soccer questions: Manchester City’s next steps, and is Messi peaking at the perfect time?
Graham Ruthven
Wed 20 May 2026 11.00 CESTLast modified on Wed 20 May 2026 11.01 CEST
News
https://www.theguardian.com/football/2026/may/20/pep-guardiola-man-city-lionel-messi-celtic-hearts

Will succeeding Pep Guardiola at Man City be an impossible job?

Sir Alex Ferguson may have him beat for longevity and number of titles. Arsène Wenger can take some credit for English soccer’s modernization in the 1990s, but Pep Guardiola completely changed the landscape in his decade as Manchester City manager.

If Sunday’s final game of the season against Aston Villa is indeed to be Guardiola’s last match as City boss, he will leave behind a glittering legacy – six Premier League titles and 20 trophies over 10 seasons. He will also leave behind an impossible job for whoever ( expected to be Enzo Maresca ) succeeds him.

Replacing such a dominant figure won’t be easy. City need only look at the struggles of some of their rivals when faced with a similar challenge. After Ferguson, there was David Moyes. After Wenger, there was Unai Emery. Arne Slot succeeded Jürgen Klopp with a title in his first Premier League season, but his struggles since have continued the trend.

So much of Guardiola’s City success has been down to the details – the tactics, the training sessions, the technicality. The intangibles, however, will be the most difficult thing to replace. As long as Guardiola was in the dugout, Manchester City had an aura. Something to be feared. Something that said Guardiola would ultimately find a way to win.

Of course, City still boast one of the strongest squads anywhere in world soccer, even if they are midway through a rebuild. Manchester City won titles and trophies before Guardiola and they should win more after he’s gone. And yet the Etihad Stadium will be a different place without the greatest manager of his generation there, as will the Premier League.

Is Lionel Messi peaking at the right time for one last World Cup?

Messi hasn’t even confirmed if he’ll accept a call-up to Argentina’s World Cup squad this summer, but he’s certainly playing like he is preparing for one last shot at international soccer glory. Anyone who watched Inter Miami’s match against the Portland Timbers on Sunday saw that. He’s peaking at the right time.

The Portland defense saw little else than a blur in the shape of the Miami No 10 who dribbled and jinked through almost every tackle he faced. Messi’s assist for Germán Berterame’s goal to make it 2-0 was like watching the 38-year-old at his absolute best again. The only thing missing was Jérôme Boateng falling flat on his face.

Many saw the 2022 World Cup in Qatar as the final act of Messi’s career at the elite level. The image of him lifting the famous trophy was a defining one and few expected him to still be at the level where he could impact World Cup matches three-and-a-half years later.

On the basis of his recent form in MLS, though, Messi is still more than capable of a match-winning moment. He may not play every minute of every game for Argentina this summer, but Messi is clearly motivated for one more tilt at the World Cup, so much so that he is doing double training sessions with Rodrigo De Paul to be ready.

Messi has nothing left to prove this summer. The debate around him being the greatest of all time was settled in Qatar. Yet it’s impossible not to watch his form , his streak of 10 goal contributions in four games, and feel the anticipation of what another World Cup could bring for him.

Was yet another Celtic title win bad for Scottish soccer?

It wasn’t to be Hearts’ day. For 250 days of the 2025/26 season, it had been their day at the top of the Scottish Premiership table. Derek McInnes’s team entered Saturday’s showdown with Celtic knowing a draw would make them the first non-Old Firm side since Alex Ferguson’s Aberdeen in 1985 to be crowned Scottish champions. In the end, the wait was extended .

Celtic couldn’t have done anything more to not win this season’s Scottish title. They had three different managers, one of them twice. They endured two transfer windows so abysmal that fan protests were widespread. The Green Brigade, their largest supporters group, was banned from Celtic Park. The club spent much of the 2025/26 campaign in civil war.

So what does it say about Scottish soccer that even after all this tumult Celtic lifted the Scottish Premiership trophy for the 14th time in 15 seasons? How has the soccer landscape in the country become so tilted to one side that incompetence on such a scale can still be rewarded? This isn’t the way soccer should work.

Hearts may be back again as challengers. This season was a Leicester City-esque story in the sense that the Edinburgh side somehow bridged a vast financial gulf to the bigger, richer clubs in their league. Leicester, however, never had someone like Tony Bloom behind them. They didn’t have a team of nerds powering their recruitment like Hearts do with Jamestown Analytics.

While Hearts have their data, Celtic have £77m ($103m) in the bank. They surely will spend some of that to tighten their grip at the top of the Scottish game with Rangers likely to improve for next season. Hearts – or any other non-Old Firm team, for that matter – may not get another opportunity to upset the established order like the one they had this season.

‘Bluey does Cocomelon’: TV’s best kids show is back in bite-size form. How worried should we be?

Bluey
‘Bluey does Cocomelon’: TV’s best kids show is back in bite-size form. How worried should we be?
Stuart Heritage
Wed 20 May 2026 14.17 CESTLast modified on Wed 20 May 2026 17.11 CEST
News
https://www.theguardian.com/tv-and-radio/2026/may/20/bluey-minisodes-disney-plus

I f you are a Bluey fan, you will know all too well that we are in the midst of a confusing limbo. The last proper Bluey episode aired in spring 2024. There is a Bluey movie coming out in summer 2027. Between them is a long, dry gap of three years, three months and 16 days.

But Bluey is a machine that needs to be fed. There are Bluey books to be sold, Bluey records to be bought, Bluey toys and games and Lego sets and magazines and shoes and drinkware and gnomes and bedding and bandages and pyjama sets and 550-watt Bluey Mini Waffle Makers that need to be shifted. It’s hard to sell all this product when Bluey has no centre of gravity, and so, with a measured amount of excitement, here comes a new set of minisodes.

It is best to essentially consider minisodes as a kind of Bluey methadone. Much shorter in form than Bluey proper – the longest minisodes come in at three minutes, with some only lasting one or two – they are a kind of sketch comedy version of the show, with weird little premises playing out simply. This is the second batch of minisodes to hit the air since the full series went dark and, like the previous run, they are perfectly acceptable.

Pick of the bunch of this new crop is Cinderella, which is simply a scene where Bandit tries to remember the story of Cinderella at bedtime, and makes up all sorts of strange new details. Also a standout is Honk, where Stripe plays a game with his children that (spoiler alert) ends on a note of uncharacteristic violence. What’s great about these episodes is that they feel like Bluey, to the point that they feel like moments from existing episodes that were cut for time.

At their best, the minisodes allow the show to indulge in a little more weirdness than the main show would allow. One of the new episodes, Tea Party, succeeds because it wanders off down a detailed and very specific discussion of tea etiquette. However, the minisodes are also so throwaway that there’s a lot of chaff.

Four of the 10 episodes released are simply characters singing nursery rhymes, and another consists solely of characters dancing wordlessly to music from old episodes. These are much harder to justify, because they are essentially Bluey Does Cocomelon , and the appeal of Bluey has always been that it is everything Cocomelon is not.

At its best, Bluey was always the most ambitious show on television. Take the episode Flat Pack , where two cartoon dogs track all of civilisation from prehistory right through to a post-human utopia in the space of seven minutes. Or Sleepytime, which manages to say more about children preparing themselves for the death of a parent than any book ever written. When Bluey really stretched its legs, with the 28-minute special The Sign, the result was kaleidoscopic; so sweet and cleverly structured that the emotional obliteration of its final few minutes hit like a truck.

Every episode felt different. They all had a different feel, a different emotional tenor, a different score by Joff Bush. They felt expansive in a way that a minisode – especially a minisode where a character sings Ten Green Bottles and nothing else happens – cannot.

This is a crucial time for Bluey. Next year’s film potentially represents the final time that creator Joe Brumm will write for Bluey. Everything good about the show – its warmth, its cross-generational appeal, its entire worldview – came from him. I have a very, very tangential relationship with the show , and I saw how Brumm was able to take my mediocre, surface-level idea and transform it into a touching, confounding, time-jumping masterpiece. He is a unique talent.

The big question is how Bluey will contend with his absence. There is a version of the show that is able to successfully mimic his approach in such a way that only true Bluey nerds will notice a difference, like when Larry David left Seinfeld. But there is also a version of the show that looks and sounds like these minisodes – familiar characters moving around with no real pulse – and that would be disastrous.

As a piece of filler to keep people buying merch until new episodes are ready, the Bluey minisodes are fine. But if they are a sign of the direction the show is about to move into, it might be time to get worried about the future.

The new Bluey minisodes are available to stream now on Disney+

Goldie, Bananarama and boat trips with the Spice Girls: the hedonistic madness of 90s label London Records

Music
Goldie, Bananarama and boat trips with the Spice Girls: the hedonistic madness of 90s label London Records
Daniel Dylan Wray
Wed 20 May 2026 11.15 CESTLast modified on Thu 21 May 2026 09.24 CEST
News
https://www.theguardian.com/music/2026/may/20/goldie-bananarama-90s-london-records-podcast

‘M y eyes have started to fucking flicker because you just mentioned London Records,” says Goldie, having an involuntary physical reaction at the mere thought of his old label. “If a nightclub could be a record company, it would have been London Records. It was the equivalent of Studio 54. It looked like a normal record company from the outside – shiny, lots of nice cars on the driveway – but it was the craziest, most hedonistic madness.”

A new six-part podcast, Hit That Perfect Beat – The London Records Story, is delving into its colourful history. The label was originally part of Decca Records, once home to the likes of the Rolling Stones, but when Decca was acquired by Polygram in 1980, London began a new chapter as an independent label operating with major label distribution. “We were put in there to develop it into a pop label,” recalls ex-managing director Colin Bell, who was a pivotal figure alongside Roger Ames and Tracy Bennet. “We were obsessed with being cool. We wanted to be easily identifiable for a generation of young people. We wanted pop that had an edge.”

It also became known for its heavy-partying lifestyle. When I reach out to one artist who was on the label to ask about his memories, the email reply I get is: “London Records in the 90s? COCAINE.”

London had early success with Blancmange and Bananarama but landing Bronski Beat in 1984 “was the moment where we became a real label” says Bell. “They exploded right across the world.” For Bell, who is gay, Bronski Beat was a symbolically important signing. “We were the only label in town prepared to market them exactly as they were,” he says. “We were not going to try and tell them, ‘Let’s hide the gay thing.’”

While many labels forge an identity around a genre, London was more hodgepodge. It had several imprints, most notably the dance label FFRR headed up by Pete Tong, and by the 1990s they were home to Orbital, East 17, All Saints, Menswear, Dani Minogue, Utah Saints and Shakespears Sister. So what joined all this together? “Hits,” says Bell, bluntly. “We were a company of hits.”

Pete Tong echoes this. “The mentality was to sign cool records that you thought could be successful,” he says. “But it was always left-leaning pop – pop with attitude. We didn’t sign Take That, we signed East 17. We didn’t sign Spice Girls, we signed All Saints. Not that we didn’t try to sign the Spice Girls …” Aside from the girl band’s weighty price tag, London’s efforts weren’t helped when the label took them out on a boat trip down the Thames and accidentally left their manager behind. But the broader point still stands: “We always ended up with the act that was slightly left of centre.”

For Tony Mortimer of East 17, being on a label that had both pop and dance music credentials meant they could enjoy the best of both worlds. “We were a boyband but we were still in NME and Melody Maker,” he reflects. “It was a very cool label to be on. And we had access to these amazing mixes by people like [US house music legend] Danny Tenaglia.”

While the label was coming good on its hit-driven ethos, it got caught out in some illicit practices that helped generate that success. In 1991, London was fined £50,000 by the British Phonographic Industry for chart hyping: sending people to go and buy records of their artists. Terry Farley, part of the acid house crew Boy’s Own, who later got their own imprint on London, confirms this was happening a lot. “Me and Andy Weatherall used to go out on record-hyping missions for them,” he recalls. “I remember buying Bananarama singles. But that wasn’t unique to London, every record company was involved in it.”

After Factory records went bust in 1992, London hoovered up their catalogue, such as New Order and Happy Mondays, adding to a weighty and even more eclectic roster. And during the peak of the CD sales era, money was pouring in, and the atmosphere around London Records became more and more hedonistic.

The author John Niven worked there from 1994 to 1997 and the culture he witnessed – cutthroat ruthlessness, ego and excess – proved inspiration for his debut novel, Kill Your Friends, a dark satire of the music industry (later adapted into a film of the same name). “I was simultaneously fascinated and horrified by it,” recalls Niven of his time there. “To come into this culture, where the artists were, at best, tolerated, and at worst regarded as an impediment, was a real eye opener.” (Former London Records bosses did not respond to questions about Niven’s description of the company culture, nor about alleged drug use at the label in the 1990s.)

When Niven left to go and work at another label, it hit home just how wild London had been. “Having meetings at other companies was like doing cannabis and mushrooms in a summer meadow compared to the crack den that was London Records,” he says. “If you didn’t know your shit, you would get crucified in a London meeting. It was a very extreme, but kind of fun, grounding.”

Goldie signed to FFRR to release his breakthrough album Timeless in 1995, and recalls his first ever meeting there. “I turned up and parked my car sideways in two parking bays,” he says. “I was with my Pitbull terrier and I bowled into Pete Tong’s office. The dog went in first and got up on the chair and then I sat next to him. I threw the cassette on the table and said, ‘You need to sign that.’” But Goldie was paying close attention to Tong’s response as he played him the album’s sprawling title track. “The fact that Pete sat there for 21 minutes without murmuring, that was why I signed,” he says.

Many people speak of a label that was hard-working and generous despite being rabidly hungry for success. “They got things done,” says Marcella Detroit, from Shakepears Sister. “They worked us very hard but they made things happen.” Similarly, Paul Hartnoll of Orbital – who signed a whopping seven album deal – recalls it being a haven. “It was a dream,” he says. “For a band like us, who were making neurodivergent music for neurodivergent people within dance music, to be left to do what the hell you want, was incredible.”

Sara Dallin of Bananarama says her pop trio also had proper autonomy: “People probably thought, ‘Oh there’s three girls, so you’ve probably got some svengali behind them.’ But we knew what we wanted, and we pushed to get what we wanted. It was very much: this is what we’re doing, this is what we’re wearing, this is who we want to work with.”

If there’s one artist that defines being given extended creative licence on the label, it’s Goldie. On his 1998 follow-up album Saturnz Return, the opening track, Mother, was an hour long. The unveiling of said track at the label offices ended up as a scene in Kill Your Friends: “People cross and recross their legs, sip their wine and pray for it to end. But it doesn’t.” While reading that scene Goldie was almost thrown off a British Airways flight because he was laughing maniacally so much. “Was it the most criticised work I’ve ever done? Yes. Was he right? Yes. But did I make my opus? I did. When I read Niven’s book, it just reminded me of how egotistical anyone that works in a record company is, and how artists believe that their cause is the only one that exists.”

Perhaps those big egos led to the company becoming blinkered. Niven recalls “some guys coming into the office in 1994 trying to talk to us about how the internet was going to change our business but we couldn’t comprehend it, thought this guy was out of his mind, and we kicked them out”. It turns out those people were looking to generate money for a recent internet startup. “We found out later, over redundancy drinks, that it was Yahoo,” says Niven. “Had we put 50 grand into Yahoo in 1994 rather than making the second Menswear album, well, we wouldn’t be having this conversation. I’d be swimming with dolphins on my own private island. Mistakes were made in terms of seeing what was coming down the pipeline.”

At the end of the 1990s, London’s parent company Polygram was sold, some key staff left and despite continuing for a while Bell recalls that “the magic had gone”. The label dried up in the 2000s, and despite reissuing anniversary releases by the likes of Goldie, Bananarama and Happy Mondays and having a slate of new releases planned, the 90s very much remain London’s peak years. “A golden age,” says Tong. “Getting a job in the record business was like getting a job in Hollywood.”

Goldie, who by now has stopped twitching, echoes this. “As a record company, it was positioned at a time when everything was happening at a crossroads,” he reflects. “England was exploding musically in a way it hadn’t since punk. It really was the stuff of legend.”

Hit That Perfect Beat – The London Records Podcast is out now

A moment that changed me: My diagnosis seemed like a death sentence – how have I survived for another 40 years?

Aids and HIV
A moment that changed me: My diagnosis seemed like a death sentence – how have I survived for another 40 years?

Wed 20 May 2026 07.45 CEST
News
https://www.theguardian.com/lifeandstyle/2026/may/20/a-moment-that-changed-me-hiv-diagnosis-survived-40-years

O n 21 February 1986, I was diagnosed HIV positive. I was 22. It was the day of my sister’s 21st birthday. That solemn Friday afternoon, my life changed for ever. We had planned a surprise party later that night. My sister was already seven months pregnant with my eldest niece, and I had gone to central London to find a card featuring a Black mother and child. Failing to find anything culturally appropriate, I decided to pop into the STD clinic in Chelsea to pick up my test results. I knew nothing about HIV or Aids; I’d never even heard of the acronyms until a week or so earlier.

Unsurprisingly, I didn’t end up partying with my sister that night. Celebrating the promise of new life while contemplating my imminent death proved too much. I spent the next several days hiding away in a darkened room, crying uncontrollably.

My initial instinct had been to wait to die, and for many years after my diagnosis, I did just that. That was the prognosis back then.

My ex, Colin, died in 1993. He was the man from whom I contracted the virus. I have lost a great many friends to HIV and Aids and doctors initially said that I wouldn’t live to see 30. But here I am at the age of 62.

The only reason I had gone to the clinic for testing was that Colin had tried to kill himself. Doctors sought to perform an emergency blood transfusion and, after identifying that he fit the profile for sexually active white gay men in his age group, they carried out further tests, which confirmed he was HIV positive. Colin was 39.

I had recently ended my three-year relationship with him and left for Birmingham University, but dropped out after receiving my diagnosis. What was the point of uni? My focus was on work and rebuilding my life for however long I had left. With a grant from the Prince’s Youth Business Trust and a Shell LiveWire award , I set up the BetterDays card company, producing ethnic minority greetings cards.

In 1991, my consultant suggested that I take part in a trial of a new antiretroviral drug called Azidothymidine (AZT). I didn’t know if I was taking a placebo or the real thing, but I soon became overwhelmed by the stench of chemicals oozing from my pores.

“I’m sorry, but I can’t do this,” I told the doctor. “What have they put in these pills?”

It was the first time I’d ever questioned a physician’s authority. But I knew my own body, and I knew those tablets were not good for me. So I stopped taking them.

Throughout the 1990s, I continued to go for regular screenings and my results showed that I had no symptoms of HIV. There was no need for me to take medication. Since 1996, when doctors could measure how much virus was in the blood , I have been what they call “undetectable”.

I am one of the very few HIV positive people – fewer than 0.05% – who retain a high CD4 count , meaning my immune system has remained strong, without the need for antiretroviral therapy to stay healthy and untransmittable.

I still lived with the knowledge of being HIV positive, which affected how I thought about sex, responsibility and relationships. I found work producing sexual health promotion material for organisations targeting young people, African communities, and men who have sex with men.

I was ready to be studied, but the research system at that time preferred to invest in drug trials rather than study the natural resistance of people like me. We are called “elite controllers,” or “long-term non-progressors” . Elite controllers are more often female and some studies suggest they are more common in African populations , but the evidence remains limited , partly because HIV research has historically enrolled disproportionately white male participants .

I don’t often talk about my elite controller status. I have found that, even working within the HIV community, I can be treated like an impostor; I haven’t experienced the range of health issues many others have.

This has left me with a profound sense of survivor’s guilt. I have lived long enough to have seen whole communities vanish – which is especially palpable now, as I approach retirement age with so few of my peers left. The moral weight of surviving a plague relatively unscathed has propelled me to want to help science. Doctors have said they think I am the longest documented case of anyone living undetectable without antiretroviral drugs, so I do what I can while I can. In 2025, I reached out to teams researching HIV reservoirs and elite control, including Imperial College London, Harvard, and the Erasmus MC HIV Eradication Group in Holland, and became involved in their reservoir research programme, as well as the Idris and Virias projects. Both study blood samples and analyse immune cells to understand where HIV hides in the body when it is undetectable in the blood or semen, and why some people can control it without medication. Each study is trying to understand whether elite controllers can offer clues towards a cure – if natural immunity could be used to help millions of people around the world.

Being undetectable and unaffected by HIV for more than four decades has often felt like running naked through a house on fire – and somehow not getting burnt. I recognise this medical miracle for what it is and I am forever thankful. Every breath feels like resistance, and a reminder that I have more to give.

Paul Boakye is the author of plays including Boy With Beer and Wicked Games

In the UK and Ireland, Samaritans can be contacted on freephone 116 123. In the US, you can call or text the National Suicide Prevention Lifeline on 988, chat on 988lifeline.org , or text HOME to 741741 to connect with a crisis counselor. In Australia, the crisis support service Lifeline is 13 11 14. Other international helplines can be found at befrienders.org

US is ‘simply choosing not to stop’ Ebola outbreak after massive public health cuts, experts say

Ebola
US is ‘simply choosing not to stop’ Ebola outbreak after massive public health cuts, experts say
Melody Schreiber
Thu 21 May 2026 12.00 CEST
News
https://www.theguardian.com/world/2026/may/21/ebola-outbreak-public-health

A previously undetected outbreak of Ebola is coursing through parts of central Africa , and the US appears to be doing little to help stop it, after massive cuts to global and domestic public health efforts.

There is no cure and no vaccine for the rare Bundibugyo variant of Ebola, which has caused two outbreaks in recent decades. Health leaders and scientists are now racing to understand where the virus is spreading and attempting to stop it – but the US is notably absent in these efforts.

In the past year, the US Agency for International Development (USAID) has been dismantled, thousands of staff at US health agencies were laid off, communications stalled and key scientific research canceled.

There are 482 suspected cases and about 116 deaths reported since April in the Democratic Republic of the Congo (DRC), with two cases and one death in Uganda and potential spread to neighboring South Sudan. The outbreak “might have been going on for a few months”, said Kristian Andersen, a professor of immunology and microbiology at Scripps Research.

The outbreak was immediately declared a public health emergency of international concern (PHEIC) by Tedros Adhanom Ghebreyesus, the director general of the World Health Organization (WHO), before even convening the committee that usually makes that determination. Officials say it may last for months.

“The DRC is one of the most vulnerable health systems in the world, and was the second-biggest recipient of USAID funding,” said Matthew Kavanagh, director of the Center for Global Health Policy and Politics at Georgetown University. The US withdrawal of funding with “zero notice” has been “disruptive to the country’s basic activities”, he said.

US foreign assistance to the DRC dropped from $1.4bn in 2024 to $431m in 2025 and only $21m so far this year. Assistance to Uganda dropped from $674m to $377m in 2025 and a negative $1.2m so far in 2026.

“It was pennies compared to what you get in return,” Andersen said of global health investments. It is far cheaper and easier to prevent and contain outbreaks than it is to respond to them, he said. With the US cutting off the first option, the second scenario will become increasingly common.

The US also announced it would leave the WHO and end $130m in funding, which resulted in 2,371 lost jobs at the organization, Kavanagh said, calling the cuts a “self-inflicted wound that the administration has really brought on us”. This outbreak and response was “deeply foreseeable when you gut public health surveillance and you gut public health capacity”, Kavanagh added.

“It’s not just that we’re leaving the table, we are completely cutting ourselves out of the conversation,” Andersen said. “We are upending the table.”

The CDC has “always been the premier agency” when it comes to country-level leadership and played a key role as a partner “you could turn to”, Andersen said.

But under the second Trump administration , Ebola response teams were suspended, and health centers and medical supplies – particularly crucial with a virus spread through touch, with supportive care the only treatment – were dramatically cut back.

A world-class Ebola lab in Frederick, Maryland, with the National Institutes of Health (NIH) was designed for exactly this scenario. The lab would normally be swinging into action, following up on research indicating monoclonal antibodies and a vaccine might be effective against this strain, possibly testing those treatments and vaccines, performing in-depth sequencing work on the samples shared during the outbreak.

But that lab was shuttered last year, with staff laid off abruptly and their work – key for preventing and responding to outbreaks – ended with no notice. The website for the lab is still closed, indicating it has not been revived during this outbreak.

Satish Pillai, an incident manager for the CDC’s Ebola response, said he “can’t speak” to the NIH lab when the Guardian asked about it in a press conference on Monday. Instead, Pillai said that the US is able to test for Ebola through its laboratory network, a comment unrelated to the Guardian’s questions.

Because of layoffs, terminations and high-profile departures, key confirmed positions at US health agencies are vacant. Currently, the CDC has no director; there’s no US surgeon general; there’s no commissioner at the FDA.

Officials say there are now between 25 and 30 staff in the DRC country office. The CDC is sending one more person, Pillai said, and other experts are available remotely.

The DRC office suffered massive and sudden cuts when USAID was unexpectedly dissolved last year. Former employees sued the US government after they were abandoned and lost everything, with no jobs or options to evacuate from DRC, they said.

“When those USAID stop-work orders came out, there was a whole series of people who were actively looking for spillover in the DRC and in Uganda,” Kavanagh said. “There were hundreds of health workers doing surveillance activities, and then, of course, you had the bigger picture, which is the thousands of health workers who were doing HIV, TB, malaria, maternal and child health – all of these things funded through US funding from USAID and also some from CDC to be doing global health activities – who were the frontlines of detection.”

Patients don’t usually come to the clinic suspecting they have Ebola, he pointed out; they usually come in with a fever or other symptoms, and “those frontline community health workers … are always the ones that detect outbreaks early”.

That work ended abruptly and is now being replaced with country-by-country agreements, some of which appear to be predicated on resource-sharing agreements. The US government is “essentially holding hostage” the countries that have built health systems around US guidance, “and then from one day to the next you just cut it”, Andersen said.

In the past, the US had ensured that “many, many potential global outbreaks didn’t become global”, but now it’s stepping back, Kavanagh said, adding: “This outbreak should have been detected weeks ago, and exactly how and why will be figured out as we go, but it certainly says that the United States has stopped playing the role.”

Instead, the US is announcing travel bans for noncitizens who have recently traveled to the region, which is “public health theater” that essentially punishes the countries and doesn’t actually stop cases, Kavanagh said. The Africa CDC called for countries to refrain from “fear-driven” travel bans. “The fastest path to protecting all countries in the world is to aggressively support outbreak control at the source,” Dr Jean Kaseya, director general of the Africa CDC, said in a statement .

“At this point, this is an out-of-control epidemic that has now crossed borders, and this is really bad for the region, and will result in lots more deaths, and could be a real crisis,” Kavanagh said. Health leaders in the DRC are among the smartest, most experienced Ebola responders – but now they’re confronting an outbreak “with hundreds of millions of dollars cut from the global capacity to help them respond”.

Andersen noted “these countries are way more competent than we are in responding to something like Ebola” and that African scientists have done “remarkable” work already sequencing the virus, which demonstrates a new spillover event and could offer clues to where the outbreak originated.

“But that doesn’t mean that we should just completely cut ourselves out of the picture,” he said.

Outbreaks like these have economic, geopolitical and global stability implications, Kavanagh said. But they also matter because allowing anyone to die “needlessly of a disease that can be stopped is immoral, and we are living in a world where we don’t have to allow infectious diseases to spread unchecked”, he said. “Ebola can be stopped, and if we don’t mobilize the dollars and the public health efforts, then we are simply choosing not to stop the outbreak. Because it can be stopped. The question is, will it be? And when?”

Vaccine to tackle Ebola outbreak will take six to nine months, says WHO

Ebola
Vaccine to tackle Ebola outbreak will take six to nine months, says WHO
Kat Lay
Wed 20 May 2026 14.17 CESTLast modified on Wed 20 May 2026 23.46 CEST
News
https://www.theguardian.com/world/2026/may/20/vaccine-bundibugyo-ebola-outbreak-six-to-nine-months-who

Doses of the “most promising” potential vaccine against the Bundibugyo virus that is causing an Ebola outbreak in central Africa will not be available for six to nine months, the World Health Organization said on Wednesday, as the number of suspected cases rose to 600.

Dr Tedros Adhanom Ghebreyesus, the director-general of the WHO, told a press briefing on the outbreak in the Democratic Republic of the Congo and Uganda, that there had been 139 deaths, with numbers expected to rise.

Officials said they believe the disease may have started its spread “a couple of months ago”, aided by a “super-spreader event”, possibly a funeral, in early May.

The security situation in Ituri province, where more than 100,000 people have been displaced in recent months because of armed conflict , had complicated detection efforts, Tedros said. Health facilities could not provide care or surveillance for disease outbreaks if health workers were fleeing, he said.

Other illnesses endemic to the region, such as malaria and typhoid, have the same early symptoms as Ebola which can also delay diagnosis, he added.

Tedros said criticism of the organisation by US secretary of state Marco Rubio , who said the WHO had declared the outbreak “a little late”, was probably based on “a lack of understanding”.

“Maybe on what the secretary said, it could be from a lack of understanding of how IHR [international health regulations] works, and the responsibilities of WHO and other entities. We don’t replace the country’s work, we only support them,” said Tedros.

The Trump administration withdrew the US from the WHO earlier this year.

Dr Vasee Moorthy, who leads the WHO’s research and development blueprint, said the most promising potential vaccine against Bundibugyo uses the same basis as Ebola vaccines that target the Zaire strain.

“There are no doses of this which are currently available for clinical trial … The information that we have is this is likely to take six to nine months,” he said.

Doses of an alternative, which uses the same platform developed by Oxford University as AstraZeneca’s Covid jabs, could be available for clinical trials in two to three months, he said – but there is “a lot of uncertainty” as data from animal tests of efficacy are not yet available.

The outbreak was made public by African health officials on Friday, and the WHO declared it a public health emergency of international concern early on Sunday morning.

Tedros said: “WHO assesses the risk of the epidemic as high at the national and regional levels, and low at the global level.”

Modelling from Imperial College London suggests there could already be more than 1,000 cases of Ebola in the affected region.

Officials told the briefing that access issues, including frequently cancelled flights, were complicating efforts to get tests and other supplies to Ituri province.

“Our absolute priority now is to identify all the existing chains of transmission,” said Chikwe Ihekweazu, the WHO emergencies lead. “That will then enable us to really define the scale of the outbreak and be able to provide care.”

Eagles of the Republic review – seductive thriller of corruption and compromise in post-Mubarak Egypt

Film
Eagles of the Republic review – seductive thriller of corruption and compromise in post-Mubarak Egypt
Peter Bradshaw
Thu 21 May 2026 12.00 CEST
News
https://www.theguardian.com/film/2026/may/21/eagles-of-the-republic-review-tarik-saleh

S wedish-Egyptian film-maker Tarik Saleh has long been a brilliant satirist of the corruption and shabby political compromises and conspiracies of post-Mubarak Egypt. Now he brings us the third of his “Cairo trilogy”, after The Nile Hilton Incident in 2017 and Cairo Conspiracy in 2022 . This new film is a seductive black-comic political thriller set in Egypt of the present day, showing us that everyone in the glamorous world of the movies, infatuated as they are with made-up stories acted out by narcissists believing in their own publicity, can so easily be pressed into the service of political propaganda.

The result is a rackety, despairing, funny film with something of Billy Wilder, or István Szabó’s Mephisto, or Bertolucci’s fascism parable The Conformist. For me, it also had echoes of Daniel Kehlmann’s novel The Director, about 1930s Austrian movie director GW Pabst, fatally tempted by the blandishments of Goebbels. Saleh’s lead is his longtime leading man Fares Fares, playing an ageing Egyptian movie star; this is pampered matinee idol George Fahmy, a man comfortable doing cheesy crowd-pleasing potboilers, now bullied into playing the lead in a sinister government-sponsored biopic of the president (with news footage of the current president, Abdel Fatah al-Sisi, cheekily cut in).

Fares’s gaunt, handsome face so eloquently conveys vanity, but also a poignant emotional woundedness, anxiety and self-pity. And his aquiline nose makes him resemble, perhaps, a cartoon eagle, an echo of the creepy cabal of generals who have inveigled poor George into selling out the pitiful remnants of his integrity, calling themselves the “eagles of the republic”. George is notionally a Coptic Christian, which has made him an object of suspicion for the government, though he is hardly pious, and is separated from his wife (Donia Massoud) and grownup son Ramy (Suhaib Nashwan). Absurdly, he is with the young and poutingly untalented wannabe movie star Donya (Lyna Khoudri), whom he cannot satisfy in bed even with Viagra, and who irritably tells him that the middle-aged-man groaning sound he makes while sitting down reminds her of her dad. George is desperate for his son’s forgiveness for deserting the family and the movie shows us how embarrassingly misjudged his attempts to buy his approval are – such as getting him an absurdly expensive watch for his birthday, while Ramy is much happier with what he got from his girlfriend, a copy of Zadie Smith’s White Teeth.

George finds himself under pressure from the regime for his louche private life, though he is defended by his affectionate co-star Rula (Cherien Dabis). When his work dries up, he is astounded to be told that his acting career can only be revived by playing the lead in the president’s horrendous silver screen vanity project, supervised by dead-eyed secret police chief Mansour (Amr Waked), and there are unsubtle threats on Ramy’s life. Poor, preening George finds himself ordered to attend dinner parties and soirees convened by the reactionary junta, who all profess a feline, insincere admiration for his cinematic art.

It is at one of these events that a general smoothly assures the company that western bigots, who wish to efface Arab achievements, are in a conspiracy to conceal the fact that William Shakespeare was from the Arabic world and his name was “Sheikh Zoupir” – which explains, he adds, why he disliked Jews. This is an unimprovable bit of satirical mischief in Saleh’s script. George flies high with his eagles before a horrible and sickening descent.

Eagles of the Republic is in UK and Irish cinemas from 22 May.

Diabolic review – Mormon-country horror takes ayahuasca down to the creepy cellar

Film
Diabolic review – Mormon-country horror takes ayahuasca down to the creepy cellar
Mike McCahill
Thu 21 May 2026 08.00 CESTLast modified on Thu 21 May 2026 08.01 CEST
News
https://www.theguardian.com/film/2026/may/21/diabolic-review-mormon-country-horror-takes-ayahuasca-down-to-the-creepy-cellar

T hough it features few recognisable faces, this Australian-shot, US-set indie horror displays a core competency that gets it some of the way to where it’s heading – only to collapse in the final reels into the usual hacky manoeuvres. Ten years after fleeing a fundamentalist branch of the Latter-day Saints, snub-nosed artist heroine Elise (Elizabeth Cullen) has started shunning the attentions of boyfriend Adam (John Kim), instead obsessively digging holes in the couple’s back garden and trashing the living room in the middle of the night. Could it have something to do with the grimy cellar door she feels compelled to paint, or the traumatic baptism we witness in a pre-title sequence? What are the chances?

For somewhere between half and two-thirds of its running time, we’re watching a diagnostic case study: Elise and close pals return to Mormon country – more specifically, the in-no-way ironically named hamlet of Haventon – to undergo a regression therapy involving an ayahuasca variant; this will strike anyone as ill-advised even before an actual cellar door is uncovered outside and everybody starts throwing up. (Cue the especially dreadful line: “She must have torn internally.”) Thereafter, flashbacks reveal what’s been suppressed or concealed: the younger Elise’s growing closeness to the bishop’s daughter Clara (Luca Sardelis) would seem to indicate our girl isn’t possessed, merely bisexual.

The results prove middling at best, not on any level dealing the knockout blow that religious conversion practice deserves; nor is it ever the campy scream the set-up might have licensed. Cinematographer Michael Tessari gives matters a wintry, low-lit, persuasively un-Australian look, and gathers the odd suggestive image, like a dream sequence scattering of petals. More of that would have done Diabolic a world of good, but co-writer and director Daniel J Phillips heads the other way, cranking up the soundtrack’s parping and underlying Mormonphobia with supporting players going heavy on the repression and hysteria.

Diabolic is on digital platforms from 25 May.

Arsenal to reward Mikel Arteta with huge pay rise and put Kroupi among transfer targets

Arsenal
Arsenal to reward Mikel Arteta with huge pay rise and put Kroupi among transfer targets
Ed Aarons
Wed 20 May 2026 14.52 CESTLast modified on Thu 21 May 2026 06.12 CEST
News
https://www.theguardian.com/football/2026/may/20/arsenal-mikel-arteta-new-contract-pay-rise-kroupi-alvarez-transfer-targets

Arsenal will reward Mikel Arteta for ending Arsenal’s 22-year wait to be champions by offering him a ­lucrative new contract that will cement the Spaniard’s status as one of the best-paid managers in the world. The club are also well advanced with plans to strengthen his squad.

Talks over extending Arteta’s deal beyond next summer were put on hold while Arsenal battled it out with Manchester City in the Premier League, although insiders insist there was an expectation he would have stayed even if the season had ended without a trophy. The 44-year-old has become the second-youngest manager to win the Premier League, after José Mourinho with Chelsea in 2005, and matched Kenny Dalglish’s achievement with Liverpool in 1986 in ­making a team top-flight champions in his first ­senior management job.

Arteta has transformed Arsenal since he was appointed in December 2019 and it is understood his new deal is likely to reflect his achievements.

His contract is believed to be worth about £10m a season, plus a £5m bonus for reaching the ­Champions League, but Arteta will be offered a large ­salary increase that some sources have predicted could mean he comes close to matching ­Atlético Madrid’s Diego ­Simeone. He is thought to be the world’s best-paid manager, earning a reported €30m (£26m) a year. Pep Guardiola is paid a reported £20m a year by ­Manchester City. Arteta will become the longest-serving manager in England’s top four divisions when Guardiola steps down after Sunday’s final Premier League game.

Arteta, the eighth manager to lead Arsenal to the title and first since Arsène Wenger in 2004, will resume talks after the Champions League final against Paris Saint-Germain a week on Saturday.

Arteta has been heavily involved in recruitment plans with the sporting director, Andrea Berta. The co-chairs, Stan and Josh Kroenke, promised in their programme notes for Monday’s win over Burnley that “there will be no standing still when the season ends”. There is unlikely to be the same outlay on players as the £250m Arsenal spent last summer, but funds are in place to make a marquee signing to rival the purchase of Declan Rice for a then-British record £105m in 2023.

Eli Junior Kroupi, the ­Bournemouth striker whose goal against City helped Arsenal seal the title on Tuesday, is a target, although his club could value the 19-year-old at about £80m. He broke the league record held by Robbie Fowler and Robbie Keane for most goals scored by a teenager in his debut season with his 13th on Tuesday and joined the agent Moussa Sissoko – whose ­clients include the reigning Ballon d’Or ­winner, ­Ousmane Dembélé – this year in anticipation of a summer move. Kroupi, who has also been scouted by Real Madrid and Chelsea, is regarded as an option for the left of Arsenal’s attack as well as someone who could compete with Kai Havertz and Viktor Gyökeres for a central role.

Arteta has made a forward his ­priority and there is strong ­interest in Julián Alvarez, although it is unclear how much Atlético would demand for the Argentina international. Khvicha Kvaratskhelia would be the dream signing, but PSG are not expected to entertain offers for the Georgian.

Other longstanding targets include Kvaratskhelia’s teammate Bradley Barcola, Nico Williams of Athletic Bilbao and Newcastle’s Anthony Gordon, who also interests Bayern Munich. Gabriel Martinelli would be allowed to depart if a ­suitable offer arrived.

Interest in Newcastle’s Sandro Tonali could be revived, but Myles Lewis-Skelly’s performances as a midfielder may persuade Arteta to prioritise elsewhere. Ethan Nwaneri’s future looks less secure. He spent the second half of the season on loan at Marseille after signing a new five-year contract in August and is wanted by clubs including Borussia Dortmund.

There could be a handful of other departures, with Christian ­Nørgaard linked with Ajax after playing 56 minutes in the Premier League since his move from Brentford last year and Gabriel Jesus – among the club’s top earners and with a year of his £250,000-a-week contract remaining – also ­surplus to requirements.

Arsenal are in talks with representatives of the 16-year-old Leicester winger Jeremy Monga, who this season became the youngest goalscorer in Championship history, over a potential move that would involve a compensation fee being paid for the England Under-19s international. They have this year signed the defender Jaden Dixon from Stoke and the Scottish striker Evan Mooney to boost their youth ranks.