Diane Keaton’s nail clippers for $960: what’s behind the new boom in celebrity estate auctions? | Film | The Guardian

Keyword – Film
Trefwoorden – Film, Culture, Film industry, Business, Collecting, Celebrity, Diane Keaton
Title – Diane Keaton’s nail clippers for $960: what’s behind the new boom in celebrity estate auctions? | Film | The Guardian
Author – https://www.theguardian.com/profile/rupertneate
Link – Diane Keaton’s nail clippers for $960: what’s behind the new boom in celebrity estate auctions? | Film | The Guardian
Publish date – 2026-06-12T06:00:37.000Z
Category – Culture
URL – https://www.theguardian.com/film/2026/jun/12/diane-keaton-dead-celebrity-auctions

F rom Diane Keaton’s bowler hats and polka dot scarfs, to Gene Hackman’s used paint brushes, to Terence Stamp’s love letters from Jean Shrimpton and even Matthew Perry’s black leather wallet (his credit cards and AAA membership card still inside), fans are being offered – at a price – increasingly personal items from the estates of dead celebrities.

The growing trend for auctions of deceased famous people’s personal items – which has boomed ever since the hugely popular Marilyn Monroe estate sale in 1999 – has even attracted its own portmanteau: “deleb” as in dead celebrity.

The first of no fewer than four auctions of Keaton’s professional and personal items went on sale at Bonhams in New York earlier this week with her original Annie Hall script selling for $394,000, way more than its $2,000 estimate.

Several of her trademark hats sold for thousands of dollars, including a black felt Neogranadine (modern day Colombia) cup hat that she wore in an Instagram video teaching fans how hats can be used to enhance their best features. It sold for $5,888, including buyer’s premium, many multiples of its $200-300 estimate. A box of six of her trademark brown polka dot scarfs – that was also estimated to sell for $200-300 – sold for $6,144. A “curated box” of safety pins and nail clippers went for $960. The first Keaton auction raised $1.2m, with 47 of the 50 lots selling for more than their estimate.

In total, Bonhams, in collaboration with celebrity specialist The Fine Art Group, will sell 787 of Keaton’s items. They range from original collages by Keaton and a Gucci sequin suit and beret worn to the Lacma charity gala in 2021, to personal and prosaic items including a “job lot” of her trademark black turtlenecks, a collection of kitchen chopping boards and dog food bowls.

Shane David Hall, director of Fine Art Group’s high-profile client division, says fans are increasingly keen to own celebrities’ personal items and not just items related to their professional lives like film scripts or art collections.

“Over the past 20 years the personal legacy market has really exploded,” he says. “People really feel a personal connection to celebrities and how they have influenced their own lives, and there is a real desire to own something of theirs to keep and deepen that connection.”

Hall says it is celebrities with cult followings, such as Keaton and Perry, that attract the most interest and where the interest is perhaps more focused on personal objects than professional items.

“There is a new generation of collectors with disposal income, and they are more aligned to celebrities and athletes than their parents,” Hall says. “With people like Diane Keaton, they really mean something to their fans, these are people that grew up with her films and her iconic wardrobe. Items of Diane’s are sentimental to them, there are pieces that fit in the trajectory of their own lives and remind them of significant moments in their own story. And of course they make great conversation topics, one could argue more so than an artwork by a famous artist.”

Hall says knowing that so many of Keaton’s items would resonate with fans led to such a large collection going up for sale. “We like to have some value points that are accessible so there is the opportunity for everyone no matter their budget.”

At the more affordable end was lot no 2216 of the second auction “Tailored & Timeless” – four pairs of her thick-rimmed prescription reading glasses which had an estimate of $200-300 (it sold for $2,176).

Bonhams, which also handled the auctions of the late Ruth Bader Ginsburg, Barbara Walters, Lauren Bacall and Hackman, says estate sales are an increasingly large part of its business with sales in that division up 185% last year, and up by an average of 28.5% every year since 2022.

“We sold Gene Hackman’s collection in 2025 and achieved more than $3m. Apart from Hackman’s fine art collection, we found that his three Golden Globes were among the most sought after lots, exceeding their presale expectations by up to 17-times and bringing in a collective total of more than $125,000,” says Anna Hicks, Bonhams’ head of private and iconic collections.

“Fans often place significant value on items associated with a public figure they care about, and as a result, those pieces frequently command a premium well beyond what similar items might achieve without the celebrity association.”

For example, Hicks says, every lot in the Library of Ruth Bader Ginsburg sold for above its estimate. Her heavily annotated copy of the 1957–58 Harvard Law Review – the year she became a member – sold for $100,312.

With so much potential profit at stake, securing the rights to celebrity estates has also become big business in itself. Specialist advisers, such as the Fine Art Group, and celebrity-focused auction houses, such as LA’s Julien’s Auctions and New York’s Heritage Auctions, are investing time and money getting to know celebrities and their families so that when the inevitable time comes their heirs are more likely to call on them.

“We’ve spent decades building up relationships with high profile families,” says Hall. “I would say we are the only firm that looks at the unique challenges of celebrities in this way. Other firms make the mistake of treating celebrities the same as any rich private client, but they’re not, they require significant hand-holding and a lot of personal connection.”

Martin Nolan, co-founder and executive director of Julien’s Auctions, says he first became aware of the potential profit in celebrity estates when his former boss at investment bank Merrill Lynch Martin Zweig bought Monroe’s “Happy Birthday Mr President” dress for a world record $1.27m in 1999.

“I thought he was crazy, and it made me think twice about his stock-picking,” Nolan says. “But when he died his widow entrusted us to sell his collection, and she told me she just wanted him to be proved right that the dress was worth that much. We sold it in 2016 for $4.81m to Ripley’s Believe It or Not! museum.”

Nolan says securing the rights to celebrities’ estates is “extremely competitive” and he spends years building relationships. “We’re the only auction house that specialises only in celebrities, while Sotheby’s, Christie’s and Bonhams dip in and out, we do this every day,” he says. “And celebrities talk to each other, and we have a good reputation in terms of preserving and celebrating their estates.”

Typically, he says, auction houses take 20% of the proceeds from the sale, “but it can get very competitive on price” he says, with some auction houses treating celebrity estates as “loss leaders” in return for the glamour that comes from association.

Nolan agrees that buyers of celebrity items are getting younger and younger, but says they cover all sorts of demographics and are from across the world. The most interesting thing he says about buyers is that “they are often celebrities themselves”.

“Celebrities are just like you or I, they have people that they look up to and admire and when they sadly pass they also want to have something to remember them by.”

This article was amended on 12 June 2026. An earlier version included Michael Caine in a list of dead celebrities whose estates have been auctioned off by Bonhams. While Caine’s possessions were sold by Bonhams in 2022, the actor is alive.

‘The birds will fly away’: can Albania’s flamingo revolution keep its wetlands free from Trumps and tourists? | Albania | The Guardian

Keyword – World news
Trefwoorden – Albania, Ivanka Trump, Jared Kushner, Environment, Conservation, Wildlife, Europe, World news
Title – ‘The birds will fly away’: can Albania’s flamingo revolution keep its wetlands free from Trumps and tourists? | Albania | The Guardian
Author – https://www.theguardian.com/profile/ajit-niranjan
Link – ‘The birds will fly away’: can Albania’s flamingo revolution keep its wetlands free from Trumps and tourists? | Albania | The Guardian
Publish date – 2026-06-12T04:00:34.000Z
Category – News
URL – https://www.theguardian.com/world/2026/jun/12/albania-flamingos-wetlands-trump-tourists

If the real estate dreams of a billionaire political family come true, an island in one of Europe’s poorest countries will become a luxury hotel complex, sweeping up stretches of the wildlife-rich nature reserve that sits across the water.

No public consultation has taken place, but there are signs the idea is on the way to becoming reality. Albania has been rocked by nearly two weeks of fierce protests after fences and heavy machinery came to a sensitive wetland and preparatory work began on the tourism vision of Ivanka Trump and her husband, Jared Kushner.

Domestic anger at the government’s corruption and global interest in the business dealings of the US president’s family have inflamed the unrest. But at its heart, the fight is driven by the same tension between environmental protection and short-term economic growth that is playing out across Europe .

The area’s status as a wildlife sanctuary was “something that amid all of this probably gets forgotten, but it’s what sparked the big outrage”, said Aleksandër Trajçe, the executive director of PPNEA, Albania’s largest conservation group. “If you want to see the Mediterranean as it used to be, before it was wrecked by tourism, this is one of the last – if not the last – spots where you would find it.”

Marshes, dunes, lagoons and salt pans stretch across the dynamic delta of the free-flowing Vjosa River, which was declared Europe’s first wild river national park in 2023. It sits on a major migratory corridor, hosting about 12% of the country’s wintering waterbirds, and is home to Eurasian otters, loggerhead sea turtles, bottlenose dolphins and Albanian water frogs. Flamingos add bright shocks of pink to striking blue shallows.

Unpublished conservation data shared with the Guardian shows 279 of the 2,529 species in the delta are internationally threatened. Aleko Miho, a biologist at the University of Tirana, who monitors the area with his students each year, said: “These are important habitats. It doesn’t matter who is behind it. What matters is the pressure it puts on a protected area.”

Machines have been seen in the Pishë Poro–Nartë protected area – which sits within the Vjosa-Narta protected landscape inside the delta – but it is unclear how much of the ecosystem would be affected by the proposed development.

The project has not received planning permission or an environmental impact assessment, and the Albanian government, which has welcomed the scheme, said the continuing works were for technical surveys and environmental measurements rather than construction.

“In the meantime, the bulldozers are really progressing,” said Trajçe. “They’re destroying the dunes. They’re opening new roads. The area has been fenced off … it’s really a wild west situation.”

Albania is among the poorest countries in Europe but boasts some of its wildest landscapes. The combination has drawn in holidaymakers seeking cheap getaways – a record 12 million tourists visited Albania in 2025 – but the government has also successfully enticed elites. In May, Ivanka Trump said she was “just captivated” when she swam up to Sazan Island and hiked barefoot to the top.

“It’s not even a business for me, despite the scale of it,” she told the podcast host David Senra about her plans to turn the area into a vast resort. “It feels like a challenge more than anything else: the culmination of all of my experience in real estate, all of my travel, a lot of reflection on how I want to live, how I think people increasingly are wanting to live, and trying to really build something that’s a tangible manifestation of that.”

But many fear that Albania’s tourism push has led the government to disregard nature protection. It redrew the borders of the protected area in 2022 to allow the construction of Vlora airport, which had hoped to see its first commercial flight this month but is still awaiting an operating permit. In 2024 it loosened conservation laws to allow the construction of five-star hotels even in protected areas.

Albania is under pressure to tighten its environmental laws to meet the requirements of the EU, which it hopes to join by 2030. On Tuesday the European Commission said it should refrain from actions that undermine its bid and urged it to “act without delay” in complying with environmental rules. The same day, 96 civil society organisations wrote to the Albanian parliament to demand they repeal the 2024 amendment to the environmental protection law, citing the risks it posed to joining the EU.

The office of Edi Rama, the prime minister, said the fencing of private property was the lawful right of its owner and disputed having reduced the size of the protected area to build the airport.

A spokesperson said projects should not be condemned before they existed. “No European country, including Albania, operates on the principle that development and environmental protection are mutually exclusive,” they said. “The challenge is not exclusion but balance.”

Affinity Partners, Kushner’s investment firm, referred a request for comment to a PR agency, which said Affinity was not involved in the project and “investors are involved in their personal capacity”. A spokesperson for the partners involved in the project said he could not comment on the scale because it was still in the planning phase.

Sazan Real Estate Development LLC, the developer, said it respected continuing public and institutional processes. Asher Abehsera, the chair, said: “Our focus remains on responsible stewardship, environmental enhancement, job creation and creating long-term value for local communities.”

Arup, a global engineering firm that consulted on the project, said its scope was to provide “technical advice on the initial masterplanning” but that it had completed its work last year and was no longer involved.

The Vjosa-Narta ecosystem is not as unspoiled by human activity as Ivanka Trump or some protesters claim. A defunct oil-fired power plant sits beside the lagoon, while the beaches are home to dozens of guest houses, restaurants and even a music festival. However, scientists say it has been spared much of the pollution that plagues other parts of Albania’s coast, as well as the overcrowding that characterises much of the Mediterranean.

The planes, cars and construction that come with a large resort would disturb a special ecosystem that is “relatively untouched” compared with other dunes and lagoons in the Mediterranean, said Miho. “The birds will fly away, for sure.”

Former Super Bowl champion Darron Lee indicted on murder charge in death of girlfriend | NFL | The Guardian

Keyword – Sport
Trefwoorden – NFL, Kansas City Chiefs, New York Jets, Buffalo Bills, US sports, Sport, US crime, US news
Title – Former Super Bowl champion Darron Lee indicted on murder charge in death of girlfriend | NFL | The Guardian
Author – Agencies
Link – Former Super Bowl champion Darron Lee indicted on murder charge in death of girlfriend | NFL | The Guardian
Publish date – 2026-06-11T22:36:21.000Z
Category – Sport
URL – https://www.theguardian.com/sport/2026/jun/11/darron-lee-indicted-murder-charge-nfl

Former NFL linebacker Darron Lee has been indicted on a murder charge in the death of his partner .

A grand jury in Hamilton County returned an indictment on Tuesday. Prosecutors dismissed a tampering with evidence charge to focus solely on the more serious allegation, the Hamilton county district attorney, Coty Wamp, said.

The state is pursuing a first-degree murder conviction, which carries a life sentence. The decision on whether to pursue the death penalty against the 31-year-old will be made in the coming weeks, Wamp said.

Lee is accused of killing Gabriella Perpetuo in February. A medical examiner listed the 29-year-old’s cause of death as multiple blunt force injuries, and the autopsy report listed 12 different injuries, including multiple hematomas, bone fractures and stab wounds.

At the time of Lee’s arrest, he was on probation in Franklin county, Ohio, and Alachua county, Florida, after he was charged in three separate alleged assaults involving another man, Lee’s mother and the mother of his child, court records showed.

Prosecutors accused Lee of asking ChatGPT how to get medical help without calling the police. He asked the AI assistant whether a fall could cause bruising to two eyes and “two stabby looking wounds”, according to evidence presented in court.

Lee remains in the Hamilton county jail without bond.

Lee was one of the best college players in the country during his time at Ohio State, and the Jets selected him with the 20th overall pick in the 2016 NFL draft. The Jets signed him to a four-year contract that included $7.9m guaranteed but he left the team in 2019 after disciplinary problems and poor play.

Lee was a part of the Kansas City Chiefs roster that won the Super Bowl in February 2020, although he did not play in the game itself. His final NFL appearance came in November 2020 for the Buffalo Bills.

‘That was a dumbass play’: De’Aaron Fox’s gaffe leaves door open for historic Knicks comeback | NBA finals | The Guardian

Keyword – Sport
Trefwoorden – NBA finals, San Antonio Spurs, New York Knicks, Basketball, NBA, Sport, US sports, Victor Wembanyama
Title – ‘That was a dumbass play’: De’Aaron Fox’s gaffe leaves door open for historic Knicks comeback | NBA finals | The Guardian
Author – https://www.theguardian.com/profile/bryan-armen-graham
Link – ‘That was a dumbass play’: De’Aaron Fox’s gaffe leaves door open for historic Knicks comeback | NBA finals | The Guardian
Publish date – 2026-06-11T07:43:15.000Z
Category – Sport
URL – https://www.theguardian.com/sport/2026/jun/11/deaaron-fox-spurs-knicks-game-4-collapse-nba-finals

For nearly 47 minutes, the San Antonio Spurs looked poised to leave New York with the NBA finals level at two games apiece.

They’d led by 81-52 in the third quarter, brought a frenzied Madison Square Garden crowd to heel and put themselves on the verge of reclaiming home-court advantage after having dropped the first two games at home. Even after the Knicks mounted a furious second-half fightback and wiped out the entirety of San Antonio’s 29-point cushion, the Spurs still appeared to have one final lifeline.

Then came a decision that could haunt San Antonio for years if the Knicks go on to end their 53-year championship drought.

The Spurs led 106-105 with less than 15 seconds remaining Wednesday night when Jalen Brunson’s floating bank shot ricocheted into the backcourt. The loose ball bounced toward De’Aaron Fox, who sprinted after it and found himself racing toward the basket with only a trailing OG Anunoby between him and what looked like a game-clinching score.

Instead of pulling the ball out and forcing New York to foul, Fox attacked the rim. But Anunoby chased him down and blocked the lay-up attempt.

Seconds later, the Knicks had the ball back. Brunson missed a 31-footer off the front of the rim, but Anunoby soared in from the top of the key and tipped home the winner with 1.2 seconds remaining, completing an improbable 107-106 victory and the largest comeback in NBA finals history.

Fox did not shy away from explaining his thought process afterward.

“You have to score. Try to get a lay-up, get up three [points]. Force them to need a three,” Fox said. “OG made a good block.”

Asked why he went for the basket rather than dribbling out the clock and forcing a foul, the ninth-year point guard was to the point.

“I just thought I’d be able to outrun them. That’s it.”

The explanation did little to quell the criticism.

On ESPN’s post-game show, Charles Barkley delivered a verdict that quickly spread across social media and sports television.

“That was a dumbass play,” Barkley said. “He did not have to shoot that ball.”

The blunt assessment reflected the reaction around the basketball world. With the Spurs clinging to a one-point lead, Fox had safer options available. He could have retreated from pressure and waited to be fouled, shaving precious seconds off the clock. He could have used San Antonio’s final timeout. Instead, he chose the most aggressive path – a gamble Anunoby made him pay dearly for.

Of course, reducing the collapse to a single possession would let the Spurs off too easily. The final mistake merely capped a spectacular unraveling that had begun long before Fox found himself alone in the open floor. San Antonio scored 76 points in the first half but just 30 after half-time. The crisp ball movement and long-distance sharpshooting that had carved apart New York’s defense evaporated as the Knicks chipped away at the deficit.

“Obviously let that get away, being up [29 points],” Fox said. “Got away from doing the things that got us up and put ourselves in that position.”

“I think we played a little slower,” he added. “The ball wasn’t moving the same way that it did in the second half like it did in the first half. We didn’t get a flow on the offensive end in the second half.”

Spurs coach Mitch Johnson saw the same thing.

“We got away from what got us the 76 points in the first half,” Johnson said. “Then you saw at times the aggressiveness and just conviction that we played with early on dissipate a little bit. They made some shots. That’s where you felt the momentum a little bit. We just needed few more tough-minded plays to finish the job.”

He added: “To put as much good work into that first half as we did, get the lead that we had and not finish the job, is disappointing to say the least.”

Wembanyama said he was unable to see Fox’s fateful lay-up attempt after tumbling to the floor during the play, but he offered a curt appraisal of the Spurs’ second-half performance.

“We clearly weren’t the most hungry in the second half,” Wembanyama said. “Stopped moving the ball. Stopped executing.”

That reality may ultimately be what stings most for San Antonio. Fox’s snap decision did not create the collapse. The Spurs had already let a 29-point lead fritter away by then. What the play did was quash their last best chance to survive it.

“Going down 3-1 is obviously very different,” Fox said. “But we feel like we have a team to be able to come back from this.”

Two minutes earlier, the Spurs were still on course to turn these finals into a best-of-three with all the momentum on their side. One costly miscue later, they were staring at the brink instead.

Starmer admits he must ‘turn things around’ as US adds to pressure over defence spending | Keir Starmer | The Guardian

Keyword – Politics
Trefwoorden – Keir Starmer, Labour party leadership, Labour, Politics, UK news, Military, Defence policy
Title – ‘I’m not going away,’ says Keir Starmer despite defence secretary’s exit | Keir Starmer | The Guardian
Author – https://www.theguardian.com/profile/peterwalker
Link – ‘I’m not going away,’ says Keir Starmer despite defence secretary’s exit | Keir Starmer | The Guardian
Publish date – 2026-06-12T13:16:34.000Z
Category – News
URL – https://www.theguardian.com/politics/2026/jun/12/keir-starmer-john-healey-defence-secretary-exit

Keir Starmer has said he knows he has to “turn things around” after a series of crises culminating in the resignation of John Healey, the defence secretary, but warned that any successor would face the same difficult decisions.

In an interview with the BBC after Healey’s departure in a row over defence spending, Starmer promised again to fight any leadership challenge from Andy Burnham or others, saying: “I’m not going to go away.”

He also suggested said that if Burnham did replace him in No 10, there would be a near-identical set of pressures and tough decisions for him given the state of international conflict and the resulting economic impacts.

Starmer said: “I would just gently say this: that whoever is prime minister is going to face the same prevailing winds as I am facing. None of that is going to change.”

In a scathing resignation letter on Thursday, Healey accused Starmer of putting the country’s security at risk and being unable to stand up to his chancellor, Rachel Reeves, and make faster progress in the coming defence investment plan (Dip) towards spending at least 3.5% of GDP on defence by 2035.

Al Carns, the armed forces minister, also quit. Speaking to the BBC on Friday morning, Carns accused the government of not spending enough money on the military and spending on the wrong weapons.

With Burnham increasingly expected to win next Thursday’s Makerfield byelection and return to Westminster, many Labour MPs see a leadership challenge as imminent. It could also involve Wes Streeting, the former health secretary, who quit Starmer’s government last month in the wake of terrible election results for Labour.

Asked if he would lead Labour into the next general election, Starmer replied: “Well, that’s what I want to do. I recognise that, you know, I’ve got to turn things around. We had a very bad set of elections.”

Asked if he recognised he was in peril, the prime minister replied: “Look, I recognise that, given where we are, I need to turn that around and that’s what I intend to do.”

Earlier on Friday, Starmer met the new defence secretary, Dan Jarvis, and Richard Knighton, chief of the defence staff, to discuss the Dip, which was due this week but has been delayed in a wrangle over spending totals.

Asked when it would come, a No 10 spokesperson said only that work was “ongoing to finalise the Dip at pace with the new defence secretary”. They refused to say if Jarvis had any input on the actual sums committed, or had sought any guarantees before accepting the post.

Starmer told the BBC the plan would be “published before the Nato summit” in Ankara early next month. This was the final deadline for it to be released, suggesting the change of defence secretary could have caused new delays.

The prime minister said he had overseen “the biggest sustained increase in defence spending since the 1980s”, adding that every government department had submitted cuts to non-frontline spending to help finance the Dip.

He criticised the idea that balancing such decisions was simple. “Very many people, very often sitting outside of government, give the impression that there is lots of easy decisions that can be taken. There are no easy decisions.”

He added: “Decisions in government involve trade-offs, so they always have to come with that second question: ‘Well, if you’re going to do that, what is it you wouldn’t do?’”

Asked if he would fight in any leadership challenge, Starmer said: “Look, I’m not going to go away. I don’t think we should plunge the country into the chaos of a leadership election.”

He added: “I don’t think it should happen, but if it does then I will fight. And let me just be clear with you: that’s not about personal vanity, it’s not about stubbornness. It’s out of a very deep sense of duty.”

Serena Williams’ return ends prematurely at Queen’s Club due to Mboko injury | Tennis | The Guardian

Keyword – Sport
Trefwoorden – Tennis, Serena Williams, US sports, Sport
Title – Serena Williams’ return ends prematurely at Queen’s Club due to Mboko injury | Tennis | The Guardian
Author – https://www.theguardian.com/profile/tumaini-carayol
Link – Serena Williams’ return ends prematurely at Queen’s Club due to Mboko injury | Tennis | The Guardian
Publish date – 2026-06-11T11:50:02.000Z
Category – Sport
URL – https://www.theguardian.com/sport/2026/jun/11/serena-williams-return-ends-prematurely-queens-club-mboko-injury-raducanu

Serena Williams’s first tournament since coming out of retirement has ended prematurely after her doubles partner, Victoria Mboko, was forced to withdraw from the Queen’s Club tournament after injuring her knee when slipping on the grass in her singles match.

Williams made a sensational return to competition at 44 after a four-year absence on Tuesday alongside Mboko as they defeated the third seeds , Nicole Melichar Martinez and Erin Routliffe, 7-6(2), 6-2. The pair were scheduled to face Leylah Fernandez and Laura Siegemund on Thursday afternoon.

Mboko, the third seed at Queen’s Club, played her opening singles match on Wednesday after receiving a first-round bye. Mboko had earned a break point in set two after losing the first set against the former world No 1 Karolina Pliskova before a bad fall, slipping on the grass after being wrongfooted. She immediately held her left knee and was forced to retire from the match.

The courts at Queen’s Club are known for being some of the most high-quality grass surfaces on the tour but their slick nature makes them particularly slippery in the first days of the tournament. At past editions of the event men’s players have fallen and injured themselves in similar ways after being wrong-footed on the grass.

Williams will next head to Berlin, where she has received a doubles wildcard, and she is expected to be among the doubles wildcard entries at Wimbledon when they are announced next week. Williams has not ruled out Wimbledon, where she won seven singles titles and six doubles titles alongside her sister, Venus, saying on Tuesday after her victory: “They have been great about giving me that space and time to decide.”

However, the immediate future of one of the best young players on the tour is far more opaque as Mboko navigates the uncertainty of injury.

Wimbledon’s wildcard committee will formally make their decisions next week, but SW19 organisers are certainly aware of the buzz Williams’s return to tennis has already inspired.

Asked if Williams would get a wildcard spot if she wanted to, the All England Lawn Tennis Club chief Sally Bolton, said: “I can’t answer that question, but I guess what I can say is we can all see how much excitement Serena being back on a tennis court and particularly on a grass court has created and so one can only imagine what that would be like at the Championships.

“The wildcard committee will formally make their decisions next week and we’ll be communicating those, but she has certainly created a fantastic buzz and that’s exciting for the sport.”

‘I only want justice’: bereaved families seek closure one year on from Air India crash | Air India Ahmedabad plane crash | The Guardian

Keyword – World news
Trefwoorden – Air India Ahmedabad plane crash, UK news, India, Plane crashes, South and central Asia, World news
Title – ‘I only want justice’: bereaved families seek closure one year on from Air India crash | Air India Ahmedabad plane crash | The Guardian
Author – https://www.theguardian.com/profile/aamna-mohdin
Link – ‘I only want justice’: bereaved families seek closure one year on from Air India crash | Air India Ahmedabad plane crash | The Guardian
Publish date – 2026-06-12T09:00:40.000Z
Category – News
URL – https://www.theguardian.com/world/2026/jun/12/air-india-crash-ai171-bereaved-families-seek-closure-one-year-on

W hen Sagar Patel’s mother boarded Air India flight AI171 on 12 June last year, she called her son as she always did before takeoff. The flight was due to leave Sardar Vallabhbhai Patel airport in Ahmedabad, in the western Indian state of Gujarat, and was destined for Gatwick.

“We always had a little traditional thing,” said Patel, a business manager from London. “Once she got on the flight, she would sit down and call me. She’d tell me: ‘Yep, I’m on the flight. See you later.’”

He remembers asking her what she would like for dinner. “I told her: ‘I’ll be there to come and pick you up. I’ll see you later on.’ That was my last conversation with her.”

One year after the crash, bereaved family members say they are still struggling to obtain answers about what happened.

The Boeing 787 Dreamliner struck a medical college shortly after taking off. The crash killed 241 people onboard, including 169 Indian nationals and 52 Britons, as well as 19 people on the ground. A further 67 people were seriously injured.

Patel’s mother, Hasumatiben Patel, was returning to the UK after visiting family in India. “We’ve lost literally the heart of the family,” he said. “After losing my dad, the next person I looked up to was my mum. She was my rock.”

After news of the crash, Patel flew to India to get answers, but a year on he has yet to find any. The loss of his mother, who lived with him and his wife and daughter, has had a profound impact on the family.

“When I came back from India and walked into the house, my daughter was going around in her bedroom trying to look for her. It’s heartbreaking to see that.”

Investigators have yet to publish their final conclusions about the crash, though further developments are expected in the coming days.

Mike Andrews, an aviation attorney representing about 135 affected families, said relatives had faced “roadblocks” from Air India while seeking information about the crash. “They are still being victimised, even one year after the crash,” he said.

For Shweta Parihar, whose husband, Abhinav Parihar, died in the crash while travelling back to Britain, the most painful memories are of the days that followed.

She flew out to India with her son after finding out about the crash. Because authorities were still trying to identify victims through DNA testing, she initially shielded the truth from her son. “I had to lie to him,” she said. “He kept saying: ‘I just want to talk to my dad.’”

When he finally learned the truth, he was left devastated. Speaking about her 11-year-old son’s condition since losing his father, Parihar said: “He starts crying over small things now. Every little thing makes him cry.”

The family had moved to Britain only a few years before the crash, hoping to build a better future. “Everything is now lost,” she said.

Parihar, who is on a health work visa, decried a lack of support from the Indian and British governments, as well as Air India and the Tata Group, which owns the airline.

She said she was seeking practical support to rebuild her life as a single parent, including help securing more stable employment in the UK, a work permit or sponsorship assistance, and support for her son’s education, childcare and activities.

Parihar said: “I can’t get him involved in any activities here because they are so expensive. Before, when his father was here, he used to do gymnastics and swimming. Now it’s £30-£40 per session. It’s tough for me.”

Another widower, Mohammed Shoeb Iproliya, said the anniversary brought back memories of the life he and his wife, Nusratjahan, had been building together. “When I come back home she would be waiting at the door.” He said it was hard to put into words what losing that had meant.

The couple had planned to buy a home and build a future together in Britain. “We had a lot of dreams,” he said. “All those dreams are broken now.”

Like Patel and Shweta, he said he was still waiting for clear answers about the crash. “I only want justice,” he said.

Patel said relatives had repeatedly pushed for more information about the investigation. “Even just provide us a little bit of updates,” he said. “We’ve not even heard the black box or anything like that.”

For Parihar, the lack of closure has made it impossible to move on. “Still we don’t believe this happened,” she said. “Still we are in shock. Still at night we can’t sleep.”

Patel travelled to India this week to mark the first anniversary of the crash, hoping that being there would bring “some sort of closure”.

His message to others was simple: “Cherish your parents,” he said. “Not having them around is one of the most difficult things to deal with.”

Add to playlist: the sweet plunderphonics of Quiet Light and the week’s best new tracks | Music | The Guardian

Keyword – Music
Trefwoorden – Music, Culture, Pop and rock, Electronic music
Title – Add to playlist: the sweet plunderphonics of Quiet Light and the week’s best new tracks | Music | The Guardian
Author – https://www.theguardian.com/profile/shaad-d-souza,https://www.theguardian.com/profile/ben-beaumont-thomas
Link – Add to playlist: the sweet plunderphonics of Quiet Light and the week’s best new tracks | Music | The Guardian
Publish date – 2026-06-12T11:30:44.000Z
Category – Culture
URL – https://www.theguardian.com/music/2026/jun/12/add-to-playlist-the-sweet-plunderphonics-of-quiet-light-and-the-weeks-best-new-tracks

From Boston, via Texas Recommended if you like Grace Ives, Porter Robinson, Grimes Up next Touring EU/UK in November

Riya Mahesh has perfected her own sweet, whimsical brand of plunderphonics; her seventh project as Quiet Light in six years, this year’s Blue Angel Sparkling Silver 2, sounds a little as if it’s been chopped together from samples of Mahesh’s own memory. On Berlin, she sings to a wayward love interest over a moony breakbeat and IDM glitches, as a spoken-word part – what sounds to me like a recording of a lecture – floats in the background. Star100 starts all whispers and garbled laughter, before ceding space to Mahesh’s multitracked harmonies. Sometimes, Mahesh will suddenly deliver a wildly catchy chorus, something she clearly has an aptitude for – check Dealerz, her collab with Danish band A Good Year.

Mahesh’s music is avowedly feminine in its tone; she seems to advocate for sample-heavy music, as a form, as a perfect way to deconstruct and reconstruct fantasies and memories. True to that idea, Blue Angel Sparkling Silver 2 is moody and magical, and recalls singer-songwriter projects such as Samia (in its vocals especially) and Pinegrove while also tapping into the exacting, dreamlike production of artists such as Grimes and Desire.

Mahesh was raised in Texas and played piano from a young age, thanks to the urging of her mother, a sitar player. She self-describes as “an insanely Texas girl” – she was prom queen of her high school – but still wanted to play music when she graduated. After failing to get into Juilliard, the prestigious music college, she decided to pivot and currently balances medical school with her burgeoning music career. It’s an unorthodox backdrop for unorthodox music, which splits the difference between dazed ambient production and big-tent pop melody as if it’s nothing. Shaad D’Souza

This week’s best new tracks

Chat Pile – Deep Blue An awesomely funky howl of frustration and fear from the Oklahoman sludge-groove noisemakers, horrified at how technology has poisoned the groundwater of our lives. Wishy – Lovesick It may sound like it’s beamed directly from 1993, but lean into the nostalgia: this is scuzzy indiepop perfection, anchored by Nina Pitchkites’ lead vocal as she gets swept up in the sweet torture of romantic yearning. Debit – Encasadelciegoeltuerco Taken from her absolutely slamming, top-tier new album Potpourri out today, the Mexican producer sets galloping distortion-laced beats under a gunmetal sky of sustained ambient tones. Rose Gray – Club to Your Arms Sounding a little like Sophie Ellis-Bextor’s wayward younger sister, the Brit award nominee sings of making a beeline from nightclub to bedroom tryst, backed by rapturous electro-pop. RealYungPhil – 2x We’ve long loved this Connecticut rapper’s flow, somewhere between a sensei dispensing wisdom and a mate ​g​rumbling about his ​lot: 2x is another winner, rejecting bothersome rivals over a woozy yet uptempo beat. Daisy* – Punch The artist formerly known as Babii has left her old name behind “due to creative differences with myself”, and she certainly sounds refreshed: Punch pairs whispery singsong vocals with whomping speed garage.

Interpol – This Mirror Weighs a Ton The title track from their forthcoming eighth album has huge drama, a kind of gothic trip-hop topped with Paul Banks’ poetic angst: “The maniac in your head still sleeps in archways / alone as an act of faith”.

Ben Beaumont-Thomas

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Hepworth in Colour review – salty Cornish seascapes compressed into immaculate sculptures | Barbara Hepworth | The Guardian

Keyword – Art and design
Trefwoorden – Barbara Hepworth, Art, Art and design, Culture, Sculpture, The Courtauld Institute of Art
Title – Hepworth in Colour review – salty Cornish seascapes compressed into immaculate sculptures | Barbara Hepworth | The Guardian
Author – https://www.theguardian.com/profile/jonathanjones
Link – Hepworth in Colour review – salty Cornish seascapes compressed into immaculate sculptures | Barbara Hepworth | The Guardian
Publish date – 2026-06-11T12:16:58.000Z
Category – Culture
URL – https://www.theguardian.com/artanddesign/2026/jun/11/barbara-hepworth-in-colour-review-courtauld-london-st-ives-cornish

T hey say in St Ives that if you put your ear to a Barbara Hepworth sculpture, you can hear the waves breaking on Porthmeor beach. Well, maybe they do say that and maybe they don’t. But the sea definitely roars in the ravishing sculptures at the heart of this small survey of just one aspect of her work: her use of colour.

Hepworth’s favourite colours turn out to be – wait for it – blue and white, the colours of the sea: the white foamy breakers and the rippling waters that swaddle the Cornish fishing town where her home and studio are proudly preserved.

And they haunt Hepworth’s rounded, pierced, convex and concave tabletop sculptures. In the first and most beautiful room, a series of objects the size and shape of geodes are displayed on pedestals. The rounded, white plaster objects are cut open to reveal deep blue interiors that seem immemorial, although Hepworth has simply painted them. Across the blue illusionistic depths, red-painted strings are tautly fixed. The red strings might suggest seaweed if, like me, you can’t get nature out of your head looking at these abstract yet evocative works.

Is it OK to see Hepworth as an artist of salty seascapes? The Courtauld frames her in a more formalistic, high modernist way as a pure abstract creator. Around her vivid sculptures, in which so many wild windswept walks by the sea seem compressed, the gallery walls are hung with her precise designs. They feature carefully calculated curves and radiating, intersecting lines that map out a lucid, geometrical beauty.

It’s interesting to see these drawings, at least at first. But the obligation to keep looking from Hepworth’s captivating, self-contained sculptures to her studies starts to feel like a chore. The argument of the exhibition is a bit empty, anyway: this famous British artist used colour. Is that a surprise? It seems reductive that a couple of pieces – a curvaceous, holey stone with a splash of yellow paint and a tall, graceful monolith that resembles jade – seem to be here simply to show Hepworth didn’t think in monochrome. They surely deserve better than to be chucked in as evidence that she enjoyed her colours.

But Hepworth is such a great sculptor, perfect and immaculate. Her 1946 elmwood carving Pelagos curls over like an especially elegant wave, the kind that surfers wait for off St Ives. Hepworth must have watched waves for hours, for years, to be able to visualise this graceful, smooth curve of gathered force, which she has painted white on its underside. Red strings, again, are suspended between the double curve, creating an almost cinematic sense of movement. They add to the sense that Hepworth doesn’t only work with colour but sound, too.

The strings make her sculptures resemble the Aeolian harp, an instrument that can be played by the wind. Samuel Taylor Coleridge had one and wrote: “How by the desultory breeze caressed … the long sequacious notes / Over delicious surges sink and rise.” In this windowless room in central London, Hepworth’s stringed sculptures may not sing in the wind but they resonate in your mind.

Hepworth’s passion for the forms created by the wind and waves fills this exhibition with blues and blue-greens. Her oil and pencil sketch Turning Form (Atlantic) is a rolling white misty spray in a spattered blue ocean, while Sea Form (Porthmeor) suggests those same wild waters in a wide horizon of green bronze. Most mysterious and lingering of all is Sculpture With Colour (Eos). This upright oval was carved from Hopton Wood stone in 1946. Hepworth dug a hole into it and painted it blue. The resulting oceanic oval recess in the miniature monolith resembles a huge staring eye: is it the eye of Eos, the Greek goddess of dawn?

I never thought of Hepworth as a mystic. But the calm and stillness her art creates feels spiritual. When you gaze at the upper and lower curves of her work Wave, time stops, as for a surfer on the water.

Hepworth’s art does not depict nature. Instead, it makes you feel the solitude, peace and the immensely long, dwarfing time cycles of nature: the time it takes for the sea to make a cave in a cliff, or for rain to sculpt a peninsula. The sculptor’s chisel has often been imagined as a penetrating, aggressive tool, shaping stone into convex, upright figures. Hepworth releases concavities, liberates holes. Maybe exhibitions of her art are often careful and fussy, as this one is, because they are a little intimidated by the sheer power of British art’s nature goddess.

At the Courtauld, London , from 12 June to 6 September

Behind the scenes at OpenAI HQ: the Stephen Collins cartoon | Life and style | The Guardian

Keyword – None
Trefwoorden – None
Title – Behind the scenes at OpenAI HQ: the Stephen Collins cartoon | Life and style | The Guardian
Author – Stephen Collins
Link – Behind the scenes at OpenAI HQ: the Stephen Collins cartoon | Life and style | The Guardian
Publish date – Fri 12 Jun 2026 11.30 CEST
Category – Lifestyle
URL – https://www.theguardian.com/lifeandstyle/picture/2026/jun/12/behind-the-scenes-at-openai-hq-the-stephen-collins-cartoon