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Ben Shelton dethrones Carlos Alcaraz in five-set thriller after latest US Open finish | US Open Tennis 2026 | The Guardian

Keyword – Sport
Trefwoorden – US Open Tennis 2026, Carlos Alcaraz, US Open tennis, Tennis, US sports, Sport
Title – Ben Shelton dethrones Carlos Alcaraz in five-set thriller after latest US Open finish | US Open Tennis 2026 | The Guardian
Author – https://www.theguardian.com/profile/tumaini-carayol
Link – Ben Shelton dethrones Carlos Alcaraz in five-set thriller after latest US Open finish | US Open Tennis 2026 | The Guardian
Publish date – 2026-09-09T08:04:18.000Z
Category – Sport
URL – https://www.theguardian.com/sport/2026/sep/09/ben-shelton-dethrones-carlos-alcaraz-five-set-thriller-latest-us-open-tennis-finish

As the official 10th day of play in New York moved deeper into the remote hours of the new morning, every passing game imbued Carlos Alcaraz with greater despair. From his focused start, Alcaraz’s intensity had flatlined and he could barely put a ball in court. He lost nine consecutive games against Ben Shelton and seemed to have nothing left.

Instead, the defending champion improbably dragged himself back into a contest that soon developed into one of the most remarkable matches of the year. The latest attempt by Alcaraz, the second seed, at orchestrating a monumental comeback was denied by a brave, defiant Shelton, the eighth seed, who refused to be shaken by his legendary rival or the looming prospect of securing the greatest win of career.

After 4hr 29min and at 3.33am, with the sun not long from rising over Flushing Meadows yet a half-full Arthur Ashe Stadium still hollering in unison until the end, Shelton ended Alcaraz’s reign with a 6-7(5), 6-1, 6-3, 1-6, 7-6 (7) victory to clinch the biggest win of his career and reach the semi-finals of the US Open.

In the aftermath of his dominant fourth-round victory against Tommy Paul, the expectations surrounding Alcaraz had risen exponentially as the seven-time grand slam title winner attempted to defend his crown. His level in the first three sets of the match, however, more faithfully reflected the fact that this was his first tournament back from a four-and-a-half-month layoff.

This was a massive opportunity for Shelton and, under such unique circumstances, he showed that he has the inner belief and resilience to rise to these occasions. He managed this match spectacularly, pairing his typically devastating serving, variation and athleticism with solid returning and steadfast consistency across five sets.

Most important, he held his nerve until the end, even after squandering essential opportunities deep in the final set. “Carlos is one of the greatest champions in our sport already at 23 years old,” he said. “It’s always fun being on the court against him. It’s ridiculous some of the stuff he comes up with sometimes. The most enjoyable match that I’ve had in my career, for sure.”

Alcaraz left everything on the court, his lack of physical preparation also reflected in periods of fatigue and even vomiting into his towel on the court towards the end of the fourth set. Afterwards, he refused to leave the tournament downbeat after being part of such an immense battle against one of the best players in the world so early in his comeback from a serious injury. “As I said before the tournament began, my expectation was to go there, compete, play in these kind of matches for me being healthy,” he said.

“It was close. It was close. So I’m just not going to be disappointed about don’t getting the win at the end. You know, I’m just happy. I’m just proud about myself, about how I fought. After the third set, physically I was really tired, but you know I found a way to push myself up and physically giving extra.”

As a result of Alcaraz’s defeat, a new US Open champion will be crowned: 23 years after Andy Roddick’s triumph here, the last time an American man tasted victory at any grand slam tournament, Shelton will face his compatriot and friend Frances Tiafoe in a wide-open draw. “I was playing against one of the best – he is a beast,” Alcaraz said. “Shelton is an unbelievable player, powerful. He just managed how to play really, really well in every situation, so credit to him. I leave the court happy. I leave the court with a smile, healthy, and this is what I needed.”

There are times when the tennis authorities make self-sabotaging decisions regarding scheduling, but sometimes it is just impossible to contain or plan for the greatness of this sport. This is, without doubt, one of the most incredible days of tennis in years. All four quarter-finals on Tuesday extended to deciding sets with Aryna Sabalenka, Tiafoe and Jessica Pegula each dragging themselves through spectacular comeback victories against Linda Noskova, Alex Michelsen and Emma Navarro respectively.

Alcaraz and Shelton did not start until 11.04pm, but over their subsequent four and a half hours on the court that was soundtracked by a delirious, raucous crowd until the very end, their battle provided the perfect climax to 16 hours of greatness, a night and morning that the thousands of roaring fans still present until the bitter end will never forget.

“It was just enjoyable to be a part of that match,” Shelton said. “Obviously the level of tennis, how long the match was going, the fight that it was, how even of a match it was back and forth throughout, I think that that’s something that we can appreciate. Win or lose, we would have a smile on our face.”

Yuja review – portrait of star pianist who is intellectually curious and deeply musically attuned | Film | The Guardian

Keyword – Film
Trefwoorden – Film, Documentary films, Music documentary, Yuja Wang, Classical music, Culture, Music, China, Asia Pacific, World news
Title – Yuja review – portrait of star pianist who is intellectually curious and deeply musically attuned | Film | The Guardian
Author – https://www.theguardian.com/profile/lesliefelperin
Link – Yuja review – portrait of star pianist who is intellectually curious and deeply musically attuned | Film | The Guardian
Publish date – 2026-09-09T08:00:04.000Z
Category – Culture
URL – https://www.theguardian.com/film/2026/sep/09/yuja-review-portrait-of-star-pianist-who-is-intellectually-curious-and-deeply-musically-attuned

A s well as her film about her own difficult teenage years , British director Lorna Tucker is probably best known for her documentaries on famous women with big personalities: Vivienne Westwood ( Westwood: Punk, Icon, Activist ), Katharine Hepburn (Call Me Kate) and Greta Garbo ( Garbo: Where Did You Go? ). Her latest subject, pianist Yuja Wang, is another high-achiever – but not someone with quite the same name recognition unless you’re a devotee of classical music, a field in which she is ranked among the very best alive. Wang certainly has a flamboyant side, expressed in her highly expressive, virtuoso performances and her sartorial style on stage. In fact some shocking pull quotes illustrate how her dress sense has been bizarrely over-examined in the press; she has been likened to a stripper for her outfits, and the New Yorker, of all publications, once described her as “fat” , which hardly seems germane to any discussion of her ability to play Tchaikovsky or Ligeti.

But Wang’s biography and the texture of her daily life are very different from that of Tucker’s previous subjects. She was a child prodigy from an artistic Beijing family who came of age just in time to break records for views on YouTube. Sure, her life here looks glamorous in one way, with a lush New York apartment she barely ever sees because she’s constantly on the road. But her life is also one of perpetual practice and striving for perfection, the loneliness of the long-distance soloist. It’s a regimen that leaves almost no time for relationships or family, or even many friendships with peers who understand what she is going through – apart from a few mentors or collaborators such as fellow pianist Emanuel Ax or composer Teddy Abrams, with whom she recently won a Grammy. Still, she comes across as an effervescent character, intellectually curious and deeply attuned to the music she plays.

This film doesn’t necessarily rise to the same level of technical perfection, but the cinematography by Seamus McGarvey is full of unexpected reflections and lovely slanting light falling through rooms towards dusk. In the interludes where Wang plays an assortment of pieces (while those pull quotes appear onscreen) there is more abstract imagery – out of focus sunlight, dappling water, drone shots of assorted landscapes – that is a bit screensaver chic, but it’s the music that counts in the end, and that’s divine.

Yuja is in UK cinemas from 11 September.

Grief, fury, conspiracy: inside Turning Point USA after Charlie Kirk’s killing | Charlie Kirk shooting | The Guardian

Keyword – US news
Trefwoorden – Charlie Kirk shooting, US politics, US gun control, US news, Far right (US), Christianity, Religion
Title – Grief, fury, conspiracy: inside Turning Point USA after Charlie Kirk’s killing | Charlie Kirk shooting | The Guardian
Author – J Oliver Conroy
Link – Grief, fury, conspiracy: inside Turning Point USA after Charlie Kirk’s killing | Charlie Kirk shooting | The Guardian
Publish date – 2026-09-09T08:00:04.000Z
Category – News
URL – https://www.theguardian.com/us-news/ng-interactive/2026/sep/09/turning-point-usa-charlie-kirk-killing-one-year-later

As Charlie Kirk’s family, friends, and colleagues barreled through the sky to Utah, one staffer kept throwing up in her mouth. Each time she quietly swallowed. She did not want to add to the distress of the others sitting in deathly silence on the jet – especially Kirk’s 36-year-old wife, Erika. She was already a widow.

Those who work at Turning Point USA – the ultraconservative activist organization based in Phoenix, Arizona, that Charlie Kirk founded – believe deeply in a Christian God. Many also believe that Satan and his deputies vie for influence on Earth. Earlier that day, on 10 September 2025, those forces had seemingly persuaded an angry young man to hide on a roof at Utah Valley University, where Kirk was speaking to 3,000 people, with a loaded rifle.

Since Kirk started Turning Point as an 18-year-old high school graduate in 2012, the organization had become a big operation. It employed more than 400 staff, boasted an operating budget of greater than $100m and hundreds of chapters at colleges and high schools, and had launched a political arm, Turning Point Action, that endorsed candidates and mobilized Republican voters. Although Kirk, now 31, told confidants that he had no interest in office, some political observers thought he might one day be the Republican nominee for president.

As an attack dog for the Trump administration and an organization that has often framed political disagreements as civilizational struggles, Turning Point promoted the dangerous and destabilizing idea that Democrats stole the 2020 election; the organization has also often adopted stances that contradict Kirk’s own stated commitment to free speech.

To Kirk’s fans, however, his willingness to calmly debate people who disagreed with him, often in venues hostile to conservatives, modeled political courage and intellectual integrity. Along with the daily Charlie Kirk Show, ubiquitous viral videos of Kirk jousting with leftwing students about socialism, abortion, and other heated topics made millions of young Americans who had never met him feel as if he spoke for them.

Although he had heavy organizational duties as well as two young children, Kirk still relished and painstakingly prepared for the debate tours. The Utah event was to be the first in an expanded program that would see him speak to audiences of thousands. At the university’s outdoor auditorium, his staff walked a line of waiting students, encouraging those who disagreed with him to come forward.

Wearing a white T-shirt emblazoned “FREEDOM”, Kirk had just started answering a question when he suddenly collapsed. A gunshot echoed.

The crowd began to scream and flee. Some of Kirk’s friends and bodyguards wrestled his six-foot-five-inch body into an SUV. As the car sped to a hospital, they gave frantic first aid, and prayed.

Erika Kirk was sitting in a hospital in Arizona, where her mother was receiving medical treatment, when she got a phone call from her husband’s chief of staff, Mikey McCoy. She was gripped by a bad feeling, she later said, even before she heard him screaming: “ He’s been shot! ”

Andrew Kolvet, a close friend of Kirk’s and a spokesperson for Turning Point, was at home when his phone started convulsing. Hundreds of calls and messages were pouring in – from reporters, the White House, members of Congress. His phone was soon unusable. At Turning Point’s headquarters, staff raced to secure additional security for the buildings and scramble chartered planes, then ran to board without luggage or spare clothing.

No one initially knew if Kirk had survived the gunshot, if the shooter had been caught, or if the attack were part of a larger plot. A senior staffer remembers telling his wife to follow 20ft behind as they stepped off a plane on to open tarmac. As he walked, he prayed: “Lord, protect me. And if this is my moment, cover me in your blood.”

By the time Erika Kirk got to Utah, her husband was long gone. A sheriff advised her against viewing his body, she has said, but she insisted on kissing him goodbye. After a 30-hour manhunt, police arrested the alleged shooter, a 22-year-old gamer who objected to Kirk’s views.

Although political violence is not new in America, we seem to have entered a cycle of new horror. In addition to mass shootings, the past few years have seen the assassination of the Democratic state legislator Melissa Hortman and her husband in Minnesota, multiple assassination attempts on Donald Trump and his cabinet, the killing of two members of the National Guard, the bombing of a fertility clinic in California, the killing of two Israeli embassy staffers, and an arson attack on the Democratic governor of Pennsylvania.

The shocking facts of Kirk’s death were soon eclipsed, on the left, by a debate over what gravity was due a man who had denounced multiculturalism, LGBTQ+ rights, feminism, Islam, the Black Lives Matter movement, and the separation of church and state. Yet many progressives and liberals missed the political significance of what was, in the eyes of half of America, an assassination that killed a man and made him a modern martyr.

To understand Kirk’s death as conservatives understood it, I spoke to 35 people. After months of requests, I was granted unusual access for a reporter at a left-leaning publication.

Kirk’s widow and successor, Erika Kirk, agreed to meet me and answer questions off the record. I also interviewed eight other senior staffers, who gave their first-hand views on Kirk’s legacy and candid and emotional memories of what many described as a year from hell. Beyond Turning Point, I interviewed movement conservatives, sources familiar with the organization, historians and sociologists of the right, and leftwing critics.

Martyrdom is a powerful force, and not easily controlled. It galvanizes and divides, anoints and condemns. When Kirk died, some people worried that his void might trigger a “Game of Thrones scenario” inside Turning Point, its chief field officer, Andrew Sypher, told me.

“Hardship reveals everyone’s true character,” he said. “You just don’t know how the trauma is going to impact everyone. And here’s the incredible part. Rather than turning on each other or leveraging that vacuum … people came together.” Everyone, he said, had each other’s back.

He inhaled. “Where the Game of Thrones happened was in the movement.”

The headquarters of Turning Point cover six buildings in a corporate campus, edged by desert and highway, in south-east Phoenix. A huge American flag flies overhead. Since the day that staff refer to as “9/10”, anyone entering must pass through a security gate. Flanking it are memorial portraits of Charlie Kirk.

This August, the buildings were beginning to bustle with staff getting ready for the fall academic year. Employees leaned young – most looked to be in their late 20s – and white. They also tilted female, with a noticeable number pregnant or accompanied at work by toddlers.

The walls of the offices were decorated with Turning Point merch (“GET MARRIED. HAVE KIDS. GO TO CHURCH. BE A REBEL.”), framed news clippings about Kirk, and, in one case, a cardboard cutout of Joe Biden sniffing a woman’s hair. One person’s desk had a picture of Trump and a pennant reading: “COMFORT IS A SLOW DEATH.”

Everything looked different in 2012, when Kirk had just graduated from a left-leaning high school in the Chicago suburbs. He had a reputation as a contrarian conservative, according to the journalist Kyle Spencer’s 2022 book Raising Them Right: The Untold Story of America’s Ultraconservative Youth Movement and Its Plot for Power. His father was an architect and the family were considered affluent in their rapidly diversifying town.

His parents were center-right Republicans who donated to Mitt Romney. Charlie was more militant: he loved Rush Limbaugh and was excited by the nascent Tea Party movement. Since elementary school, he had also been a believing Christian – and, according to Spencer, once told a friend that he planned to abstain from sex until marriage – but he preferred to make political arguments from secular principles.

He was a dynamo whose ambition and energy were, and still are, remarked on by every person who ever met him. (Tyler Bowyer, the chief operating officer of Turning Point Action, recalled Kirk as a “a nice Steve Jobs”, meaning he had Jobs’s drive and vision without his mercurial difficulty.) Even at 18, his precocious activism – against the ballooning national debt and Obamacare – won him an appearance on Fox News and some speaking gigs.

A local Republican activist, 71-year-old Bill Montgomery, persuaded him to forgo college and to instead work with him on an educational non-profit that would introduce young adults to conservatism and put universities, which they viewed as expensive leftwing indoctrination centers, on defense. They called it Turning Point USA.

Kirk and Montgomery traveled the country soliciting money. Kirk was lanky, badly dressed, and had an occasional facial tic. But he proved a savvy pitchman who understood a perennial anxiety of rich rightwing donors: that the Republican party was too old, too white, too uncool, and losing younger generations to the seductions of the left. In an episode that became organizational legend, he secured a seed donation from Foster Friess, a Wyoming millionaire he passed in a stairwell at a conservative conference. Kirk had memorized his photo beforehand.

“Charlie was extraordinary,” Allie Hanley told me by phone, recently, over the clatter of a dinner party. Hanley and her late husband, the conservative business magnate and art collector Lee Hanley, were early donors. “He was spectacular to the ultimate, really. Almost any superlative you can name, you could apply that.”

More established conservative groups tended to regard Turning Point as a splashy boondoggle, lacking intellectual rigor, or just too youthful, pushy, brash. Yet the organization’s profile continued to rise. Kirk understood social media in a way that older conservatives did not. He also seemed to have his eye on a ball that others could not see.

Sypher recalls him making a point about debates: “He said, ‘You’re never debating to win over the person that you’re conversing with; you’re debating to win over the audience .’ It was always about the audience.”

Perhaps Kirk understood that underlying the leftwing hostility he often faced on campuses was a certain sublimated curiosity. And regardless of how the debates went, rightwingers online would rally to defend what they saw as besieged conservatives exercising their free speech.

Turning Point’s work also began to find eyes in even higher places. Kirk had not been in the absolute first wave of people on the right to embrace Trump, but once he did, he did hard. He worked as an assistant to Donald Trump Jr during the 2016 campaign, and Kirk and Turning Point threw themselves into becoming what the New York Times later described as the Maga movement’s “youth whisperer”.

That entailed a simple rule that he and Turning Point never violated: although Kirk often lobbied Trump in private to change his mind, multiple people told me, he never publicly contradicted him.

A senior executive at Turning Point, who asked to speak on background to talk candidly, told me that people often ask where Kirk would have stood on Trump’s decision this February to go to war on Iran. “I personally believe – and nobody knows, because he’s not here – that he would have probably advocated like heck behind the scenes to stop it, but then ultimately had the president’s back, regardless of the decision that he made.”

After Trump’s election in 2016, Turning Point moved its headquarters from Illinois to the redder state of Arizona. The organization also leaned into opportunistic culture warring that exploited the kinds of cancellation campaigns that conservatives decried in the left. It started an online watchlist of professors across the US who were advancing “leftist propaganda”; as a result some professors have said they suffered a “living hell” of death and rape threats, racial and sexual harassment, and professional pressure. A schoolboard watchlist was later added, as well.

(The watchlists have since been taken down. Turning Point says that these sites aggregated public information, that they were never an “invitation to harass anyone”, and that threats or harassment are “unacceptable”.)

Recognizing the power of online influencers, Kirk worked to build a bench. In November 2017, he was astounded by a panel discussion featuring a young black woman, Candace Owens, who brought blistering attacks on political correctness, identity politics, and the Democratic party’s exploitation of minority voters. Owens had a natural newscaster’s ease. She also seemed to have bizarrely little fear of offending. He signed her immediately.

Alex Clark, who hosts Turning Point’s wellness podcast Culture Apothecary, remembers Kirk once telling her: “You need to want to be famous as much as Candace does. Because it helps the organization to want to put yourself out there. Take every news hit, do every interview, post whatever your most controversial view is – it’s OK, just share it.”

In words that would later seem like an omen, she said, he told her that Owens was so successful because “she wants fame more than anything”.

On air, Kirk liked to challenge young men to spend less time drinking and video-gaming, to marry young to a nice churchgoing woman, and to “have more kids than you can afford”.

A frequent theme of his show was the idea that conservatism was not only the best political ideology but the best way to conduct your life. Kirk had the wit, warmth and relatability to impart that message without sounding stodgy. Some fans drank it like water in the desert.

“People nowadays are really looking for guidance,” said Spencer, who spent hours with Kirk while researching her 2022 book. “And I think that one of the legitimate complaints that you can lodge against progressives is that they have been very reluctant to offer clearcut guidelines, ethics, morals, advice to young people – that theirs can be an anything-goes ethos, which, in its best sense, is an all-inclusive openness, but in its worst leaves people kind of hapless and flailing.”

But the Maga right demanded more than self-help advice. When Trump lost in 2020, Turning Point Action bussed protesters to Washington DC “to fight for the president”, as Kirk wrote in a later deleted tweet. He also helped lead a “stop the steal” rally at a vote-counting center in Phoenix. On his show, he put pressure on Vice-president Mike Pence to overturn the election results.

(Turning Point says that Kirk was “outspoken in questioning the integrity of the 2020 election and believed allegations of irregularities deserved to be fully investigated … Turning Point Action helped students travel to Washington for President Trump’s January 6 rally at the Ellipse. It did not bus protesters to the Capitol, organize the march to the Capitol, or participate in any violence there. Turning Point condemned violence at the Capitol, and continues to oppose political violence of all kinds.”)

By the time he married Erika, in 2021, Charlie’s life had considerably transformed. For one thing, his income – from books, podcasting and speaking engagements, as well as his work for Turning Point – was making him a millionaire, according to the New York Times. By 2023, he began donating his Turning Point salary back to the organization.

For another, he either grew more religious or more willing to combine his religious and political zeal. During the early pandemic, he had become close to several megachurch pastors who were furious about mandated church closures. Erika, who was more vocal about her Christian beliefs, may also have influenced him.

A conservative who met Kirk early on and was close to several of Turning Point’s early megadonors, who asked for anonymity to avoid jeopardizing professional relationships, was “taken aback” to see Kirk at meetings of the Council for National Policy, the influential and secretive organization of the religious right, around 2021 or 2022, speaking in ways that seemed “focused almost exclusively on religion”.

“His speeches went from being 90% about economic issues,” this person told me, “to being 90% about Christianity , salvation, the culture war.”

Where Kirk had once said , in 2018, “We do have a separation of church and state, and we should support that,” he told an audience at the Conservative Political Action Conference, in 2020, that Trump was working to conquer the “seven mountains of cultural influence”, a concept associated with a radical strain of the Christian right.

Matthew Boedy, a professor of rhetoric at the University of North Georgia, has been a critic and observer of Turning Point since 2016. That year he learned that he had been added to the organization’s professor watchlist as retaliation, he believes, for publishing an op-ed supporting gun control. He began getting harassing emails.

His 2025 book, The Seven Mountains Mandate: Exposing the Dangerous Plan to Christianize America and Destroy Democracy, argues that Kirk was a leading figure in popularizing Christian nationalist ideas among millennial and gen Z audiences. “I think Charlie Kirk has been very good at pivoting to things that bring him opportunity,” Boedy told NPR in 2024.

Coming from the opposite political direction, Steve Bannon, the former Trump strategist, partly concurred. “Charlie Kirk was more spiritual leader – with a vision and purpose – than simply a political operative,” he told me in a text message. “As such, I always considered him the real head of the ‘Christian nationalist’ movement in our country.”

(Turning Point believes that Christian nationalism is an imprecise term that is often used to smear conservative figures, and that “[b]elieving that America has a Christian foundation and that faith should inform public life is different from advocating an established national church”.)

At the same time, Kirk was trying to hold together a rightwing coalition that was beginning to fray over the US-Israel alliance: younger conservatives were dramatically more skeptical of Israel than their reflexively Zionist predecessors. A more nationalist “America First” wing, associated with people like Bannon, Tucker Carlson and Marjorie Taylor Greene, was growing frustrated at a Trump administration that they believed was betraying the isolationist spirit behind the Maga movement.

One of Kirk’s greatest sources of heartburn, in his final years, was Nick Fuentes, a popular 28-year-old online pundit known for his Holocaust denial, misogyny, white nationalism and hatred of Israel. Kirk considered Fuentes unwelcome in the coalition, so Fuentes encouraged his far-right, mainly male fans – known as “Groypers” – to heckle Turning Point events and accuse Kirk of being insufficiently rightwing and a sellout to Israel.

Kirk was walking a tricky line: trying to keep the extreme right out of the Maga movement while also proving himself radical enough to satisfy a heavily online gen Z male audience that was itself growing extreme.

His own stances became, in turn, more extreme. Until 2022, he had often criticized identity politics as an offense to the memory of Martin Luther King, whom he praised as someone who fought for a society where all groups were equal; by 2023, he was referring to King, citing his adultery and leftwing politics, as “awful”, and saying that he refused to celebrate Martin Luther King Day.

In one of his last posts to social media, the day before his death, he wrote: “Islam is the sword the left is using to slit the throat of America.”

The Utah medical examiners finished their autopsy sometime before the early morning of 11 September 2025. JD and Usha Vance – who had been close to the Kirks since Charlie encouraged Trump to choose Vance as his running mate – personally flew to Utah to accompany Erika, and her husband’s casket, home in Air Force Two.

A senior executive remembers trying to make his way through a crowd of some of the thousands who spontaneously gathered outside Turning Point’s headquarters to mourn. He was swamped by people reaching out to hug him, cry against him, or hand him tributes. A man drove a wooden cross, 10ft tall, from Michigan, then stood with it outside Turning Point’s headquarters. Some on the right had already proclaimed Kirk a modern martyr.

In the days that followed, Clark, the podcaster, walked up to every co-worker she saw to tell them that she loved them. Nearly a year later, when I interviewed her, the animated, hyperspeed talker spoke expressively but calmly about the aftermath of Kirk’s death until I asked her about the vigil.

“It was just …” she said. “It …” She heaved with sobs.

After recovering, she said, “Here’s how I’ll put it. I was a huge fan of true crime my whole life. I love-love-love scary movies, I love all those things.” Seeing the crowd of mourners outside, she said, she suddenly realized: “This is one of the biggest true crime stories in American history, and this is somebody I know .”

She added: “It changed forever how I think about and consume true crime content. Now I understand the feelings of the people involved. When conspiracy theories are coming out or whatever, I understand how excruciatingly painful and honestly abusive it feels.”

In the past, she said, she “probably would have thought, like, there’s no harm in this type of stuff. It’s just fun, it’s just dumb.”

When certain topics come up – particularly her faith, or her husband’s legacy – Erika Kirk’s register can switch, in an instant, from a polite and chatty warmth to hypnotic intensity. Talking of his death, she radiates cold fury.

“My husband was assassinated ,” she has said . “He didn’t die in a car accident.”

That intensity was on display at Kirk’s public memorial, which filled a stadium with 75,000 people. Wearing a St Michael’s medallion, still stained with her husband’s blood, that medics had torn from his neck while trying to save him, Erika Kirk praised his love of God and said that her faith had sustained her in the 11 days since his death.

She also discussed the biblical gender roles in their marriage in a way that underscored her antifeminism but also seemed to get ahead of any potential criticism of a woman taking over: “Your wife is not your servant. Your wife is not your employee. Your wife is not your slave,” she said. “I was Charlie’s confidant. I was his vault. His closest and most trusted adviser.”

Her eyes blazed out from her dark eyeshadow like accusing blue laser beams. But then, at the climax of her speech, she said: “My husband, Charlie, he wanted to save young men just like the one who took his life … On the cross, our savior said: ‘Father, forgive them, for they know not what they do.’”

Choking out the words, she said: “That man – that young man – I forgive him. I forgive him because it’s what Christ did. And it’s what Charlie would do.”

Kirk seems unshakeable in her religious conviction. She tried to read a book about grief by CS Lewis in which Lewis, a devout Christian, rages at God for taking his wife’s life. She could not relate, she has said : she could never feel angry at God.

Her response to her husband’s death made her a model of conservative womanhood. “She’s holding herself with so much grace,” an 18-year-old college student told me as we sat in the audience of a Turning Point event at George Washington University in April. “And just being very inspiring to people,” she said. “Even after losing her husband in a gruesome, horrible way.”

But the role she was assuming required more than exemplary widowhood. Less than a week after Kirk’s assassination, she had held a virtual meeting with 1,500 staff and volunteers to assure them that no one was going to lose their jobs. Then, on 18 September, three days before the public memorial, the board of Turning Point revealed that Erika Kirk would replace her husband as CEO.

The announcement was extraordinary and, to many observers, perhaps confusing. Instead of fading into the background, dressed in black, to grieve in private, Kirk would be Jackie Kennedy and Lyndon Johnson at the same time. Almost overnight, she transformed from a semi-public figure – an entrepreneur, a prolific Instagram poster of Bible verses, an occasional foil for Charlie’s podcast banter – into a national political figure in her own right.

In the world that Kirk came from, however, the apparent contradiction between traditional womanhood and public ambition was less unusual than it might seem. She belongs to a generation of conservative women who have worked to perfect a balance between assertion and reassuring femininity, and are often highly driven even as they, in theory, reject feminism and embrace “complementarian” marriages grounded in biblical gender roles. She has multiple degrees, ran a small business, and married a younger man.

Katie Gaddini, a sociologist who grew up in a conservative Christian household, spent years interviewing women for her recent book Esther’s Army: The Christian Women Who Power the American Right. The women she meets “want to be married, want to have children, but they are very ambitious and skilled and well-trained”, she told me. “And they want to be in DC. They want to run for office.” Their ideal is to be both a mother and a fighter for the conservative cause.

Kirk is a “really potent symbol of the powerful roles that rightwing Christian women are inhabiting – I mean, largely thanks to feminism”, Gaddini said. “And I’m very curious to see how she’s going to use the role, because role models like her and Amy Coney Barrett really do make a difference with the gen Z women I interview.”

Like many prominent women in the Maga world – including former secretary of homeland security Kristi Noem, rightwing activist Carrie Prejean Boller, and deputy White House press secretary Anna Kelly – Kirk is a former beauty pageant contestant. (She was crowned Miss Arizona USA in 2012.) Pageants are an odd anachronism: sexist, silly, or simply bizarre in the eyes of liberal America, they remain a reliable way for ambitious conservative women to build a public profile, meet useful people, practice public speaking and perhaps lay groundwork for a political future.

“You’re learning to present yourself. You’re learning to have a stump speech, for lack of a better word … You’re learning to be media-savvy,” Hilary Levey Friedman, the author of Here She Is: The Complicated Reign of the Beauty Pageant in America, told the Wall Street Journal last year.

In naming Erika, Turning Point was sidestepping any painful – and potentially tawdry – internal succession fight, while anointing a person whose widowhood and relation to Charlie would theoretically put her above reproach.

Donald Trump Jr, personally told the Daily Mail, in May, that he and Charlie had spoken “about the death threats we both constantly faced”, and that Kirk “made it abundantly clear [that] if anything ever happened to him, he wanted Erika to be left in charge”. Even then, Erika has often felt the need to emphasize that Charlie – a prodigious journal-writer – left behind notebooks of ideas that she reads for inspiration.

“I genuinely think – removing myself of any personal attachment to the Kirk family or to Turning Point – that there is nobody else that could have replaced [Charlie] as CEO,” a staffer, who asked for anonymity to avoid drawing online harassment, told me. “She did not step into this role because she wanted to.”

On the right, the memorial – and especially Erika Kirk’s eulogy – was a sensation. The New York Post led with a picture of Erika crying on Trump’s shoulder and the headline: “I FORGIVE HIM: Erika Kirk’s mercy for Charlie’s killer.” She later said that she had kept that section of the speech blank because she wanted to decide, in the moment, whether to forgive the assassin.

Yet the vision of Charlie Kirk’s martyrdom that Turning Point had worked to promote and protect – and which the Maga right had seemed wholeheartedly to embrace – was already starting to show subtle signs of fracture.

David Engelhardt, a pastor and a member of Turning Point’s board of directors, wryly recalled to me the story of the apostle Paul: “When he leaves Jerusalem, he says, ‘I’m going to go away. And when I leave, many savage wolves will come, not sparing the sheep.’”

For one thing, different factions in the Maga coalition began claiming Kirk for themselves. Since he had been a public figure for years, people could usually find evidence, in his public utterances, that he supported their point of view. And since he was no longer around to help hold the coalition together, it began to splinter.

Figures such as Marjorie Taylor Greene, Tucker Carlson and Thomas Massie, the congressman from Kentucky, seemed to become bolder in their willingness to break with Trump over Israel, his handling of the Epstein files, and eventually his war on Iran.

And other narratives began challenging Kirk’s legacy.

The first came from the left. Initially, many left-leaning pundits – such as Ezra Klein – had described Kirk’s killing as a tragedy, condemned political violence, and earnestly praised his willingness to debate people with whom he disagreed. But a different frame soon took over. On social media, Kirk’s most shocking remarks – about affirmative action, Zohran Mamdani, crime, transgender people – resurfaced.

It is Turning Point’s strong opinion that “[m]any of the clips and quotes that circulated after Charlie’s death were selectively edited, shortened, or stripped of the broader context in which he made them”. One viral quote suggested that Kirk believed that gay people should be stoned to death, when he was mocking people’s tendency to pick and choose Bible verses; another suggested that Kirk viewed black airline pilots as unqualified, when, Turning Point says, he was actually arguing that affirmative-action initiatives risked creating that perception.

Nonetheless, most of the quotes were real, and some were ugly. Nor were all his most controversial remarks merely provocations; some expressed deeply held positions unfathomable to many Americans. Arguing that the circumstance of conception did not change the moral calculus, Kirk said in 2024 that if a 10-year-old daughter of his became pregnant by rape he would tell her to have the baby.

As those statements came rushing back into circulation, some on the left – noting that Kirk had also fiercely opposed gun control – invoked those views to suggest that he had brought his death on himself, or mocked his killing.

To people at Turning Point, it felt like the left was kicking a murder victim – after one of their own killed him. They still get angry recollecting it. The reaction of some on the left “didn’t actually really surprise me, because I knew how much they hated Charlie”, Kolvet, the spokesperson, told me as he reduced a tin of nicotine pouches to pulverized pellets. “And you can quote me on that.”

In response, conservatives drove a social media campaign to name and shame people – mainly teachers, academics and journalists – who said critical or callous things about Kirk’s death. Many lost their jobs, although some have since won settlements or been reinstated.

Other conservatives, however, were genuinely surprised. The warm and loyal man they had known did not seem reflected in the picture that some factions of the left were painting. More than that, they were confused: hadn’t Charlie done what you are supposed to do? Hadn’t he gone out to civilly argue his point of view?

“When he died, people would ask me about him,” Spencer, the journalist and author, said. “And I said that there were two kinds of people in Charlie’s world. There were the people that Charlie supported and loved, and gave a lot of warmth to.” But many outsiders, in communities on the wrong end of Kirk’s politics, received his views and policy prescriptions as “cruel and nasty” or simply cynical.

The second narrative sprang from parts of both left and right, and from a suspicious internet id of no particular politics.

In its softer form, this narrative, expressed in YouTube comments and Reddit threads, suggested that something about Erika Kirk was “off”, “phoney”, “fishy”, “fake” or “sus” (suspicious): she did a lot of press for a bereaved widow with two young children. She did not seem sad enough. Her grief felt performative. Perhaps she was a grifter who was, at some level, milking her husband’s death for personal and political profit.

In its harder form, it became an outright conspiracy. Had the man arrested for killing Kirk really acted alone? What if he’d been a patsy, or had not done it at all? Did this guy – described by prosecutors and some media accounts as a maladaptive gamer furry dating a roommate-slash-lover who was transitioning to female – really seem like a criminal genius?

The theories raced across the internet. In his final months, Kirk had seemed to be moving away from his previously ironclad support for the state of Israel; was Israeli intelligence involved? And what if Erika was in on it?

The theories originated, in large degree, with a disgruntled former Turning Point employee named Candace Owens.

In late 2018, while taking questions at a party in London to celebrate the launch of Turning Point UK, Candace Owens argued that Hitler’s nationalism might have been acceptable if he had kept it within Germany.

At the time she was Turning Point’s director of communications. She later said she was misconstrued – that Hitler was “a homicidal maniac” with “no excuse” – but a group of Turning Point’s campus chapters in the US protested, and, in May 2019, she resigned.

In November 2020 she joined the Daily Wire, Ben Shapiro’s conservative media platform, and debuted an online show called Candace. She was fired in March 2024, after arguing with Shapiro about the Israel-Gaza war – “No government anywhere has a right to commit a genocide,” she wrote on X – and making antisemitic comments . Kirk was also trying to put her at a distance, according to people familiar.

A couple months after leaving the Daily Wire, Owens launched her own show independently. Her growth has been explosive. She has 6m subscribers on YouTube alone – despite, or perhaps because, of the fact that she was recently sued for defamation by the president and first lady of France for asserting that Brigitte Macron is secretly a man. (Her motion to dismiss the lawsuit is pending before a Delaware court. I repeatedly contacted a representative of Owens to ask her perspective; noting that she is pregnant with her fifth child, he said she was unavailable.)

Within a week of Kirk’s shooting, Owens – adopting an I’m-just-asking-questions stance – began raising doubts about the official narrative of his death. She followed up with a multipart documentary, Bride of Charlie, that focused the locus of conspiracy on Erika Kirk.

A number of online media personalities – most of them on the anti-Israel side of the Maga coalition – have also cast doubt on prosecutors’ account of Kirk’s assassination, though without necessarily implicating Erika.

During a eulogy at Kirk’s memorial, in a speech that many Jewish organizations accused of antisemitism, Tucker Carlson seemed to insinuate that Israel was involved in Kirk’s death. Comparing him to Christ, he said : “Jesus shows up and he starts talking about the people in power and he starts doing the worst thing that you can do, which is telling the truth.” And “I can just sort of picture the scene, in a lamp-lit room with a bunch of guys sitting around eating hummus, thinking … we must make him stop talking. And there’s always one guy with the bright idea … ‘Why don’t we just kill him? That’ll shut him up.’” (Carlson denies that he is antisemitic.)

Joe Rogan recently said : “The more time goes on, the more I’m leaning towards Candace Owens … I don’t think any story that you hear in the news is accurate; there’s always some spin.” Fuentes has suggested that Israel tried to bribe Kirk, shortly before his death, to boost support for Israel.

Megyn Kelly has negotiated a fine line, neither endorsing nor quite disavowing Owens. Expressing her distress at how the issue was fracturing the conservative movement, she said in December that she has prayed “so many times to Charlie – and to God – to give me the right guidance on how to handle this whole thing”.

The reach and power of the conspiracy theories is such that there are accounts online of couples on the brink of divorce because they cannot agree about Kirk’s death.

Even Turning Point’s staff has not escaped the tentacles of conspiracy. Earlier this year, the organization fired seven employees, many of whom appear to believe in the theories. (Turning Point says that the staffers were terminated for unrelated work reasons, and that it was unaware of their beliefs at the time.)

In an astounding example of the horseshoe theory of politics, some of these ultraconservatives now work with Democratic-aligned organizations to battle Turning Point, Zee Cohen-Sanchez acknowledged to me. She founded the campus activism organization National Ground Game as leftwing counterprogramming to Turning Point.

Aubrey Laitsch, who was fired as a subcontractor of Turning Point this January, told me that she supports Owens’s work. “I believe her when she says that she won’t rest until this is figured out. And I really admire that.” She added: “Charlie taught me and so many others to always question everything, and I’m just going to continue to do so.”

Needless to say, that is not how Kirk’s friends, family, and colleagues see it. If anything, some of them have experienced a double trauma: while still reeling from the shock of his killing, they were already getting messages accusing them of involvement. The people who personally witnessed his shooting, and tried to save his life, have it the hardest because they also figure most deeply in the conspiracy theories. No one close to Kirk has avoided online harassment or, worse, personal confrontation.

“I’ve had family members turn on me,” Sypher told me. “All of us have.”

“It’s hard to be surprised today, but I have been,” Larry Arnn – a mentor of Kirk’s and the president of Hillsdale College, the conservative Christian school in Michigan – told me. People he considered level-headed, he said, have raised the theories to him. “I said, ‘You think [Erika] may have been involved in the murder of her husband, the father of her children, in order to get his job, or perhaps as an agent of the Mossad?’ They sort of quailed. I’ve had two or three conversations like this.”

Talking of the conspiracy theories as well as the more general vitriol against Erika Kirk, Doug DeGroote, a Turning Point board member, seemed simultaneously furious, sad and resigned.

“I feel sorry for those people,” he said. “That’s what I feel. The people that are online doing that stuff are really empty souls … They need love, they need attention, they need something. To hate somebody the way these people hate is just pure evil, and I don’t know where that comes from.”

Boedy, the professor of rhetoric who found himself on Turning Point’s professor watchlist, believes that the organization is learning that a revolution always eats its children. One of the problems of building a Maga movement on the backs of podcasters, influencers, conspiracy theorists, and other content creators unshackled from the traditional ethical and editorial obligations of journalism is that they eventually run out of content – and create more, by whatever means possible, even if it means cannibalizing their own.

Turning Point has promoted ideas – about the 2020 election, vaccines, the pandemic – that critics have described as conspiracy theories. One of its best-known contributors is Jack Posobiec, a far-right pundit once dubbed “the king of fake news” and the author of a 2025 book that praised Franco and Pinochet.

(Turning Point says that “challenging claims made by public officials and institutions” is not “the same thing as embracing conspiracy theories”, and that the “same principle applies to TPUSA contributors, who are independent commentators with their own platforms, views, and perspectives”.)

“It’s sad, obviously, that Erika is being attacked,” Boedy said. “But when you are a conspiracy spreader, and your organization is built on creating new conspiracies to keep your audiences engaged, and you become the victim or the target of conspiracy theories, you don’t know how to respond.”

Most people I spoke to seemed skeptical that Owens really believes the theories she has promoted.

“It’s a carnival act,” Howard Polskin, an analyst who tracks rightwing media, told me. “It’s outrage as a business model – and business is very good.” Her growth may be slowing , however, suggesting either that viewers are tiring or that her audience has reached its mature size.

Others seemed genuinely unsure to what extent Owens believes her theories, or have given up trying to determine the line.

“It’s hard to keep a charade up like that for a year if you don’t believe it,” Clark said. Owens seemed genuinely distressed by Kirk’s death, she said, though as one of Turning Point’s early stars she may have felt passed over.

Clark, who described herself as “pretty far right” and a skeptic of vaccine mandates, said that Kirk’s assassination also happened at a time when Maga audiences were already primed – by Covid, the Epstein files and later the Iran war – to be suspicious of everything, even the Trump administration.

“You have this conservative voter base who has repeatedly been told they’ve been lied to, and then you have somebody who – at least at one point, [a] long time ago – was close with Charlie, worked closely with Charlie, saying, ‘Don’t trust any of this. Everything is a lie.’ They have been conditioned partly by the Trump admin.”

She thinks that much of the conspiracy theorizing is just antisemitism (“Jew-hatred”), though she also suspects, from anecdotal observation, that Owens has a “massive grip” on stay-at-home mothers who are fairly apolitical but consume a lot of true crime and reality TV. She added: “Her ability to brainwash is – I mean, Jim Jones probably would have been like, ‘Can I have your autograph?’”

Psychologists and sociologists who study conspiracy theories believe they are often attempts to rationalize shocking or distressing events by giving them structure and meaning. Kolvet, the Turning Point spokesperson, put it another way in an interview earlier this year: “I have trained myself to see the conspiracy theories as a testament to the love for Charlie.”

Almost every conservative, inside or outside Turning Point, told me that it was only after Charlie Kirk died that they saw his full importance. “The real lesson, the dangerous lesson people will take,” Bannon told me, “is that assassinations work – that there are certain people like Charlie that are in fact irreplaceable.”

It can take years for the legacy of a martyr to settle – for the story told by his followers, about the meaning of his death, to become history. Kirk has no single obvious heir of any age. Erika Kirk is by all accounts a capable and driven leader. But she is not and can never be him, and much of the hatred she receives probably has its roots in that fact.

Carlson has a big following and recently expressed interest in starting a third party to challenge the Republican party from the right. But he is undisciplined, and probably too far in the fever swamps. Some observers have wondered if Fuentes, who hated Kirk, might actually inherit a significant share of his audience. But, even in a movement with vanishingly few guardrails, he remains toxic.

Kirk’s closest proxy is probably someone who already has political power, close ties to Turning Point, and ambitions far beyond campus activism: JD Vance. And Turning Point, before and after Kirk’s death, has made little secret of its hope that Vance succeeds Trump.

In December – a staggering three years before the 2028 election – Erika Kirk endorsed Vance for president. Whether American voters agree is a different question.

Despite occasional reports of tension with campus chapters or lower-than-expected turnout at events, Turning Point is adamant that the surge of support after Kirk’s assassination continues unabated. “In my role, I see all the metrics. I see all the fundraising,” Justin Streiff, Turning Point USA’s COO, told me. Measured by donations, student interest, number of employees, social media reach and other factors, “there is no slowdown. Like, I don’t even mean a little slow.”

This year Turning Point has announced a number of new programs. Its political arm, Turning Point Action, also continues to aggressively intervene in Republican politics, particularly in its back yard of Arizona, to the point that some conservative strategists and politicians there complained to me that Turning Point was elevating fanatical pro-Trump candidates who do poorly with the general electorate.

Bowyer, the COO of Turning Point Action, disagreed with that tactical analysis. “The people that you’ve talked to, whoever you talked to, they’re wholly uneducated, haven’t looked at the numbers, haven’t looked deeply into it,” he told me in his office, as I listened from across his desk, in a significantly lower chair.

Those who knew and loved Kirk face a difficult few weeks. In addition to the anniversary of his death, which Turning Point is marking with an event at Utah Valley University, initial hearings in the trial of his alleged killer are under way. Erika Kirk can sometimes be seen crying in the courtroom. She walks out whenever footage of her husband’s death is shown.

Any videos of Kirk online are flooded by comments by people who doubt her motives. Perhaps it is simply aesthetic: with her glittery pants and cheerfully chunky diamond rings, she does not look as we expect a political widow to look.

Nothing in my reporting gave me reason to think her grief was anything less than devastating. Similarly, nothing made me doubt that her public messaging, no matter how stage-managed and sometimes overcommunicated, reflects a very real determination to continue her husband’s project.

At Turning Point’s headquarters, I could see her moving around the office, talking to staff. She looked slightly tired, but full of mission.

NFL 2026 season predictions: which teams can bring down the Rams juggernaut? | NFL | The Guardian

Keyword – Sport
Trefwoorden – NFL, US sports, Sport
Title – NFL 2026 season predictions: which teams can bring down the Rams juggernaut? | NFL | The Guardian
Author – https://www.theguardian.com/profile/doug-farrar,https://www.theguardian.com/profile/bryan-armen-graham,https://www.theguardian.com/profile/andrew-lawrence,https://www.theguardian.com/profile/graham-searles
Link – NFL 2026 season predictions: which teams can bring down the Rams juggernaut? | NFL | The Guardian
Publish date – 2026-09-09T08:00:04.000Z
Category – Sport
URL – https://www.theguardian.com/sport/2026/sep/09/nfl-2026-season-predictions-which-teams-can-bring-down-the-rams-juggernaut

This will be the year of …

Quarterbacks living under center. The NFL has developed into a shotgun league, where most quarterbacks take the majority of their snaps three to seven yards away from the center. But the increase in efficiency when it comes to snaps taken right behind the center should have coaches directing their quarterbacks to do more of it. Matthew Stafford, Caleb Williams, and Sam Darnold led the way in 2025, and others will follow. DF

Superteams. The Rams have pushed their chips to the middle of the table by loading up on high-end veterans and deferring much of the cost to future years. Myles Garrett and the unretired Aaron Donald join Stafford, Puka Nacua and a secondary reinforced by Trent McDuffie and Jaylen Watson. Superteams are never a sure thing in the NFL, but the Rams’ terrifyingly stacked roster looks awfully close. BAG

Super Bowl sequel hype , the year the scriptwriters lay a path for a Rams-Bengals rematch in Los Angeles. Both teams have gone to considerable lengths to shore up the defensive side of the ball, with the Rams swinging a mega trade for Garrett on the heels of the Bengals’ draft-week swap for Pro Bowl tackle Dexter Lawrence. AL

Finally saying goodbye to Aaron Rodgers . Let’s forget all the weirdness around the latter years of his career and remember Rodgers as simply one of the best to ever do it. Maybe with Mike McCarthy calling plays again, he can keep Pittsburgh in contention for a wildcard. Even if he fails, you can guarantee seeing some of the old magic in his final season in the NFL. GS

Best team that won’t make the playoffs …

This is the second straight season I’ve pushed the Vikings here, and for the same reasons – the NFC North is the league’s most competitive division, and there is no outstanding candidate at quarterback. Brian Flores’s defense will be marvelous as it always is, and were it not for his ongoing lawsuit against the league , he’d probably be a head coach right now. A three-man quarterback competition is not the best way to maximize one’s competitive window, though. DF

Dak Prescott and CeeDee Lamb are back for an offense that can put up points with almost anybody. But the NFC is deep and unforgiving and the Cowboys ’ front seven looks alarmingly short of difference-makers beyond star defensive tackle Quinnen Williams and Rashan Gary. Nine wins, constant frustration and a third straight January on the couch sounds about right. BAG

The Vikings ’ defense always gives them a chance, and their offensive skill players are elite. It just comes down to what Murray can give them and, historically, that’s been a lot of inconsistency. AL

It will be a battle for Ben Johnson to keep the lightning in the bottle with a Bears defense that thrived on takeaways rather than fundamentals last season. They haven’t made many significant moves – outside first-round safety Dillon Thieneman – to tune things up, then the impressive offense could be let down with a near miss in the wildcard race. GS

Most underrated team …

It’s easy to forget that in the 2021 season, the Bengals lost the Super Bowl by three points, and in 2022, they lost the AFC Championship game by the same margin. Those close calls were followed by matching 9-8 seasons in 2023 and 2024, and last season’s 6-11 faceplant. But if Joe Burrow can stay healthy, these Bengals have a ton of talent on both sides of the ball (led by new defensive line monster Lawrence). DF

Justin Herbert is class and Mike McDaniel’s arrival as offensive coordinator will add some imagination and flair to the offense. But winning 11 games still leaves you overshadowed when Denver’s complete roster and Patrick Mahomes’ Kansas City headline your division. The Chargers are quiet contenders hiding in plain sight. BAG

Last I checked, the Chiefs not only return Patrick Mahomes – the QB standard before the ACL injury (hardly the career killers they used to be) – but also Eric Bieniemy, the offensive coordinator who held players accountable and infused the team’s gameplay with so much confidence and whimsy. AL

Baker Mayfield was quietly brilliant last season and the Buccaneers have a strong roster across the board that finished 8-9 after a 6-2 start because of a number of key players missing time through injury. A bit of luck with the injury bug and the Bucs could spring a surprise. GS

Johnny Manziel disaster waiting to happen department …

The Browns’ quarterback situation. What else could it be? At this point, the Browns may as well bring Manziel back to add even more of a tragic comic cast to the whole thing. Head coach Todd Monken naming Deshaun Watson the Week 1 starter after Watson played horribly and alienated the fanbase in the preseason – never mind the horrid off-field history for which Watson has never taken an ounce of accountability – is merely the first level of Dante’s Inferno. DF

Cleveland naming Watson their Week 1 starter . A $230m albatross coming off multiple achilles tears would have been a risky first choice even if he’d been playing well before getting hurt. The Browns’ decision to roster three other quarterbacks, including Dillon Gabriel on injured reserve, feels prescient here. BAG

Anthony Richardson survived trade rumors and played well enough in camp to win the Colts’ backup QB job. But I say the detente only holds up as long as Daniel Jones’s health, which has never been the greatest, and Richardson’s uneven play in relief makes him a lame duck QB all over again – and his controversial behavior gives the organization cover for the bad fit once more. AL

The Browns missing Garrett’s tremendous pass rush and leadership is a recipe for a very tricky season if they make a slow start. And with Watson starting at quarterback they most likely will. GS

MVP …

Drake Maye, QB, New England Patriots. While I don’t have the Patriots winning the AFC East this season, I think that with the additions of receivers AJ Brown and Romeo Doubs, and coming off a full season in Josh McDaniels’ offense, Maye has everything he needs to take the next step to become an unquestioned Top 10 quarterback. He was exactly that until the Patriots faced a murderers’ row of defenses in the playoffs and his protection fell apart, but the growth he showed in everything from reading the field to taking disguised coverages apart presaged that next level. DF

Lamar Jackson, QB, Baltimore Ravens. The Ravens enter a new era under first-year coach Jesse Minter, but their fortunes still revolve around the NFL’s most disruptive player. The 29-year-old Jackson can unhinge defenses with his arm, legs or simply the threat of either. If Baltimore can get to 12 or 13 wins, he becomes the best bet to enter the exclusive club of three-time MVPs. BAG

Joe Burrow, QB, Cincinnati Bengals. Now that he has a defense behind him again, Joe Cool can get back to lighting up the scoreboard and his cigar after the dubs. AL

Joe Burrow, QB, Cincinnati Bengals. The quarterback finished last year showing some of his best work, so this could be Burrow’s time with incredible weapons Ja’Marr Chase and Tee Higgins at his disposal. GS

The best rookie will be …

Caleb Downs, DB, Dallas Cowboys. The Cowboys’ 2025 defense was one of the worst in recent memory, which is why they replaced Matt Eberflus with Christian Parker as defensive coordinator. Parker’s background with the Philadelphia Eagles and defensive wizard Vic Fangio should pay immediate dividends, and Downs, the Ohio State alum selected with the 11th overall pick, should thrive in Parker’s concepts. DF

Jadarian Price, RB, Seattle Seahawks. With Kenneth Walker III gone and Zach Charbonnet starting the season on the Physically Unable to Perform list, the Seahawks will plug-and-play their first-round draft pick from Notre Dame into a backfield fresh off a Super Bowl title. BAG

Jeremiyah Love, RB, Arizona Cardinals. The Notre Dame prospect shouldn’t lack for opportunities to get the ball off tackle, in space or however else coach Mike LaFleur seeks to make use of the Saquon Barkley clone he simply couldn’t pass up in this year’s draft. AL

Carnell Tate, WR, Tennessee Titans . The No 4 pick has the total package of speed, route running and size. Tate caught the eye in training camp working with second-year quarterback Cam Ward. He will continue to do so throughout 2026. GS

AFC East champion

I’m picking the Bills for one reason, and it’s not Josh Allen – it’s Jim Leonhard. Buffalo’s new defensive coordinator is one of the finest minds in football, and he’ll have that defense asserting itself in ways it never did under Sean McDermott. New England will still be up there after 2025’s Cinderella season, but a tougher schedule and possible regression when it comes to their unusual injury luck should have them taking a step back. DF

New England won it last year and added star wideout Brown, but a regression from 14 wins is almost inevitable even if the Super Bowl loser’s curse has mostly been debunked . The Bills have Allen, DJ Moore and enough defensive talent for first-year coach Joe Brady to take back a division the Bills owned for five straight years before last season. BAG

Not because the Bills are necessarily better than the team that beat them to the top last year. But because New England’s schedule is so much tougher this year, and one loss makes all the difference in this chilly rivalry. AL

A straight shootout between New England and Buffalo. With fresh ideas from Brady, the Bills could have an important edge but there’s not much wriggle room in their opening five games against the Texans, Lions, Chargers, Patriots and Rams. Escaping with a winning record from that run would provide a solid platform to regain dominance. GS

AFC North champion

Trading for Lawrence was the splashy story of the Bengals ’ offseason, but there’s a lot more to like here – especially if Burrow can stay healthy. If he can, I like the Bengals to outpace the Ravens and Steelers based on star power with receivers Ja’Marr Chase and Tee Higgins, and a defense that has a lot of ascending players. DF

Minter has been dealt an enviable hand with Jackson, Derrick Henry and a roster built to win now. Cincinnati should push them, but the Ravens ’ combination of quarterback play, running game and defensive stability remains the division’s safest bet. BAG

The Bengals . Here’s a sentence no one’s ever written until now: Mike Brown, the NFL’s resident cheapskate, is all in. AL

If Burrow just has a full season working behind an improved offensive line, then the Bengals have a great shot at unseating the Ravens. Their schedule is soft enough that they should be aiming for well over 10 wins. GS

AFC South champion

I’m taking the Texans over the Jaguars because of a defense that needs no schematic tricks to upend enemy offenses – they’re good enough to just line up and go right at you. All the Texans need from quarterback CJ Stroud is a level of play a bit above league-average. DF

The Texans defense is one of the NFL’s best with Will Anderson Jr, Derek Stingley Jr and Kamari Lassiter leading the way. Whether Stroud and the offense can hold up their end of the bargain remains the rub, but it should be enough in this middling division. BAG

The Jaguars repeatedly found ways to win tight games in 2025, giving a young team meaningful late-game experience – and a plausible foundation to turn last year’s surge into a deep postseason run. AL

The defense returns almost unchanged after a brilliant 2025 with some good additions in safety Reed Blankenship and rookie run-stopper Kayden McDonald. The Texans have quality and consistency a level above the messy Jaguars and Colts. GS

AFC West champion

I really like what new Chargers offensive coordinator McDaniel will do for Herbert, and I expect the Chiefs to rebound to a point from last season’s disaster. But the 2025 Broncos got all the way to the AFC Championship game, and they may have progressed further had quarterback Bo Nix not suffered a broken ankle in the divisional round. Now, Nix has a new best buddy to help him – former Miami Dolphins receiver Jaylen Waddle, who gives that offense a level of vertical juice it hasn’t had before. DF

They’d probably be defending NFL champions if not for Nix’s untimely injury in the playoffs. The Broncos defense remains elite, the offensive line is right there with it and the addition of Waddle gives them another weapon on offense alongside Courtland Sutton. Nix’s mission with the AFC’s deepest roster boils down to three words: do no harm. BAG

The Chargers made many of the right moves this offseason: keeping most of their receiving corps intact, adding David Njoku and big-play tailback Keaton Mitchell, and rebuilding the interior offensive line. Losing new center Tyler Biadasz to injury is a major blow, but if the line holds together well enough, Herbert and a deep, balanced roster give the Bolts a real chance to edge Kansas City and Denver. AL

The Chiefs and Chargers should be well in the mix but the Broncos still have the edge after last year’s dominance before Nix went down in the playoffs. GS

NFC East champion

The Cowboys bag the crown based on an offense that’s already fully loaded, and a defense that should be worlds better than in 2025. They are the Inverse Houston Texans in that all that defense has to do is play at a pretty good level to blow a lot of opponents away. DF

Brown is gone and Jalen Hurts will be working with his seventh different play-caller in as many NFL seasons, but the Eagles ’ institutional strength has been the envy of the NFC East for decades now. A potentially top-five defense and a rejuvenated ground game featuring Saquon Barkley will provide enough margin for error to outlast a division filled with flawed rivals. BAG

With Brown and coordinator Kevin Patullo gone, the Eagles offense should fly again behind Barkley and Hurts – in make or break year mode not that long after leading the team to Super Bowl glory. AL

The Cowboys are hardly a sleeping giant, but if the defense is as reborn as defensive tackle Williams claims it is then maybe Dallas can finally balance the books with their dynamic offense and reclaim the division. GS

NFC North champion

Close your eyes and throw a dart at the NFL’s toughest division, and you have a 25% chance of being right. The Lions, Packers, and Vikings all have reason for hope, but if Bears head coach Ben Johnson can refine quarterback Caleb Williams, and Dennis Allen’s defense can improve over last season’s boom-or-bust results – they led the NFL in turnover differential , but ranked 23rd in points allowed – it’s Chicago’s time to shine. DF

Chicago may be the trendy pick and Green Bay dangerous floaters, but the Lions still have enough offensive firepower and strength along the line of scrimmage to hold them off in the NFL’s deepest division. BAG

The Lions were burned by injuries last year and still stayed in the playoff hunt almost to the end. They are positioned for a rebound, with more of their core available and one of the league’s easiest schedules – a chance to bank early wins while key pieces work their way back from early-season absences. AL

The Packers remain without Micah Parsons until at least Week 5 but a look at their first four opponents – the Vikings, Jets, Falcons and Buccaneers – points to a hot start. GS

NFC South champion

Mayfield was outstanding in the first half of the 2025 season before his own injuries, and the injuries of those around him, took their toll. The Buccaneers started the season 6-2 before falling off to 8-9. With better luck things should look quite a bit better in 2026. DF

The Buccaneers have the most settled quarterback situation, enough skill-position talent and a defense that’s just good enough. Carolina are the likeliest threat while neither Atlanta nor rebuilding New Orleans have enough to mount a serious challenge. BAG

There’s little incentive to go against the Buccaneers , the gold standard in the league’s most volatile division. AL

Off the back of late-season success in 2025, the Saints will be feeling good about their chances. If second-year quarterback Tyler Shough maintains his upward trajectory they should be confident. GS

NFC West champion

While there are reasons to question the ultimate validity of the Rams ’ “all-in” approach that culminated with the return of Donald, there’s enough in the hypothetical to give Sean McVay’s team a slight edge over the Seahawks – if only because Seattle didn’t follow their Super Bowl win by radically stocking their defense as the Rams did. DF

There are legitimate durability questions around the aging Stafford and the returning Donald for the Rams . But it’s hard to imagine anyone challenging a roster tricked out with as much high-end talent as any NFL team in years. Anything short of a division title would qualify as a serious underachievement. BAG

The Rams . With apologies to the reigning Super Bowl champs, the moves GM Les Snead and Co made in the offseason to shore up their defense are eerily similar to the big swings they took in the 2021 season. And we all know how that turned out. AL

Donald and Garrett have five defensive player of the year awards between them and link up with former Super Bowl winners from the Chiefs in Watson and McDuffie. The Rams are stacked and then some. GS

AFC wildcard teams

Patriots, Jaguars, Chargers. DF

Patriots, Bengals, Chargers. BAG

Patriots, Ravens, Chiefs. AL

Chargers, Ravens, Jaguars. GS

NFC wildcard teams

Seahawks, Lions, Eagles. DF

Seahawks, Packers, Bears. BAG

Seahawks, 49ers, Cowboys. AL

Buccaneers, Lions, Seahawks. GS

AFC championship game

Bills over Broncos. DF

Broncos over Bills. BAG

Bengals over Jaguars. AL

Broncos over Bengals. GS

NFC championship game

Rams over Seahawks. DF

Rams over Eagles. BAG

Rams over Seahawks. AL

Rams over Cowboys. GS

Your Super Bowl LXI winner will be …

Rams over Bills. The Rams’ “ F Them Picks ” philosophy served them well when they gave up a ton of draft capital for Stafford, Jalen Ramsey, and Von Miller, and they won the Super Bowl as a result. If the 2026 Rams find that their go-for-broke philosophy works once again with a radical reshuffling of their defense, it’s hard to bet against them, because the offense was already so on point. DF

Rams over Broncos. The Rams have spent the offseason putting together a star-studded roster unlike anything we’ve seen in years, adding Garrett, McDuffie and Watson before Donald decided he wasn’t finished after all. Denver’s elite defense is capable of making it ugly, but Sean McVay’s embarrassment of riches on both sides of the ball will ultimately prove too much. BAG

Bengals over Rams. Burrow avenges the biggest loss in his career, and it’s in no small part thanks to Brown and player personnel director Duke Tobin pulling the trigger one last time on a piece that helps neutralize the effects of the Garrett-Donald pocket collapse (an extra guard, a fullback – don’t hold me to specifics). The confusion over what to make of Zac Taylor as a Super Bowl-winning coach quickly gives way to the confusion over what to make of a championship parade festooned with tributes to the world’s weirdest chili . In other words, the renovations on ancient Paycor Stadium pay for themselves . AL

Broncos over Rams. Denver can argue they were a broken ankle away from the Super Bowl last season. Handily for the Broncos they come back with almost an identical roster this year. They kept starting running back JK Dobbins and brought in Waddle to help out Sutton. The Broncos already have the AFC’s best defense to go with a sublime offensive line and exciting weapons that can take down the Rams. GS

Football’s most damaging red cards: a brief history of collapses and turnarounds | Football | The Guardian

Keyword – Football
Trefwoorden – Football, Sport
Title – Football’s most damaging red cards: a brief history of collapses and turnarounds | Football | The Guardian
Author – https://www.theguardian.com/profile/guardian-sport
Link – Football’s most damaging red cards: a brief history of collapses and turnarounds | Football | The Guardian
Publish date – 2026-09-09T07:00:02.000Z
Category – Sport
URL – https://www.theguardian.com/football/2026/sep/09/footballs-most-damaging-red-cards-a-brief-history-of-collapses-and-turnarounds

“The Saturday before last, Clyde were winning 3-0 at The Spartans after an hour when Logan Dunachie was sent off. Twenty-eight minutes later, the score was 3-3. What is the biggest turnaround in a game following a red card/most quantitative blame that can be thrown at a player for getting sent off?” asks Jamie Wills.

At Knowledge Towers, we usually receive questions about the greatest comebacks with 10 men. We covered that in 2021 , so it’s a nice change to look at teams who went to seed after having a player sent off.

Before we get to the meat of the question, a quick detour to cover some teams who were already losing and then fell apart completely after losing a player. There are examples dotted throughout the Premier League era. At the Etihad in 2017-18, Liverpool were a goal down to Manchester City when Sadio Mané was sent off in the 37th minute for a high challenge on Ederson. They lost 5-0 .

Two seasons later, Southampton were 1-0 down at home to Leicester when Ryan Bertrand was sent off in the 12th minute. They were eventually humiliated 9-0 . VVV-Venlo went one worse against Ajax the following season. They were 4-0 down at home when Christian Kum was sent off in the 52nd minute. By the hour mark it was 8-0; Ajax eventually won 13-0 .

In the same season, 2020-21, Southampton lost another Premier League game 9-0 , this time to Manchester United at Old Trafford. The score was goalless when the Swiss midfielder Alexandre Jankewitz walked in the second minute. Opta doesn’t keep records of how much eye contact Jankewitz made with his teammates over the next few days, but we imagine it wasn’t much.

The most costly red cards, literally and figuratively, are those that precipitate a team losing a lead. Zdenek Zeman’s joyfully reckless Foggia were 4-1 up at Atalanta during the 1991-92 Serie A season when Dan Petrescu was given a second yellow card in the 72nd minute. Chaos ensued, Atalanta’s Carlo Cornacchia scored a 14-minute hat-trick and the match finished 4-4.

An even more dramatic 4-4 draw took place in the Premier League 15 years ago. “While there might be bigger turnarounds, my thoughts immediately went to Newcastle v Arsenal at St James’ Park in 2010-11,” writes Rein. “I had just moved to the city and being Dutch, this game really hit home the highs and lows of supporting the Toon and tied me to the club. And that Cheick Tioté goal ….”

We’re sure you remember the game, but if not, here’s a quick precis. Arsenal strolled to a 4-0 half-time lead, then things started to change when Abou Diaby was sent off in the 50th minute for manhandling Joey Barton. Arsenal collapsed in the final quarter of the game. Barton scored twice, Leon Best chipped in with another – and then, in the 87th minute, the late Tioté volleyed a glorious equaliser.

At least Arsenal took a point back to London. Venezia had no such solace after the Derby del Veneto in December 2021. They were 3-1 up at home to Verona in Serie A when Pietro Ceccaroni was sent off in the 62nd minute for handling on the goalline. Gianluca Caprari scored the resulting penalty before Giovanni Simeone struck twice to give Verona a famous win.

And finally, we shouldn’t forget Emmanuel Adebayor ’s scene-stealing cameo on his return to the Emirates in November 2012. He gave Spurs an early lead before being given a straight red card in the 17th minute for a dangerous challenge on Santi Cazorla. Arsenal, who had beaten Spurs 5-2 at the Emirates earlier in the year, enjoyed a bit of deja 5-2.

The million dollar question

“Are Liverpool the first club to have three £100m+ players on their books? And which clubs were first to have three £10m+ and three £1m+ players?” wonders Owen Powell.

It’s tricky to answer this question definitively, mainly because reported transfer fees can vary wildly. With that caveat, these are the best answers we could find – if you can find earlier examples, send them to knowledge@theguardian.com . Turns out Real Madrid aren’t the only Spanish club partial to a galactico or three.

£1m: Nottingham Forest (1981)

Trevor Francis (Birmingham City, 1979)

Ian Wallace (Coventry City, 1980)

Justin Fashanu (Norwich City, 1981)

Fashanu joined Forest in August 1981, precipitating the sale of Francis to Manchester City a few weeks later. He became City’s third £1m+ player after Steve Daley and Kevin Reeves. Francis, Wallace and Fashanu were on Forest’s books together for a few weeks.

£10m: Lazio (1998)

Marcelo Salas (River Plate, 1998)

Christian Vieri (Atletico Madrid, 1998)

Ivan de la Pena (Barcelona, 1998)

We think Barcelona were the first team to sign three players for £10m or more – Ronaldo in 1996, Sonny Anderson and Rivaldo in 1997 – but they weren’t on the books at the same time.

£100m: Barcelona (2019)

Ousmane Dembélé (Borussia Dortmund, 2017)

Philippe Coutinho (Liverpool, 2018)

Antoine Griezmann (Atletico Madrid, 2019)

Dembélé joined Barcelona for a reported fee of £96.8m, potentially rising to £135.5m with add-ons. We’re quietly confident they paid at least £3.2m in add-ons. The first club to sign three players for an upfront fee of £100m+ appears to be Chelsea: Enzo Fernández, Moisés Caicedo and Morgan Rogers. They were briefly on the same wage bill this summer until Fernández moved to Manchester City.

Trophy-laden players (part two)

Last week, we looked at whether any footballer has won more trophies tha n Marquinhos (41 and counting). Our answer at the time was no. Since then, we’ve had a few follow-ups in our inbox putting forward the name of Gibraltar legend Lee Casciaro.

Given that the question did not specify whether the trophies needed to have been won in a major league, we should mention Casciaro’s honours. Here’s Sean DeLoughry with the details. “ According to Wikipedia (so there’s a 3% chance it’s accurate) Gibraltar’s Lee Casciaro won 23 league titles, 15 Rock Cups, 13 Pepe Reyes Cups and 11 Gibraltar Premier Cups with Lincoln Red Imps for a total of 62 trophies.” Even if Wiki’s a little bit out, Casciaro’s trophy haul is still going to be heavier than that of Marquinhos. He isn’t a full-time professional, however, working as a police officer alomgside his football career, so maybe that counts againt him. Sean points us in the direction of Linfield’s Noel Bailie, another former semi-pro, as a member of the 40-trophy club, winning all his silverware during 22 years with the Blues.

Knowledge archive

“Against Wolves this week, West Ham’s Konstantinos Mavropanos scored a goal and then, just five minutes later, scored an own goal. Either way round, what’s the fastest such an unlikely double has been achieved?” wonders Sam Coare.

We had this question in 2022 , when Ajax’s Sébastien Haller scored at both ends in the space of four minutes. Here’s what we said back then:

There are many members of the “scored at both ends” club but finding a player who has done it quicker than the Ajax striker did is tricky. Robert Davies wrote in with a player who matched Haller’s three minutes, but we can’t confirm whether he was faster or slower. Either way, it was an eventful match for Walsall’s Conor Wilkinson in the 3-3 draw with Newport on 1 January this year. Here’s the rundown:

52 min: Came on as sub 53 min: Scored with first touch 56 min: Scored own goal 90+5min: Scored equaliser

We also remember Troy Deeney going from hero to villain within three minutes when he equalised for Watford against Manchester United in the 87th minute in November 2015, before putting through his own net in the 90th. And a doff of the cap to Tammy Abraham, who scored a hat-trick for Chelsea before adding an own goal 14 minutes later during their 5-2 win over Wolves in 2019.

Can you help?

“In their draw at Forest, Spurs managed an xG of 1.6 despite not having a single shot on target,” writes Chris. “What is the highest single-game xG a team has achieved without ever putting one on frame?”

“When did fans wearing replica kits become a thing?” asks Alex Ecob. “Older footage shows people in regular clothes and a few scarves/flags in the team colours. What kickstarted the trend? Did one club get there first?”

“From 2007-08 to 2017-18, Newcastle United’s player of the year award was won by nine defenders and two goalkeepers,” begins Matt Cowan. “From 2002-03 to 2018-19, no forward won the award. Has any club had a longer streak without a forward or midfielder winning the award?”

Apple expected to unveil folding iPhone as new CEO takes center stage | Technology | The Guardian

Keyword – Technology
Trefwoorden – Technology, iPhone, Apple, Smartphones, California, Computing, US news, Mobile phones, West Coast
Title – Apple expected to unveil folding iPhone as new CEO takes center stage | Technology | The Guardian
Author – https://www.theguardian.com/profile/johana-bhuiyan
Link – Apple expected to unveil folding iPhone as new CEO takes center stage | Technology | The Guardian
Publish date – 2026-09-09T06:00:02.000Z
Category – News
URL – https://www.theguardian.com/technology/2026/sep/08/apple-new-folding-iphone

All eyes are on Apple’s annual fall announcement of new products this afternoon, where the company is expected to unveil the most significant change to the iPhone since the smartphone’s introduction in 2007.

Unlike previous iterations, the new iPhone is expected to fold, opening and closing like a passport to double its screen size.

The product release event, titled “Surprise and Shine”, begins at 10am Pacific Standard Time on Apple’s campus in Cupertino, California , south of San Francisco.

While competitors have released foldable smartphones since the late 2010s, the new model will be a first for the iPhone maker and will also serve as the first big test for the company’s new CEO, John Ternus, who assumed the role on 1 September.

Apple is expected to price the phone north of $2000, more than what some of its competitors charge for their foldable phones. A Google Pixel 11 Pro Fold, for instance, retails for $1899. Much remains unknown about Apple’s device, including its name, though it is rumored to be named either the iPhone Fold or the iPhone Ultra.

Apple reportedly began testing prototypes of its folding iPhone display in early 2021 – though at the time there were no plans for its launch, according to a Bloomberg report . Ultimately, the phone the company is rumored to launch will be about 5.5in when it’s closed and 7.8in when it opens. It’s also not expected to have Face ID because the device is too thin to hold the camera that would enable the facial recognition scan. Reports indicate it will only offer Touch ID instead.

Apple is also expected to make several more routine announcements, including new iPhone 18 Pro and 18 Pro Max models. Though the foldable iPhone may take center stage Wednesday, demand for foldable phones makes up only a small sliver of overall mobile device sales. Customers’ interest in standard iPhones, by contrast, remains high, as evidenced in Apple’s most recent robust earnings .

The company is also expected to unveil new iterations of some of its other product offerings at its events and over the next few months, including updates to its Apple Watch and AirPods lines, according to Bloomberg , as well as its first-ever touchscreen MacBook.

Ternus will take the stage as CEO for the first time and mark the beginning of his tenure as the head of Apple, replacing outgoing CEO Tim Cook. In a note to employees on his first day, Ternus said that he was excited about “the incredible products already in the works and the ones we haven’t even imagined”.

“I’m honored to be stepping into this role at what is truly the greatest company in the world, and I am so excited about everything we have in store,” Ternus wrote in his letter. “We have a huge launch next week that’s going to be phenomenal. Thanks for everything you’ve all done to make it possible.”

Reform insists National Rally agreed migrant policy after backlash in France | France | The Guardian

Keyword – World news
Trefwoorden – France, Europe, Nigel Farage, World news, Politics, Reform UK, UK news, Marine Le Pen, National Rally, Migration
Title – Reform insists National Rally agreed migrant policy after backlash in France | France | The Guardian
Author – https://www.theguardian.com/profile/rowena-mason,https://www.theguardian.com/profile/angeliquechrisafis
Link – Reform insists National Rally agreed migrant policy after backlash in France | France | The Guardian
Publish date – 2026-09-09T06:00:02.000Z
Category – News
URL – https://www.theguardian.com/world/2026/sep/09/reform-uk-national-rally-migrants-deal-farage-bardella

Reform UK has insisted its deal with France’s far-right National Rally to return migrants back across the Channel was fully approved by the party and signed off by its president, Jordan Bardella, amid a furious backlash in France.

The agreement unveiled on Friday between Nigel Farage and Bardella, who is the 30-year-old protege of presidential candidate Marine Le Pen , appeared to directly contradict Le Pen’s long-held policy of refusing to accept the return of those who arrive in the UK in small boats from France.

Le Pen was pressed for her position by journalists from France TV, the state broadcaster, on Monday. Le Pen declined to comment, saying she would talk about the issue soon, but at a time of her choosing.

In 2021, Le Pen said she wanted a rewriting of border agreements for the UK to specifically send people arriving on boats back to their countries of origin, instead of returning them to France.

Since the agreement, Bardella has come under fire from political parties in France for signing the deal, with Benjamin Haddad, the Europe minister, criticising Bardella for “submission” that was “against our interests and sovereignty”.

Some French media have questioned whether Bardella was duped by Reform, querying whether the French translation accurately conveyed the meaning by Farage that the National Rally (RN) was prepared to accept any migrants back who travel by small boat.

However, a Reform spokesperson said it was “signed off by both Bardella and the presidential team”, that the policy was included in the French version as well as the English, and it could “confirm both parties are fully on board”.

Until the summer, Bardella had been considered as a potential replacement for Le Pen in next spring’s presidential election but will now run as her future prime minister. In July, when a Paris appeal court upheld Le Pen’s conviction for embezzling European parliament funds, her ban from running for office was reduced, allowing her to stand.

Farage has kept Le Pen at arm’s length, while having cultivated good relations with Bardella over the past year, but he is rumoured to be planning to meet her later in the autumn.

He previously rejected the idea of a tie-up in 2014 in the European parliament when he accused Le Pen’s party of having a history of “prejudice and antisemitism”, which she said was slander. Last week, Farage said he would not have done a deal with the party when led by Jean-Marie Le Pen, Marine’s father, a convicted Holocaust denier who co-founded the Front National in 1972. Le Pen expelled her father from the party in 2015. Farage praised her, saying she had got rid of “extreme elements”.

At the heart of the row in France is the wording of the document Farage brought out for Bardella to sign with him on stage in Birmingham, calling it a memorandum of understanding.

Both texts, presented side by side in English and French, state that, if Farage and Bardella become prime ministers of their respective countries, the UK will intercept boats launched from the French coast, and that France will return people onboard to their countries of origin.

But the English text carried an extra phrase saying “France will ordinarily accept these persons” who would then be returned to their home country. This appeared to show that Bardella was promising to accept returned persons in France, which contradicts the long-held position of RN.

France TV said RN denied any controversy, saying the text was only a declaration of intention that would be refined at a later point. Speaking in Italy over the weekend, Bardella suggested his party in government would prevent migrants from reaching France by much tougher border controls, resulting in the numbers crossing to the UK being much lower.

However, RN’s opponents were critical of Bardella for signing a memorandum on immigration on stage with Farage.

The MP, Sacha Houlié, an ally of the centre-left would-be presidential candidate, Raphael Glucksmann, wrote on X about what he called “a miserable episode where the whole of France could see Mr Bardella used as a doormat by the English far-right.” He told the RN: “You claim to be patriots, you’re cowards.”

Gabriel Attal, the former centrist prime minister and presidential candidate, wrote on X: “To applause from his party members, Nigel Farage made Jordan Bardella sign a memorandum to ensure that all migrants intercepted in the Channel are sent back to France. Either Jordan Bardella doesn’t understand English or he is shamefully weak when it comes to defending French interests. And I think he does understand English.”

Édouard Philippe, a former prime minister and centre-right candidate, said it was an example of hypocrisy and division in Bardella’s party. Philippe said it looked like Bardella found it difficult to stand up to Farage in order to “protect French interests”.

Xavier Bertrand, the rightwing head of the northern Hauts-de-France region, wrote on X that in agreeing that France alone would take responsibility for returning people to their home countries, Bardella was “reducing France to the status of Britain’s subcontractor.”

Chris Philp, the Conservative shadow home secretary, said: “Reform UK’s deal with Jordan Bardella is a complete farce … Time and again, Reform prove they are fundamentally unserious with grand claims for the cameras, with none of the detail or hard work that might survive actual scrutiny.”

Idris Elba says audiences would never accept a black actor playing James Bond: ‘That’s not what they like in their culture’

Keyword – Film
Trefwoorden – Film, James Bond, Culture, Idris Elba
Title – Idris Elba says audiences would never accept a black actor playing James Bond: ‘That’s not what they like in their culture’
Author – https://www.theguardian.com/profile/catherineshoard
Link – Idris Elba says audiences would never accept a black actor playing James Bond: ‘That’s not what they like in their culture’
Publish date – 2026-06-08T11:27:51.000Z
Category – Culture
URL – https://www.theguardian.com/film/2026/jun/08/idris-elba-audiences-would-not-accept-black-actor-james-bond

Idris Elba has refuted rumours that he was seriously in contention to play James Bond after Daniel Craig’s departure in 2021.

The actor, 53, who is currently promoting new film Masters of the Universe, told British GQ the conversation linking him to the role was “never legit”.

“I’ve always felt that it’s not a realistic thing,” he said. “James Bond was written how he was written for a reason. But I was complimented by it. And also, I think, in realistic terms, some markets just don’t go for that. Bond is big all over the world. And [audiences] won’t [all] go for a black male, an African male, playing Bond. That’s not what they like in their culture. Period.”

Elba also said he believed that the character should not evolve too dramatically from Ian Fleming’s original creation. “Bond is so unrealistic, so a hint of reality is good, but let’s not try and make it woke,” he said. “I think you’ve got to be pure to what it is: escapism. Don’t try and answer the world’s taste. Just be Bond.”

Last month, veteran casting director Nina Gold was brought on board for Amazon MGM’s reboot of the franchise, joining director Denis Villeneuve and screenwriter Steven Knight.

A source told Variety that 26-year-old Tom Francis has already auditioned, while Aaron Taylor-Johnson, Jacob Elordi and Callum Turner are all also apparently in the frame.

Hello, goodbye: the Beatles’ chaotic, controversial final tour – as never seen before

Keyword – Music
Trefwoorden – The Beatles, Paul McCartney, John Lennon, Ringo Starr, George Harrison, Pop and rock, Music, Photography, Art and design, Culture
Title – Hello, goodbye: the Beatles’ chaotic, controversial final tour – as never seen before
Author – https://www.theguardian.com/profile/ianleslie
Link – Hello, goodbye: the Beatles’ chaotic, controversial final tour – as never seen before
Publish date – 2026-06-07T05:00:24.000Z
Category – Culture
URL – https://www.theguardian.com/music/2026/jun/07/the-beatles-unseen-photographs-chaotic-controversial-final-tour-jim-marshall

The Beatles played their last official concert on 29 August 1966, at Candlestick Park in San Francisco. Jim Marshall’s pictures capture the group at a pivotal moment, when they are already feeling nostalgia for what they are leaving behind.

Two months earlier, the Beatles had finished precording Revolver, a glittering collection of pop gems. The next day they boarded a plane to begin a global tour during which they would play nothing from it. They were not being perverse; it was simply that none of the songs lent themselves to live performance. On stage, they were a four-piece band. They could hardly play anything as complex as Eleanor Rigby or Tomorrow Never Knows to tens of thousands of fans.

Three years after their first No 1, the Beatles’ artistic development had split into two branches, one of which was withering. Until they came along, a recording was literally a record of a live performance. Please Please Me, the Beatles’ first album, was a collection of performances honed on stage in Hamburg and Liverpool. But the Beatles had come to see the studio as a creative platform in its own right; a place where they could experiment with different sounds and do things nobody else had done. That excited them in a way that live shows did not any more.

While artists like Bob Dylan and the Rolling Stones were inventing what we would now recognise as the modern rock gig, the Beatles’ minds were elsewhere. Consequently, even as their records raced into the future, their shows remained stuck in the past. The format of a Beatles concert in 1966 was still a kind of package-tour variety show, comprising five or six acts. The Beatles would come on last, play a breathless half‑hour set, and say goodnight.

After the first giddy flush of global success, touring had lost its lustre. When they weren’t performing, the Beatles were confined to planes, cars and hotel rooms. On stage, fans pelted them with jelly beans – not as much fun as it might sound – or whatever came to hand, including bottles and shoes. In a 1965 show at the Cow Palace in California a crowd of fans surged past police; in the resulting crush, 30 people were injured, mostly teenage girls. (Joan Baez, who, along with Dylan, had grown friendly with the Beatles, was present. She was seen pulling kids out of the crowd and taking them to safety.) On more than one occasion the Beatles received death threats before a show.

When George Harrison said the Beatles swapped fame and money for their nervous systems, this is what he was talking about. Meanwhile, in every city they landed in, the band had to answer asinine questions at press conferences with whatever reserves of charm they could muster. They felt trapped inside public personas that were an increasingly uncomfortable fit. As John Lennon put it, “We have been Beatles as best we ever will be – those four jolly lads. But we’re not those people any more. We are old men .”

Still, it was not easy to stop touring. A pop group that didn’t perform live was almost inconceivable. Touring was lucrative for the Beatles and for the corporate machine of agents, promoters and merchandise sellers that had sprung up around them. But as they set off in 1966, they were asking themselves if it was worth it. The tour made up their minds.

After desultory gigs in West Germany, they set off for Tokyo, where protesters who viewed the group as a mortal threat to Japanese values marched in the streets, with banners reading GO HOME BEATLES. In the Philippines, they unwittingly triggered a political incident by refusing to attend a reception hosted by the first lady, Imelda Marcos. At the airport on the way out they were abused and jostled by a seething crowd. They were terrified.

In America, DJs in the deep south picked up on a stray remark by Lennon , about the Beatles being more popular than Jesus, and stoked a hate campaign, involving ritual burnings of Beatles records. At one point, it seemed as if their entire career was in jeopardy. The Beatles, used to sellout shows, played to stadiums with thousands of empty seats.

The tour was the most stressful and harrowing episode of their career to date. By the time they got to Candlestick Park for the last show, they had regained their equilibrium. Their fans were already turning the backlash campaign into a defiant joke (“Lennon Saves”). The Beatles had informed their manager, Brian Epstein, they were done. Having supported each other through all the controversies, they were closer than ever, and more sure of their creative purpose. In these photos they look weary but determined to enjoy this final concert as best they can. McCartney asked an aide to tape their performance as a memento.

That night they closed with Long Tall Sally by their hero Little Richard. After taking a bow, they were hustled into an armoured truck and driven away. A new phase would soon begin. Following a break, the Beatles gathered at Abbey Road in November to work on a new song from John, to be called Strawberry Fields Forever

The Beatles: Live at Candlestick Park 1966 by Jim Marshall, curated by Amelia Davis, is published by Chronicle Books at £30 on 11 June. To support the Guardian, order your copy at guardianbookshop.com . Delivery charges may apply.

Ian Leslie is the author of John and Paul: A Love Story in Songs

The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’

Keyword – Film
Trefwoorden – Steven Spielberg, The Terminal, Schindler’s List, ET: The Extra-Terrestrial, Raiders of the Lost Ark, Jaws, AI, Jurassic Park, West Side Story (2021), Close Encounters of the Third Kind, Culture
Title – The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’
Author – Anne Billson
Link – The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’
Publish date – 2026-06-07T09:00:29.000Z
Category – Culture
URL – https://www.theguardian.com/film/ng-interactive/2026/jun/07/writers-choose-favourite-steven-spielberg-films-jaws-close-encounters-raiders-lost-ark

Steven Spielberg is often described as the inventor of the “event movie” – or as the creator of our new age of IP supremacy, in which the genre property is more important than any above-the-title film star. But that isn’t quite it. He came of age in the American new wave era but in spirit belonged neither to that nor fully to Hollywood’s golden age studio system that preceded it.

In fact, he synthesised both into a directing style that was audacious and fluent. He availed himself of the subversiveness of the new wave, and yet was classically oriented, drawing upon his love of – and alienation from – the all-American suburb, making him the Edward Hopper or the Andrew Wyeth of the movies. Tellingly, it was François Truffaut, the most emollient and Hollywood-friendly of France’s Nouvelle Vague masters, whom Spielberg cast in a cameo in Close Encounters of the Third Kind .

Spielberg’s early achievement was to bring about an evolutionary sea change, reinvigorating pulp-popular themes and ideas and giving them a new maturity and mainstream box office credibility. The idea of a giant shark crazed with a vindictive taste for human flesh or dinosaurs busting out of an amusement park is something that Roger Corman or Ed Wood Jr might have made in two weeks with risible rubber creatures . In Jaws and Jurassic Park, Spielberg’s production values were state of the art. His digitally fabricated dinosaurs were gasp-inducingly real. So was his shark in Jaws, a compellingly villainous character – but we could not be permitted any more than a brief glimpse of the mechanical fake shark. Spielberg arrived at the inspired idea of making John Williams’s legendary two-note musical theme the shark: we then imagined the shark, felt the shark, and shivered with fear at the demonic thumping motor of that musical phrase.

Similarly, derring-do adventures in exotically imagined foreign locations for family audiences were once thought the domain of Saturday morning serials. Spielberg, in partnership with the franchise inventor George Lucas, made them the lifeblood and vital voltage of the movie theatre: they were serious propositions in a way they hadn’t been before.

He has an almost supernatural sense for what an audience is expecting and hoping for in each scene. Like an orchestra conductor, he knows how to bring in the chest-busting timpani of the audience’s gasp, cheer and applause.

In movies such as Lincoln, West Side Story, Bridge of Spies and War of the Worlds, he revived great ideas and great figures and brought to them a rapturous verve. He created one of the great battle scenes in Saving Private Ryan and also declined to stay in his lane by taking on racism in Amistad and The Color Purple.

In what is considered his masterpiece, Schindler’s List, he addressed the Holocaust with absolute seriousness and commitment, and set himself the task of trying to find a candle-flame of hope in the darkness.

And in his late classic, the autobiographical gem The Fabelmans – a self-portrait of the artist as a young man – he takes on the antisemitism he experienced, and shows us the moment when the protagonist removes evidence of his mother’s affair while making a home movie – a template for Spielberg’s more family-oriented treatment of novels such as Peter Benchley’s Jaws and JG Ballard’s Empire of the Sun.

The Fabelmans includes the stunning scene in which the protagonist almost reduces a blowhard bully to tears of confusion by making him look good in the amateur film he’s made about school life. It’s still the most instructive moment about Spielberg’s film-making procedure that I have ever seen from him. In a sense, he became the movies; he is the tentpole, the icon of cinema. Peter Bradshaw

Duel

Peter Bradshaw Steven Spielberg’s great 1971 debut, conceived for television, famously electrified George Lucas. It is myth-making reduced to an elemental core: a fundamental contest between good and evil with no backstory, no motivation, no afterlife.

Dennis Weaver (known for roles in the TV shows Gunsmoke and McCloud) is an everyman American executive with the symbolic surname of Mann. He is driving solo through California on his way to a business meeting and is rather proud of his car, so when, in a later stage of panic, he is content to damage that car in the cause of his own survival, it is even more disturbing.

Weaver’s character begins the story by overtaking and honking at a truck on the deserted road; innocuous but perhaps high-handed gestures. And it seems that the driver of that truck – an entirely human being mysteriously fused into the metalwork of the vast, fast-moving automotive weapon – has decided to kill Mann. (Every time I watch, I strain to catch a glimpse of the driver’s face behind the windshield.)

To paraphrase another film entirely: he can’t be bargained with; he can’t be reasoned with; he doesn’t feel pity or remorse. And with this, Spielberg created a classic of ordeal cinema, like something by Michael Haneke, only this time the good guys win – albeit without ever finding out quite what was going on. With only the barest essentials in that desert landscape, Spielberg conjured up a mistral of pure fear.

Raiders of the Lost Ark

Edgar Wright Few films have shaped my love of cinema as profoundly as Raiders of the Lost Ark . I first saw it when I was seven years old, during the summer of 1981, just before my family moved from Dorset to Somerset. In those days blockbusters stayed in cinemas all summer long, so I was lucky enough to see it in both places I grew up. Because of that, the film is vividly burnt into my earliest big-screen memories, but its impact on me goes far beyond nostalgia.

Watching it at that age was the first time I really became aware of the film-makers themselves; that a movie was not just perfect entertainment, but a creation made by people. I had already seen Star Wars and Close Encounters of the Third Kind, and the teaser trailer for Raiders proudly announced it was from the makers of Jaws and Star Wars. This promise of a tantalising blockbuster team-up made me understand the importance of directors and producers. I also realised, perhaps for the first time, that actors could transform completely. Harrison Ford was no longer space cowboy Han Solo; he was the dashing archaeologist Indiana Jones. Better still, the film delivered on all the cumulative excitement, tenfold!

As I grew older and eventually became a film-maker, Raiders became more than a beloved adventure film. It became a masterclass. The pacing, the blocking, the escalation of suspense and action, the tonal shifts; it is an astonishing piece of direction. It’s a film that truly has it all, even the gory bliss of seeing melting Nazis.

I regularly watch Raiders whenever I’m making a film. One of the best ways to learn visual storytelling is by watching great films with the sound off, and Raiders of the Lost Ark is one of the finest examples imaginable. The only discouraging part is realising you will never make anything quite that good. For me, it will live for ever as one of cinema’s most precious artefacts, one we can only dream of equalling; entertainment on a grand scale, 115 minutes of pure popcorn perfection. Edgar Wright is the director of Shaun of the Dead, Hot Fuzz and Baby Driver.

West Side Story

Scott Tobias In the months leading up to its release, the question that hovered over Spielberg’s West Side Story was, simply: “Why?” Why remake a movie musical from 1961 that had already won 10 Oscars? Why excavate an urban Romeo and Juliet that may feature timeless numbers by Leonard Bernstein and Stephen Sondheim, but would seem hopelessly dated in its then-radical vision of hardscrabble white and Puerto Rican gangs squaring off on the Upper West Side?

Yet the movie musical itself, once a staple of Hollywood, had fallen into such disarray in the 21st century that Spielberg’s West Side Story immediately stood out as a thrilling revitalisation of the form, with a fluid choreography of camera and movement that held the clunkiness of stage-to-screen Broadway hits in sharp relief. It also benefits from the subtle contributions of Tony Kushner’s script, which respects Arthur Laurents’s original book while bringing more balance to the Puerto Rican side of the story and adding meaningful period context to these underclass characters at the mercy of city planners.

Minority Report

Gwilym Mumford Steven Spielberg would be few people’s pick to direct a Philip K Dick adaptation, the film-maker’s sense of saucer-eyed wonder doesn’t exactly dovetail with Dick’s dystopian visions. Which makes Minority Report all the more remarkable: a gloriously grubby aberration in Spielberg’s pristine filmography. Leaning into the loopy paranoid stylings of the source material – crime-predicting clairvoyants powering a presumed-guilty police state – the director produces his darkest, most outwardly anti-authoritarian work, perpetually bathed in an unsettling hyper-saturated light and full of wild techno-noir flourishes (targeted ads shouting down from giant billboards, retina scans on severed eyeballs).

This being Spielberg, though, there’s popcorn pleasure to be enjoyed among the murk, including a megawatt performance from Tom Cruise and some of the director’s most kinetic set-pieces: you’ll find yourself holding your breath alongside Cruise as he hides from a pack of surveillance spiders by submerging himself in an ice bath. Both familiar and daringly different, it’s the capper on perhaps the most underrated era for Spielberg: a purple patch of adventurousness around the millennium that saw him also release Saving Private Ryan, Catch Me If You Can and the now slightly underrated AI: Artificial Intelligence. But the dizzying Minority Report is the real jewel.

Close Encounters of the Third Kind

Joseph McBride When I was a kid, I was so obsessed with space travel that I actually imagined an alien rocket ship had landed in our back yard. I soon let go of that fantasy, but Steven Spielberg has never abandoned his youthful dreams about visitations from outer space. He has never made a more enchantingly personal vision than his 1977 Close Encounters of the Third Kind. Other Spielberg classics might have been by other directors with a comparable, if not complete, degree of skill, but only he could have made Close Encounters, with its dysfunctional family, need for escape from stultifying suburbia, concern with communication, and blend of hi-tech with lyrical visual poetry.

Close Encounters made another admirer, Jean Renoir, observe that Spielberg resembles the French concept of the“the village fada … the one possessed by fairies”. It upended the cold war norms of the sci-fi genre by making its aliens benign. This stems from Spielberg’s empathy with aliens of every kind: an expression of solidarity with the refugees from Russia and Poland in his own family, and an emotional identification by this perennial Jewish outsider with minority groups of all kinds. Spielberg gets viciously attacked whenever he makes films about Black people – the underrated Amistad is one of his greatest works. But Spielberg believes we are at our best as “a nation of immigrants”, so Close Encounters speaks directly to us today. Joseph McBride is author of Steven Spielberg: A Biography.

The Terminal

Stuart Heritage Released in 2004, not long after the monumental run of Saving Private Ryan, AI: Artificial Intelligence and Minority Report, The Terminal might just qualify as one of Spielberg’s sweetest and most delicate films. The story of a man forced to live inside an airport after falling through the cracks of international bureaucracy, it lacks the obvious blockbuster heft of Spielberg’s surrounding work, but more than makes up for it with sheer heart.

For such a small story, its scale of production was enormous. A colossal airport terminal was custom-built for the shoot, giving Spielberg total command over the space. As a result, the airport becomes an intricate Tati-esque playground for Tom Hanks, playing a man trying to make a home in a place most people pass through.

Really, though, what stands out is the film’s absolute decency. Another film-maker would have leant too hard into the worst impulses of Hanks’s character, either making him too sentimental or too much of a funny foreigner. Here, however, he’s given precisely the right mixture of sweet and stubborn. But the real star is Stanley Tucci, as an airport official who just wants the problem to go away. Spielberg has done bigger, and he has definitely done flashier, but this is by far his most human work.

1941

Anne Billson Six days after the attack on Pearl Harbor, a concatenation of wacky incidents fool paranoid Los Angelenos into thinking that the Japanese are invading Hollywood. Hysteria, if not hilarity, ensues. 1941 was not a financial flop, but compared with Jaws and Close Encounters of the Third Kind, it underperformed. Critics complained it wasn’t funny, and audiences agreed. In some quarters it was condemned as unpatriotic.

But Stanley Kubrick thought it should have been marketed as drama, not comedy. And once you stop expecting 1941 to make you laugh, an often sublime absurdity kicks in. It’s an orgy of slapstick destruction rather than a coherent story. Spielberg parodies the opening of Jaws: Toshiro Mifune, captain of a Japanese submarine lurking off the coast of California, speaks Japanese to Christopher Lee’s Nazi officer, who speaks German back at him. Nancy Allen gets turned on by B-17 bombers. Ninjas disguise themselves as Christmas trees. A brilliantly choreographed dancehall sequence degenerates into a riot. An all-star cast, including Warren Oates and John Belushi, yell their head off while Robert Stack as General Stilwell, voice of reason amid the mayhem, sheds a quiet tear at a screening of Dumbo.

There are elements that haven’t aged well: racial slurs, a blackface gag, and sexual harassment is played for laughs (though the great Treat Williams is such a cartoonish bully it’s hard to take him seriously). And we see so many stocking-tops you begin to wonder if little Stevie has a fetish. In any case, this is Spielberg with his id exposed, before he slipped back into universal audience-pleasing mode.

Catch Me If You Can

Sasha Mistlin What with all the dinosaurs, aliens, beach landings and futuristic gizmos, it’s easy to forget how great Spielberg is at directing actors. The list of people who gave their defining or breakout performance in one of his films is long and varied: action stars such as Harrison Ford and Liam Neeson, comic performer Whoopi Goldberg, child actors such as Drew Barrymore and Christian Bale; he even launched a gen Z ingenue in Rachel Zegler.

Catch Me If You Can is a masterclass on this front. Leonardo DiCaprio stars as Frank Abagnale Jr, a teenage conman blagging his way across the analogue, take-you-at-your-word America of the mid-1960s in a stolen Pan Am pilot’s uniform. On his tail is the fussy, friendless FBI agent Carl Hanratty (Tom Hanks); pulling at him from the other direction is Frank Sr (Christopher Walken), the father he’s fleeing but still desperate to impress.

Post-Titanic, DiCaprio wasn’t in a slump exactly, but a run of misfires (The Beach, The Man in the Iron Mask) suggested nobody quite knew what he was for. It took Spielberg to build the role that let Leo become Leo, by spotting the cold calculation behind the blue eyes, the steel under the charm.

On first watch, it’s Hanks – and that thick Boston accent (“knawwck knawwck”) – who wins the film. But the masterstroke is getting Walken to dial all the way down. The most imitable of actors has no tics or mannerisms; his bruised, unshowy, Oscar-nominated turn as Frank Sr is simply a diminished man taking shelter in his son’s glamorous fiction.

It’s also Spielberg’s closest thing to a Christmas movie. Frank rings Hanratty every Christmas Eve, two lonely men so committed to the chase that all they’ve really got is each other.

Schindler’s List

Andrew Pulver In this age of social media atrocity footage, it might be hard to understand the impact of Schindler’s List when it came out in 1993. I remember standing outside a theatre after a press screening surrounded by supposedly hardened film critics sobbing in the London streets. Schindler’s List was by no means the first film about the Holocaust, but was the first large-scale Hollywood attempt to depict the events – even if the film itself stopped at the gates of Auschwitz. In those days, the studios steered clear of traumatic recent history, and it took a film-maker of Spielberg’s stature to clobber a way through the executive thickets to get it off the ground.

What “it” was was an adaptation of a prize-winning novel by Thomas Keneally that had the slightly different, less elegant title of Schindler’s Ark. It told the story of German factory owner Oskar Schindler’s attempts to prevent his Jewish employees from being murdered by the Nazis. It might be a classic white saviour narrative, but Spielberg put all his considerable welly into the telling, aided by a pair of unexpectedly brilliant lead performances.

Liam Neeson, at that point known best for comic-book thriller Darkman, was properly heavyweight as Schindler, while Ralph Fiennes, with only a couple of British films behind him, was jaw-dropping as camp commandant Amon Göth, arguably the vilest Nazi ever put on screen. It’s an even more remarkable achievement when you realise Spielberg was editing Jurassic Park during the evenings, having covered the risk by agreeing to make the crowd-pleasing dinosaur film first.

These days, Schindler’s List may look a little punches-pulled next to the all-encompassing horror of László Nemes’s Son of Saul , but of all Spielberg’s prodigious output it’s still the most consequential and meaningful.

ET the Extra-Terrestrial

Ryan Gilbey Steven Spielberg has arguably made five near-perfect movies, all released within a nine-year period at the dawn of his career. Jaws, Close Encounters and the first two Indiana Jones adventures are awe-inspiring. ET the Extra-Terrestrial, though, is in another galaxy of awesomeness. It distils the director’s themes, strengths and obsessions into one rapturous vision. Like ET himself, who is stranded in California’s San Fernando Valley and befriended by young Elliott after his mothership departs Earth, the movie is an odd duck. Its opening eight minutes are dialogue-free; Allen Daviau’s cinematography adheres to a child’s-eye view (no adult males are seen from the waist up until near the end). And despite its blockbuster status, the film is so daringly slow and soulful that it often plays like an intimate indie drama into which a pumpkin-headed alien happens to have waddled. The synthesis of Melissa Mathison’s tender script, John Williams’s stirring score and Spielberg’s miraculous way with child actors guarantees that our tears are honestly earned. This movie is one to phone home about.

AI: Artificial Intelligence

Ann Lee There’s a profound darkness at the heart of AI Artificial Intelligence. The story of a robot boy desperate to win back the love of his adopted human mother after she abandons him in the middle of a forest ends with the destruction of all humanity. It’s unrelentingly bleak. But the film is also incredibly – and at times unbearably – moving.

This is thanks, in large part, to a 12-year-old Haley Joel Osment. As the unblinking android Pinocchio, who’s hellbent on becoming a real boy with only his faithful teddy bear and Jude Law’s flashy robot gigolo to help, he’s unnervingly creepy but also gut-wrenchingly vulnerable.

The backstory behind the film is touching, too – Stanley Kubrick spent decades developing the film but he handed over the project to Steven Spielberg a few years before he died. This mishmash of two distinct auteur styles led to complaints that it’s too jarring and not Spielberg-enough. All I see is a man trying to honour the dreams of his late close friend with ambition and verve, creating a chilling dystopian fairytale about grief, loss and mortality that will leave you obliterated.

Jurassic Park

Simran Hans You may recall Jurassic Park’s opening scene, in which a group of men in orange hard hats chew gum as they await the arrival of a dinosaur. They might as well be the audience, giddily chomping their popcorn as they anticipate the director’s big reveal.

Jurassic Park is Spielberg at his commercial peak, bolstered by John Williams’s soaring, triumphant strings. The director was riding on the coattails of the Indiana Jones trilogy he’d wrapped up four years earlier. The story involves a theme park, and through its creator, Richard Attenborough’s daffy, cuddly, slightly power-mad Hammond, you get the sense that a hugely successful mid-career Spielberg was grappling his own God complex, his own ambivalence about the business of popular entertainment and franchising.

It is also just a perfect all-ages blockbuster, full of humour, wonder, terror and suspense (key ingredients of Spielbergian magic). I watched the film countless times on VHS and on TV as a kid. A white goat chained in a paddock, a rippling plastic cup of water, a velociraptor’s shadow, yellow anoraks and bucketing rain; for me, these images evoke childhood.

Jaws

Catherine Bray Jaws is the perfect shark film, but one of the reasons it works as well as it does is that you could take the shark out entirely and still have a compulsively watchable and beautifully observed study of a small holiday resort in America in the 1970s, filmed on real locations and populated with plausible characters played to the hilt by an array of actors with genuinely interesting faces. This is the stuff that the vast majority of contemporary creature features, from shoestring efforts to the Godzillas of this world, tend to omit.

It’s a critical commonplace to say of a beautiful film that every frame is a picture. For Jaws, it’s a little different. You could isolate any scene from Jaws, and have a brilliant short film: the characterisation, humour and the dialogue are all so strong that any scene in the movie can stand alone. Spielberg achieving this at the age of 26 is phenomenal, but a big part of Jaws’ success is the script by Peter Benchley and Carl Gottlieb and the editing by Verna Fields. Cut the shark, and they basically made a Robert Altman movie. How do you improve an Altman movie? Add a shark.